Geeky discourse about the culture and rituals of the people at SXSW Interactive conference/festival specifically with cyborg anthropologist Amber Case who gamely banters about: human-techno-social-experience within information revolution; how future is created; how geek inherit/acquire power; micro-economics of start-ups; perils of venture capital; survivability of these commercial endeavors; industry-culture power structures; checking-into lines; affection for robotic devices; time and space compression; durability of books; importance of archiving; and attempt to manifest of a documentarian to articulate how to preserve invisible artifacts which exist every/nowhere.
Hustling to a bus, Uncle Weed ends the festive period with vaporization session and recounts highlights, hi-jinks and life remixes from 2010 including gut surgery, True North Media House social reporting at the Olympics including Olympic Outsider podcasts, Subpop Records, Hockey Hall of Fame, SXSW, Komasket Music Festival, UW40 party, Halloween at the Waldorf hotel, visits from friends, and then a decompression road trip to Nelson with forays to ferries, hot springs and local organic beers. Ends with clumsy thanks to the Chooglers who had my back during the past year.
Musical interludes including an skat/vocal rendition of a Charlie Parker tune by Nico from Savage Blade.
Hazy with a sore throat, Uncle Weed documents journies to the legendary Salt Lick bar-b-q for a slice of rural Texas, plus breakfast oysters, trip to riverside green belt, and rocking out to Black Joe Lewis and the Honey Bears at the Twitter party at The Parish. Plus riffs about drought, reasons for free beer, Big Muff guitar pedals, and forgetfulness, and plans a scant agenda of conferencing and recording.
En route to breakfast at SXSW, Uncle Weed recounts a night of arts and crafts burlesque and barbarians at Emo’s Jr. and forays to various Austin bars and various dot-com parties for tasty beers.
Stops include smoothies at The Hideout, Counter Cafe for pancakes, plus field notes about lanyards and badges, making marketing envelopes, living on appetizers, creekside flora, joys of the quaffable Shiner Bock, magicians and performance troupe, beat/stump boxer, pedi-cab escapes, and closing down an elegant hotel loaded with drunkards in disarray.
On the opening night of SXSW Interactive/Music/Film fest in Austin, Texas, Uncle Weed strolls 6th St. in search of rolling papers and describes the surroundings of partiers from geeks to spring breakers, police on horseback, tattoo parlours, death metal pizza, bars, grills, taverns, microbrews, civic economics and impending cultural chaos. Featuring music by Dan Mangan “Road Regrets” and The Numbskulz.
In between Winter Olympics and SXSW, Uncle Weed soothes a sore throat on a couch and talks about global parties of note (including Oktoberfest, Mardi Gras, Carnival, etc.), plus extols about the Olympic Outsider podcast, True North Media House, importance and nobility of documentation, SXSW preview and recap of recent trip to Pe Ell to visit Hemp Ed and the Numbskulz.
Shortly after New Year’s Day, Uncle Weed recounts highlights from the passing year including a surprising visit with bong-toting ice fishermen on a frozen neighborhood lake, plus recaps on concerts, spreading messages to media and youth, voting often, speaking out, supporting soldiers and peaceniks, resisting cynicism, researching the painter Varley, publishing literature, sparking coverage of Olympics, making a board game, gallery visits, riding the new SeaBus, remembering ole dead gramps, drinking stout and earl grey tea, and the joys of treading on thin ice.
Both a preview and recap of SXSW 2009 as Uncle Weed and the Quebecois Correspondent discuss the noted media conference and extravaganza featuring UW’s spiel F@ck Stats, Make Art – a soliloquy for quality and integrity in creation. Along with live recordings of Geoff Berner, and The Black Angels comes a recounting a perfect day of upgrading heroes, tasty food, and Austin Psychedelic Music Fest plus more highlights including: RiP Remix Manifesto film, micro-brews at Gingerman, Bruce Sterling, and hugs with new friends.
The Golden Dawn started out in the murky time and space of Austin, Texas in late 1966, along with many other wild groups now holding legendary status, but most notably with the kings of the Texas Psychedelic scene, the 13th Floor Elevators. George Kinney and Roky Erickson of the Elevators grew up together and played in high school bands with each other, and by the time of the Great Mind Expansion, the Elevators and the Dawn were in close contact.
Before heading to Mexico for chillaxin’ times, Uncle Weed wraps up SXSW trip by chatting with Austin local Pugz – and various random characters – while rolling out a vast variety of great music including: Liam Finn (New Zealand), Black Angels (Austin), Los Campesinos (Wales), The Constantines (Canada), Tiger Tiger, Sons and Daughters (Glasgow), Wedding Present (Dublin), The Pasties (Olympia, WA) and various mysterious artists, while wandering the bustling streets of Austin USA, listening to the commotion, meeting curious folks, and commenting on food and recycling.
Note: Please add band links in comments to save me the time ;-).
Wandering the streets of Austin with old pal Yaki Niku, Uncle Weed recounts a strange international steel ball tossing tournament in a remote Japanese village known for radioactive hot springs.
The multi-national, dignitaries, dubbed the Genki Monkeys, represented eagerly through much drunkeness at the hands of mayor and his cohorts, followed by Born to be Wild karaoke and outdoor hot spring soaking riverside. Followed by an early morning breakfast of raw eggs, a hungover beat down by of old folks with tape measures, and a long afternoon of waiting around in the valley in discomfort due to a queasy formal dinner and an endless tour of world liquors.