A couple days ago I re-introduced you to Dave Olson who will be speaking, today I’d like to re-introduce you to another one of the speakers, Rebecca Bollwitt, who should need no introduction.
Otherwise known as @Miss604, she’s been on Twitter since early 2007 and I would be VERY surprised if you’re not familiar with her because not only does she have almost twice as many Twitter followers as the mayor but she’s also been running her fantasticMiss604.com blog since 2004. She also runs a WordPress development/new media consulting firm called sixty4media, was recently listed as one of the most influential women in social media in all of Canada and she also recently co-authored the book Blogging to Drive Business. In short: she has a lot to teach you this weekend, so you should go to this!
Saturday March 26th, 2011
Tom Lee Music Hall – 929 Granville St (3rd floor)
1pm – 4pm
Everyone’s online – but are you taking advantage of all the opportunities it provides? Find out how to best utilize the internet to market and promote your music, coming up with out-of-the-box ideas and buzz for your band. Featuring artists and marketing professionals who have seen direct results through online promotions!
Dave Olson who’s proposing a panel about Hitchhiking to the Boardroom which is the continuation of awesome that Dave brings to many events, including SXSW of which I’ve attended with him for the past couple of years. Dave also has posted an awesome roundupof panels you might be interested in voting for
Photos are an integral part of building a music scene and attracting audience but there’s a chasm between amateur snapshots and pro photos which truly capture the band’s aesthetic. This panel explores how bands and photographers can work together (technically & creativity) to produce images which enhance the artist/fan relationship.
What do photographers want from bands when shooting them?
What can bands do to be better subjects for photographers?
What are characteristics of a great band or concert photo?
How can photographers get great shots at shows with low light and fast action?
What are the differences between shooting for love or money? Does it change your shots?
Who are you shooting for? Yourself, the bands, the fans, the future?
Everyone has a camera of some kind – how does this change the reasons/importance of your photos?
What are rights licensing options for photographers?
How can photographers build an audience by sharing and using Creative Commons?
How can photographers build relationships with promoters/bands/labels?
Moderator Dave Thorvald Olson is a writer, podcaster and documentarian who frequently appears in media from High Times to CBC to BBC discussing counter-culture, art, hockey, and public policy.
I’ve seen hundreds of rock shows, published punk rock fanzines, followed the Grateful Dead plus Elvis died on my 7th birthday. I presented this panel at Northern Voice conference in Vancouver BC – recap with video, slides, photos, reviews and live blog.
Also, I gathered up exceptional Panelists:
Bev Davies photographed most every punk rock band in, or through, Vancouver in the 1977-85 from DOA to Dead Kennedys to The Clash plus “emerging” major acts like U2, Motorhead and Madonna. Her intimate and distinctive B&Ws, which appeared regularly in the alternative press together form a compelling chronicle of Vancouver’s music history.
Kris Krug regularly shoots bands along with fashion shows, tech conferences, Olympic Games and international travel. Known for his cross-processed style, he shares his shots with Creative Commons licensing, regularly organizes photo walks and contributes to conferences including TedX Shanghai, Gnomedex, PopTech, Petcha Kutcha and Northern Voice.
More about Rock N Roll Photography panel:
Photos are a key component of building a music scene or movement as well as engaging audience for a musical act, but there is a huge difference between some snapshots and photos which capture the band’s aesthetic and essence. Plus, photographers shooting for magazines or freelance don’t always want to share the licensing which allows the band to use the shots for their own promo use.
This panel with noted rock n roll photographers explores how bands and photographers can work together to produce images which thrill the band and inspire the fans. Beyond the technical points of photography, moderator Dave Olson will discuss how the manner of working, point of view, and setting are key contributors to quality results and ask the panelists how they find inspiration, develop a unique style, capture atmosphere, and form working relationships with the artists ~ plus technical tips to get in the pit and make a great rock shot.