Tag Archives: literature

Where Writers Write: The Homes of Jack Kerouac | WritersDigest.com

Where Writers Write: The Homes of Jack Kerouac | WritersDigest.com

Paris Review – The Art of Poetry No. 8, Allen Ginsberg

Paris Review – The Art of Poetry No. 8, Allen Ginsberg

Dylan and Ginsberg at Jack Kerouac’s grave in Lowell, reading excerpts from Kerouac’s Mexico City Blues, the first poetry that hit Dylan to the soul.

Jack Kerouac’s 30 Beliefs and Techniques For Writing Modern Prose

Jack Kerouac’s 30 Beliefs and Techniques For Writing Modern Prose

Beat film, narrated by JK, “unadulterated half-hour chunk of Pull My Daisy”

Sure, you could experience the Beat sensibility on film by watching The Beat Generation. But why settle for that high-gloss Metro-Goldwyn-Mayer feature treatment when you can get an unadulterated half-hour chunk of the real thing above, in Pull My Daisy? Both films came out in 1959, but only the latter comes from the lens of photographer Robert Frank, he of the famous photobook The Americans. And only the latter features the unconventional performing talents of Allen GinsbergDavid Amram,Delphine Seyrig, and Jack Kerouac.

That Kerouac himself provides all the narration assures us we’re watching a movie fully committed to the Beat mindset. “Early morning in the universe,” he says to set the opening scene. “The wife is gettin’ up, openin’ up the windows, in this loft that’s in the Bowery of the Lower East Side of New York. She’s a painter, and her husband’s a railroad brakeman, and he’s comin’ home in a couple hours, about five hours, from the local.”

Kerouac’s ambling words seem at first like one improvisational element of many. In fact, they provided the production’s only element of improvisation: Frank and company took pains to light, shoot, script, and rehearse with great deliberateness, albeit the kind of deliberateness meant to create the impression of thrown-together, ramshackle spontaneity. But if the kind of careful craft that made Pull My Daisy seems not to fit within the anarchic subcultural collective persona of the Beats, surely the premises of its story and the consequences thereof do. The aforementioned brakeman brings a bishop home for dinner, but his exuberantly low-living buddies decide they want in on the fun. Or if there’s no fun to be had, then, in keeping with what we might identify as Beat principles, they’ll create some of their own. Or at least they’ll create a disturbance, and where could a Beat possibly draw the line between disturbance and fun?

Interactive Maps for Jack Kerouac’s On the Road

Interactive Maps for Jack Kerouac’s On the Road

Map of Jack Kerouac’s On the Road

Map of Jack Kerouac’s On the Road

Jack Kerouac’s Hand-Drawn Map of the Hitchhiking Trip Narrated in On the Road

Jack Kerouac’s Hand-Drawn Map of the Hitchhiking Trip Narrated in On the Road

On the Road

On the Road

Open Yale Courses | The American Novel Since 1945 | Lecture 8 – Jack Kerouac, On the Road

Open Yale Courses | The American Novel Since 1945 | Lecture 8 – Jack Kerouac, On the Road