There are many reasons I love to send postcards and letters: the first of course is to just let people know I am thinking about them, followed closely by the meditative enjoyment of assembling paper, image and decoration just exactly right, but also enjoy seeing my creations reflected back across in another medium, weeks – or sometimes months – after I drop it in the box.
In this case, the recipient is a photographer who primarily shoots humming and other birds (and who’s lovely cards are elsewhere in this archive) and also takes wonderful close-up snaps of the details of my artifacts, in this case noticing the stamps – both ornamental and philadelphic – and the fuchsia ink scrawled with a quill.
To continue the recursive cycle, I’ve smashed four of her photos together in a little collage to zoom back from Japan to Vancouver once again, with evidence.
Ergo: A collage of close up details from a postcard sent from provincial Japan to West End Vancouver showing a beautiful franked stamp featuring illustration of a lady in kimono, an ink stamp unofficially commemorating Vancouver international airport established 1970, another ink stamp imitating an Immigration stamp from Narita airport and excerpt of a scribble in fuchsia ink possibly saying “happy birthday“ with a bit of another ink stamp probably saying “Postcard“.
Observed in a community centre exhibit on an outing to Kojima, Okayama, Japan. Kojima is the “denim capital” of Japan and the Okayama area is also noted from producing the ubiquitous school uniforms worn around Japan. This exhibit was an homage of sorts.
For the record: Okayama City Central Library (map) 56 Futsukaichimachi, Kita Ward, Okayama, 700-0843, Japan
Annotations Hat: cheap Thamel, Kathmandu Mask: hemp, also from Nepal via Japan Glasses: broken, from Bali Shirt: (my design) Ambassador, Chiang Mai Belt: brown, Fossil Trousers: uniqlo (also boxers & v-neck) Socks: (not seem but stripey), Buffalo, cheap at Ross in Montréal Shoes: (not exactly Team Zissou) Adidas Baby carrier: made in Japan (name escapes, update later)
Various hockey ephemera (cards, calendars, tickets, clippings), made into a shadowbox once upon a time, broken, harvested and laid in situ.
Primarily Vancouver Canucks related including: Captain Marcus Naslund, goaltenders variety of Gary Bromley, Kirk McLean, Dan Cloutier plus tickets stubs from Vancouver Canucks, Seattle Thunderbirds, schedule from Vancouver Giants, plus Mario Lemieux and Wayne Gretzky to rub off some greatness, and a list of Stanley Cup champions torn from a newspaper. Plus, Vancouver Canucks puck #inventory
Of such items, many many more exist in boxes, this just appeared behind broken glass.
Yeah i know the pics aren’t great but just to document my trip to Subpop HQ, Seattle (of course)… in March 2010 – I was in the city for a conference, gig, start-up internet-y meeting or some thing, I remember eating some Hawaiian/Japanese hybrid at an izakaya and a few other activities but importantly, visiting Subpop.
Note: This was the third company I had SubPop (OlyWa, Zhonka, Hootsuite) as a customer and received a warm familiar welcome and buncha questions about social marketing for bands/labels strategy. Felt useful.
Carrying on anyway,… i had visited the old HQ years ago (with Banghi and scored a Sebadoh “Zippo” and other treats) but this time got the full tour, especially loved the walls various photo strip booth and instant-photo collages – So many faces from bands I know and appreciate over decades, all presented in a style that’s right out of my erstwhile playbook.
Plus various walls of silk screen posters (silkscreening done on site), walls of stickers (yeah my style!), bunch of other neat stuff like original invoice for the Nirvana 7″, original LOSER ads, the framed “Wood Records” for bands that sold fewer than a gold record or whatever, some of the gold/platinum records are displayed in the toilet, and, at-the-time-just-recently framed and hung properly B&W Charles Peterson (who rocks the instagram like whoa) classic photos.
I left with a box of CDs, bunch of posters and other ephemera, most importantly , a Mudhoney double signed by fcking legend Mark Arm of Mudhoney who works as a shipping warehouse wrangler (and to whom I asked a stupid question about his other band Monkeywrench) PS thanks Dean H.
Digression: Remember back when Subpop was a column in the fine alt/news-weekly “The Rocket” (thanks Marty) and Olympia/ Evergreen was sort of where Poneman/Pavitt started it up, and most of the bands first came through, a lot more to say about this but you probably know already… (see also: Go With the Flow).
PS so I have some more lousy photos cobbled together in a post but well, don’t know if it’s worth it… ￼yeah or nay on the part 2?
Tom Sawyer famously talked his gang into paying him for the privilege of whitewashinga fence while he sat by and supervised. In this talk by Dave Olson at SxSW Interactive on March 10th 2012, he shares how companies might inspire their community to crowd source projects by engaging passionate users with a mutually beneficial relationship.
This video – made from appropriately crowd-sourced photos, social posts, and other snippets + music – includes Mark Twain-period costuming, pipes, smoking jackets, board games, old-timey suitcase, mysterious envelopes, audience participation and plenty of laughs while focusing on practical tactics to rally communities with clear expectations, boundaries, rewards, and objectives and importantly – without manipulating.
3 very different project examples provide tangible advice for various campaign timelines, outcomes and audiences, and include:
* True North Media House: a long-planned (and fantastically successful), renegade self-accreditation citizen documentation project at Vancouver 2010 Olympics / Paralympics
* Phones for Fearless: a rapidly planned and deployed initiative to gather dis-used mobile phone/cameras for use by marginalized communities to tell their stories
* Hootsuite Translation: activating global cultures to speedily and accurately translate and localize a social media dashboard using a web tool… with unexpected outcomes