This scrapjournal is an “accordion-style” book (think that’s what you’d call it… though doesn’t create the dulcet tones of the musical instrument) anyhow the paper unfolds in one long swath in vaguely Japanese-style.
Appropriately, the book is laden with sketches sketched in Japan whilst traveling by ship and stopping in a various ports of call from Hokkaido to Kyushu. First in pencil, then pen, then coloured with watercolours (sometimes pencils), and decorated with ephemeral bits.
What follows are a few sample hastily-snapped pages for archival amusement as not all are photographed and, as life goes, i no longer have this book, alas. If this situation changes, i’ll diligently update.
There were more in this batch of scrapjournals, lovingly hand-crafted during summer of 2019 whilst on Nusa Ceningan, Indonesia.
Most go as gifts to travelers and adventurers to fill up with ephemera and musing but this one stayed with me.
Feature a cover made from vintage aerogramme, lettraset (rub-on left over 1970s) monogramming, a wax seal, cancelled postage stamps, inky stamps, printed Lomo sardine can camera 35 mm snaps and various printed oddities – in this case, a bi-plane of significance which slips my mind.
Made with vaguely-Japanese-style-craft-binding, sewn with hearty thread via 3 holes drilled through a mighty block of various paper stock acquired at random intervals around Bali.
This is filling with quasi-fictional dispatches from the semi-fictional character claiming ownership.
Stanley Park is the crown jewel of my sorta homecity of Vancouver, not just because its a huge urban park almost surrounded by water and jutting majestically into a working harbour and host all manner of artifacts from Japanese cenotaph, empty zoo grottos, running ovals, cricket lawns, pitch and putt golf course, totem poles and more more more… but because its *real history* is hardly know to most folks: First Nations for centuries, lepers, undesirables, loggers, “homeless”, fiends, hidden communities, lost artifacts and monuments (plus the stories behind the known ones), the construction of the seawall.
Anyhow, this “Scene O Graph” photobook (found at Monastiraki shop in Montréal) captures a genteel and classic incarnation of the park. This is one version of the park, everyone has another.
My memories include petting zoo and totem pole forays at childhood birthday parties, sad Polar bears in grottos, “breaking into” the zoo late night in teenage escapades to tease monkeys, writing a story about walruses which didn’t exist, Remembrance day at Japanese cenotaph, illicit activities on most of the beaches, mediocre golfing, Vancouver 125th anniversary party with the mayor on tuba and Dan Mangan singing Robots, the windstorm which blew down so much and caused a tizzy in the city, more illicit activities in the woods, nonsense about “saving” a hollow tree, always finding a new trail, always getting lost when needed, concerts in Malkin Bowl, smelling roses, longboarding the seawall, riding seawall on a bicycle rented with someone’s lost credit card on a hungover New Year’s day… picnics, parties, treasure hunting.
This book’s cover has a place for a stamp though i am unlikely to mail this (except to Jason Vanderhill but still i’d pack it in another envelope first).
At the exhibit “Hergé et Moi” i attended (on opening day iirc) in Québec City, QC, i documented various accoutrements and artifacts and then, whilst exiting through the gift shop, acquired a few notebooks and a wonderful book called “Tintin et le Québec” with photographs of ephemeral pieces including advertisements, puppet shows, test proofs, letters, sketches and so on. Many of the items included were somehow related to the Montréal world expo (not really the ones shared here) and related events.
I am especially fond of the letterheads, telegrams, commuiques and other stationery type items.
Respectfully sharing a few lousy snapshots of a variety of pages here for personal memory and amusement as well as scholarly research since the book is hard to find (and my copy is in a distant place from my physical location) and to give a sense of the variety within this lovely tome.