Tag Archives: painting

Giftbag Round-up / Dave + Ryoko 4-20 Kekkon-shiki

At weddings in Japan – unlike in “western” countries, guests usually bring cash in special envelopes as a gift rather than a household appliance or other oddment from a registry. The cash is often in 2 envelopes – one as a “gift” and other the cover their portion of party expenses. Regardless, the notes as fresh and crisp and in a special envelope with appropriate decorations and minimal written sentiments.

The guests are almost always sent on their way with a gift bag of treats with items which reflect the spouses personality (not always the case), or the region or season of the wedding. Anyhow, we took the gift bag part on with great enthusiasm and vigour as we wanted all the guests to take a piece of our heart reflected in hobbies, interests and whatnot.

As it goes, with all the work assembling the gift bags of disparate objects, we neglected to document the items dutifully. Fortunately our pal Robert Scales did a pretty decent job of capturing the assortment which included the following

  • Bizen Yakima saké cup – nearby Bizen one of 6 great centres of pottery of Japan, the cups were handmade by master potter Hosokawa-san and fired with no glaze for 2 weeks at 1000 degrees Celsius in a massive kiln
  • Note: cups were wrapped in newspaper and packed into hemp cloth drawstring bags

  • Matcha tea – from Kyoto, in a metal tin with bamboo accessories: whisk chasen and scoop chashaku
  • Gig Poster – the Taisho-era jazz/travel inspired art for the wedding made by Joanna Ambrosio of Ganamo Design (Vancouver/Mexico) and professionally printed (A4) by Fujii Printing
  • Sakura oil painting print – from Dave’s Gravelly Beach series, printed A4 by Fujii Printing, signed and number (150)
  • Commemorative postcards (2) – featuring paintings by Dave of Rural Caprine Farm’s noted gingko tree in full yellow splendour and haiku postbox (there is the actual postbox on site) of a poem about letters and peaches. Postcard backs designed with Olympia typewriter. Printed by moo.com
  • Thank you card – hand-lettered (Japanese and English) by Ryoko, accessorize with stamps from US and Vatican, printed by Fujii Printing
  • Incense – ceremonial from Bali
  • Ceningan Divers invitation – a special offer from our friends with a dive resort in Bali
  • Vendor thank you – round-up of all the vendors who assisted, contributed etc to the wedding, including URLs for thanks and reviews etc.
  • Gift bag – blue heavy corrugated paper bags with string handles from Usigaya decorated by hand with a special ink stamp (thanks parents) and gold/silver paint marker flag flourish (by Dave)
  • Finally, a special “typewriter card” paper clipped to each one to make unique and washi tape to close each bag.

All the materials were ordered, delivered etc and then moved to the goat farm’s kitchen table where dear helpful pals (under supervision of lawyer Lindsay and the Jen-eral) assembled and moved down to the goat farm so the area looked like a splendid festive morning. Then, each guest (mostly) received their bag with (hopefully) delight.

Note to self: there is a snap somewhere of the guide to assembling gift bags to add here.

Window and Batako (Nusa Ceningan) / acrylic with oil pastel

Whereas both are essentially rectangular holes in otherwise solid walls, doors provide mystery and erstwhile safety, while windows reveal clarity, illumination and present an element of risk.

Window and Batako (Nusa Ceningan)
acrylic with oil pastel on canvas
2019

Blue Door (Nusa Ceningan) / acrylic with oil pastel

Blue Door (Nusa Ceningan) / acrylic with oil pastel

“Do you ever try to open these doors that you see?“ she asked.

“Only the ones that are locked,“ I replied.

Blue Door (Nusa Ceningan)
acrylic with oil pastel on canvas
2019

Painting of a Cat, by Chris Trottier

My pal Chris Trottier gifted me a painting which i quite adore. Its stashed in a locker faraway so i share a poorly photographed facsimile here so i can enjoy from time to time.

Made with (I suspect) acrylic on canvas board, approx 30cm x 20cm.

 

Europa (unfinished) / sketches and remixes – vol. 3

Fields out of train window – somewhere in France, 2005, watercolour pencil on paper, 11″x17″

In 2005, i wandered Europa (Netherlands, Belgium, France, Spain, Portugal) by train, car and tram. Along the way, i wrote an extensive cycle of poetry, and completed a solid dozen or so paintings (acrylic, watercolour and charcoal) – some of which you may have seen along the way.

I also started a load of other pieces which haven’t had a day in the easel yet — mostly because i like to let art ferment but also because i can never decide which medium to use to “finish” these. Acrylics were more exciting in the white hot moment of creating en plein, watercolour teases my rather clumsy and aggressive touch and i am tempted to use simple black ink and make something colour-able by kids and adults. Not sure how to go about this as its not a technique i am polished at (yet) but these do need a life beyond a shoebox.

Maybe you kind folks and artists can offer a word of advice or idea?

