As part of on-going documentation of various collections of payphones. this gallery features examples of phones in various states of use, captured “in the wild” around Japan, specifically featuring hotel house phones in Shimane and Ishikawa and related devices, plus a few other phone handsets of different circumstances and origins for your edification, lightly annotated.
Pardon any redundancies, this collection definitely includes several that just haven’t fit into previous archives but maybe one or two they already are out there, there’s too many to count anymore. In this wormhole, we range widely however from the Varley Trail in Lynn Canyon, British Columbia, to Indonesia, to Hong Kong, to points around Japan. Of course, you can find many more in various collections of payphones and related communication tools.
Hello to the people in the future,
What follows are public telephones created in a time when phones did not roam freely and in pockets. To make a call, one would either enter a specially-created booth (or box), or simply stand close by as the receivers were tethered to the phone unit by a short cord, then insert a variety of coins depending on the location called (local, domestic or international) or in some cases, use a purpose-made phone card, or even a credit card (though doing so often exposed one to fraudulent actors).
Perhaps you have already imagined the unsanitary nature of sharing a phone handset (placed next/close to ear and mouth of course) with strangers – though perhaps this increased “herd immunity” despite being rather unpleasant. Note that oftentimes the coin return slots were checked for forgotten change but the miner was surprised to find discarded chewing gum, or even-less-savoury items, instead.
In the various collections of payphones (as well as hotel house phones and other related analogue communication tools) throughout this archive, the devices are often scattered in variety of locations. However, this installment includes items observed on a visit to Nagasaki in February 2020 and includes payphones, a few phones at restos and inns as well as a few rather destroyed artifacts from “battleship island” (an inland turned mining facility).
Along a travel by ship from California to Hong Kong, came a few stops in Japan including Shizuoka which led to a visit to the “Rodin Wing” of Shizuoka Prefectural Museum of Art 静岡県立美術館 in Oct 2017.
Was exceptionally calm, peaceful and relaxed feeling, examining the cast bronze and wood statues (mostly) with no one else in the room.
Of course, I felt compelled to go for round with the daunting Dante’s “gates of hell” representation and mugging with the various god-like figures with flowing beards
Blurb: On our extended skinkonryoko/honeymoon ramble, we had a stop in the city of Toyama (capital of eponymous prefecture) which i really didn’t know anything about but turned out to be very pleasant. Besides being a conveniently-located “midsize city” with good transportation of the sort I really like, there was a castle and lots of public art and pleasant accommodations and of course kissaten coffee shops for making scrapbooks.
While there was a choice of many museums to see, we headed out to the Toyama Prefectural Museum of Art and Design by bus and wow, what a mighty experience. Almost too much for this guy, anyhow… let’s take a lil ramble:
Toyama Prefectural Museum of Art and Design (map): https://goo.gl/maps/5sMsynNJzaD2GpTB8
TAD (web): https://tad-toyama.jp/en/
Ride along: Rolling Elsewhere: Kanazawa to Toyama, Japan (ambient, excerpts)
Truthfully, I am partial to small/quirky/cozy museums and this was quite different… an expansive modern building with many many halls of exhibits (but only some were photo friendly) including (as i recall):
Exit through the gift shop and the Swallow Café:
As usual, purchased a museum/exhibit guide at the gift shop as well as other postcards and artefacts but really it was quite overwhelming and required some fresh air and a café visit at the end.
I mean besides mentioned already, in the collection were Henry Moore, Jasper Johns, Henri Matisse, Andy Warhol’s Marilyn x4, Man Ray, Marcel Duchamp… goes on and on… plus loads of contemporary-ish Japanese artists i wasn’t familiar with so was great to see *not the usual classic Japanese art* styles.
Especially interesting a Japanese-French painter called Tsuguhara Foujita (aka Léonard Foujita) with “Two Nudes” from 1929 made me curious about how he came to be there and who he collaborated with.
Though I have the exhibit guidebook, I am not going to annotate all these photos, just let them flow, gently assembled. [Update: went out to the archive and pulled out the “Selected Works from the Collection”book, so heaven help me, gonna add notes where i can… oh geez, even looked up the exhibits from 2019], on we go:
Aside note: the guide book shows the staff uniforms for Spring 2019 were designed by Issey Miyake (who at this writing in Summer 2022, has recently passed away with a legacy of importancy and acclaim).
Along the way on our shinkonryoko (honeymoon) slow travel ramble, we rode all sorts of trains which are documented in various ways throughout this archive.
While the trains get all the glory, the stations and ticket counters are also interesting – *Just* the day-to-day essential services provided without grandeur or acclaim.
What follows are simply a few snaps of posters and signs spotted around train station for amusement, inspirations and recollection with minimal annotations (due to explanatory nature and/or misremembering). Nothing special (except in the sense everything is special).
Note: this collection was well expand as i come across more items which fit this “posters and signs etc from stations” milieu, consider yourself advised :)
Blurb: On our meandering adventure of a honeymoon in May-June 2019, we travelled by many means of convenience including a wide variety of trains, rental cars, occasional coach buses and what not. See the whole Shinkonryoko Scrapbook for a mixed-media ephemera overview and a list of places visited for the curious.
As such, while visiting with Hongo-sensei on Noto Peninsula in Ishikawa-ken, amongst the other activities including a fishing/ whaling/Marine Museum, an early morning fish market / auction, the dismembering and preparation of an ankou fish, a picnic on the beach…, we visited Miwakai ruins with well-preserved archeological history from the Jomon period.
