Truly, for Jim Henson, money was a fuel that fed art.

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The dance involves art and money, but not at the same time. In the first stage, it is paramount that the artist “reserves a protected gift-sphere in which the art is created.” He keeps money out of it. But in the next two phases, they can dance. The way I see it, Hyde’s dance steps go a little something like this:

Make art.
Make art make money.
Make money make art.

It is the last step that turns this dance into a waltz — something cyclical so that the money is not the real end. Truly, for Jim Henson, money was a fuel that fed art.