Regardless, they are nowhere near and as such, lonely and sad. So, here are rough drafts in ragged spontaneity and various forms and mediums.

This is Vol. 3 of a few (last one i think), pardon repeats and redundancies.

Fishing boats on beach – Salema, Portugal, 2005, pencil on canvas sheet 11″x17″

bonus: another version of Fishing Boats near cliffs in Salema, Portugal. copied and coloured

Continue reading Europa (unfinished) / sketches and remixes – vol. 3

Europa (unfinished) / pencil on canvas or paper (vol. 2)

Beer and mussels in a cellar bar with wooden beams - Brussellex, Belgique, 2005, pencil on paper 11"x17"
Beer and mussels in a cellar bar with wooden beams – Brussellex, Belgique, 2005, pencil on paper 11″x17″

On a 2005 ramble through a few western European countries (Netherlands, Belgium, France, Spain, Portugal), i carried a satchel of art supplies and painted / sketched along the way. Mostly on 11″x17″ canvas sheet and watercolour paper.

In most cases, i “finished” the pieces in one sitting using acrylics or sometimes watercolour pencils or pastels (these are catalogued, sold/gifted and posted elsewhere).

Little lane to a door (24) to elsewhere, Amsterdam, The Netherlands, 2005 - pencil on paper 11"x17"
Little lane to a door (24) to elsewhere, Amsterdam, The Netherlands, 2005 – pencil on paper 11″x17″

Anyhow, i have a several which never quite got finished and now sit in a folio in a storage locker elsewhere. I snapped photos and have considered how to finish – even soliciting advice which ranged from “they are finished” to “consider gouache” or “make a colouring book” which i did for my nieces and nephews.

Regardless, they are nowhere near and as such, lonely and sad. So, here are rough drafts in ragged spontaneity and various forms and mediums.

This is Vol. 2 of a few (maybe), pardon repeats and redundancies.

Café with wine and beer on tap, espresso, croissants and the like, Santiago de Compostela, Spain, 2005 - pencil on paper, 11"x17"
Café with wine and beer on tap, espresso, croissants and the like, Santiago de Compostela, Spain, 2005 – pencil on paper, 11″x17″

Europa (unfinished) / pencil on canvas or paper (vol. 1)

Eiffel Tower from Arc du Triumph, Paris, 2005 - pencil on paper 11"x17"
Eiffel Tower from Arc du Triumph, Paris, 2005 – pencil on paper 11″x17″

On a 2005 ramble through a few western European countries (Netherlands, Belgium, France, Spain, Portugal), i carried a satchel of art supplies and painted / sketched along the way. Mostly on 11″x17″ canvas sheet and watercolour paper.

In most cases, i “finished” the pieces in one sitting using acrylics or sometimes watercolour pencils or pastels (these are catalogued, sold/gifted and posted elsewhere).

Bridge and canal (with cheese shop and bicycles), Amsterdam, The Netherlands, 2005 - pencil on paper 11" x 17"
Bridge and canal (with cheese shop and bicycles), Amsterdam, The Netherlands, 2005 – pencil on paper 11″ x 17″

Anyhow, i have a several which never quite got finished and now sit in a folio in a storage locker elsewhere. I snapped photos and have considered how to finish – even soliciting advice which ranged from “they are finished” to “consider gouache” or “make a colouring book” which i did for my nieces and nephews.

Regardless, they are nowhere near and as such, lonely and sad. So, here are rough drafts in ragged spontaneity and various forms and mediums.

This is Vol. 1 of a few (maybe), pardon repeats and redundancies.

Cyclist runs red light, Police whistle to no avail (while i wait for a bus) - Amsterdam, The Netherlands, 2005, pencil on paper 11"x17"
Cyclist runs red light, Police whistle to no avail (while i wait for a bus) – Amsterdam, The Netherlands, 2005 – pencil on paper 11″x17″

… stroll out to find the finest paella #painting

Oh art and creative expression soothes the savage tension of day in slow transit through suburban bus depots.

Here’s one in watercolor pencil washes with bits of pastels painted (mostly) in Barcelona, Espana in 2005.

I’d lost my glasses on day 4 of a 25 day trip and finding the fuzziness an impetus for painting all over Europa.

This one is a daytime impression from out Juliet porch at Pension Dali, and presented to my Mom to match the acrylic night scene facing the other direction (alas no photo at this time).

Does this feel like you are a block and a half from Las Ramblas and La Boceria about to stroll out to find the finest paella?

Fresh (imaginary) Flowers x 2

painting flowers blue
Acrylic on stretched canvas, 2018-9
Acrylic on stretched canvas, 2018-9

Made in collaboration with artist/singer/arborist Ryoko Fujita (藤田良子) of Okayama, Japan.

Postbox and fields (Okayama) / acrylic

Rural Postbox, Okayama
Rural Postbox, Okayama

Rural Postbox (Okayama)
acrylic on stretched canvas
2018