While obviously not original, there was a great recreation of Jomon-era housing with fire-pit and various accruements.
Miwaki Ruins (map): https://goo.gl/maps/2kMPynUhoj7by1xX8
Miwaki Ruins (wiki): https://en.wikipedia.org/wiki/Mawaki_Site
Museum site (Japanese): http://www.mawakiiseki.jp/
the time in Japanese prehistory, traditionally dated between c. 14,000–300 BCE,[1][2][3] during which Japan was inhabited by a diverse hunter-gatherer and early agriculturalist population united through a common Jōmon culture, which reached a considerable degree of sedentism and cultural complexity
wikipedia
The museum building was very interesting and both shape and contrast to the contents which were rustic pottery, natural building materials and organic art whereas the structure was a brick cylinder with various halls attached.
Blurb: On our meandering adventure of a honeymoon in May-June 2019, we travelled by many means of convenience including a wide variety of trains, rental cars, occasional coach buses and what not. See the whole Shinkonryoko Scrapbook for a mixed-media ephemera overview and a list of places visited for the curious.
As such, in Kanazawa, Ishikawa-ken (a city filled with exceptional museums – by my standards, especially small, specialized, and a little bit quirky) we visited the D.T. (Daisetz) Suzuki Zen museum.
DT Suzuki Zen Museum (map): https://goo.gl/maps/9SWpxbjfF9pM2R386
Museum page (Kanazawa tourism): https://www.kanazawa-museum.jp/daisetz/english/about.html
DT Suzuki (wikipedia): https://en.wikipedia.org/wiki/D._T._Suzuki
This esteemed gentleman was largely the driving force for introducing the concept of Zen Buddhism to the “west” in contemporary times. He spoke several languages and traveled widely, certainly influencing notable figures as Alan Watts and Gary Snyder and possibly you.
The museum is a modern, rendered concrete designed by Yoshio Taniguchi largely assembled rectangles with a water courtyard with large windows playing with light against the garden.
As one might expect, lots of space for contemplation throughout the buildings, long empty hallways, simple signage, a few large pictures and wonderful scrolls.
Blurb: On our meandering adventure of a honeymoon in May-June 2019, we travelled by many means of convenience including a wide variety of trains, rental cars, occasional coach buses and what not. See the whole Shinkonryoko Scrapbook for a mixed-media ephemera overview and a list of places visited for the curious.
Primary aims were to visit friends, stay at all manner of accommodations and see loads of museums, especially, spontaneous, small-ish and quirky if possible.
As such, in the town of Obuse, Nagano-ken, we made a stop at a museum for the famous print block artist, Hokusai. His name may not be as recognizable as his work (yup, that big wave from the “37 views of Mt Fuji” series) the museum (current exhibit anyhow) didn’t really pack in the well-know pieces but rather focused on his work making soerta pre-cursors to manga comics with endless “clip art” doodles, characters and life shape studies.
The museum wasn’t “photo friendly” (that’s fine) but including a few atmospheric snaps to recall that “yes, we went here”. As usual loaded up at the gift shop (so many postcards and books!). Pardons for underwhelming post (we did get tasty dessert afterwards nearby)
Hokusai-kan museum (map): https://goo.gl/maps/cSDGgaN4j2Q4WHpFA
Tip: apparently there is a discount if you are rocking traditional Japanese kimono or jinbei, great!
Continue reading Museum / Exhibit: Hokusai, print master / Nagano, Japan, 2019 (w/ minor notes)
Field Notes regarding exhibit/museum/gallery/garden dossiers:
These posts, such as they are, are for recollection, inspiration, reference and possible remixing. I say this to remind myself these round-ups are not meant to be textbooks, comprehensive guides, analysis – critical or otherwise, or a “master’s thesis”. So much goodness in these exhibits – whether grand and well-funded museums or (my favourite) grassroots operations, or even spontaneous art around the edges in unexpected circumstances – that i enjoy archiving.
Also noting often, museums have a “no photo” policy and of course, art and artifacts are best experienced in-person, or with fine reproductions at least, so consider my humble dossirs as a stand-in, in the meanwhile, with a special eye to shut-ins and other who have a hard time getting out and about.
As such, these round-ups will be lightly annotated with usually (just) the name of the museum, possible circumstance and/or approximate date of the visit, possible link to museum website and or map for your reference and then a flow of photos.
I almost always buy museum exhibit books, as well as many other items from the gift shop, so if you have any specific questions about any of the pieces displayed, please leave a comment and I’ll do my best to add some additional colour commentary – no guarantees.
Basics about Shinse Kinenkan:
This culture and folk art museum in Kanazawa, Ishikawa-ken (visited on our Shinkonryoko Ramble in May/June 2019) was wonderfully charming. Notably, was inexpensive (came with commemorative ticket) with cozy/comfortable feeling coming from a real community effort with volunteers on hand. The neighbourhood around was exceptional with loads of small museums, teahouses and historic lane ways to wander (additional stops referenced below), and much less hectic compared to “the old capital” :).
The first floor features the re-created apothecary of a traditional Japanese/Chinese pharmacy (as such, special dedication to my dear friend TCM Dr. Trevor) plus, in the back, a tearoom where Basho the haiku poem visited (dude was everywhere) and other rooms filled with handicrafts. The upstairs more art and artefacts from the historic neighbourhood in Kanazawa.
