Tag Archives: poet

Quote: Gary Snyder (Rucksack Revolution)

Gary Snyder with Lawrence Ferlinghetti, photo by Chris Felver (for educational use)

“I see a vision of a great rucksack revolution thousands or even millions of young Americans wandering around with rucksacks, going up to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of ’em Zen Lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures.”

Gary Snyder

Exhibit: Kobayashi Issa (haiku master), museum and grave in Shinano, Nagano

In May 2019, Ryoko and I wandered around Japan on a shinkonryoko (honeymoon) with the aims of riding various trains, visiting some folks, sampling accommodation types and visiting small museums along the way. 

In Shinano, Nagano, we visited my old pal Steve – a former Minnesota US Navy man who has lived in mountain high Nagano mostly on, but sometimes off, for better part of 40 years. With him, we checked out the Issa Memorial Museum dedicated to the haiku poet Kobayashi Issa (who was usually referred to mononymously) and is regarded as 1 of the 4 GREAT classical haiku poets (along with Basho, Shiki and Buson).

Anyhow, not sure if we just got lucky with timing or Issa isn’t a big pilgrimage for others but this was a stop i looked forward to and enjoyed very much. The place was so calm because very few patrons (mid-day, mid-week in May).

Many rooms of scrolls, artifacts from his wanders, and scale models of towns and places. Most everything was only in Japanese so if you don’t read Nihongo, you are kinda outta luck but still worth viewing all the artifacts and figuring bits and pieces out as you see it.

Simply observing the book binding craft, scroll creations and map-making techniques is highly enjoyable. 

Especially enjoyed seeing his travelling clothes, pipes, book bundles , maps and journals as these are the items i have with me whilst traveling (obviously). 

Continue reading Exhibit: Kobayashi Issa (haiku master), museum and grave in Shinano, Nagano

a poet without love…

A poet without love is just a typist.

as such, use fountain pen as needed

Gary Snyder: “Writers in Motion” interview from Poland

Poet Gary Snyder interview from Poland “Gary Snyder – Writers in Motion – Audiowizualna biblioteka pisarzy” you’ll likely enjoy:

My little studio in the “wonder hotel”

My little studio in the “wonder hotel”… I making things in my fog.

The First Recording of Allen Ginsberg Reading “Howl” (1956)

The First Recording of Allen Ginsberg Reading “Howl” (1956)

Gary Snyder: Interview with Junior Burke / Naropa Institute

interesting interview about politics, nature, culture and his contemporaries, by noted poet and personal hero, Gary Snyder

Gary Snyder: Interview with Junior Burke

Re: Self-sufficiency

Can you change the oil in your car yourself? Do you know how to change the oil filter? Do you have a tool kit available? Do you have a tool kit that has several types of pliers, Phillips screwdrivers and slotted screwdrivers? And there is a lot else. To be a self-sufficient human being at this point in history means you need to know a few things, and you can’t always — especially if you are not rich — rely on calling up somebody to come and fix it for you and charge you a lot of money. I am not talking about knowing how to grow your own food or how to cast lead to make your own bullets or something like that, although that would be relevant at times; but just what everybody has to know. My older son, Kai, who lives up in Portland, is forty-three now… He grew up on the farm in the country, or whatever we call it, and he said to me just a couple years ago: “You know, almost none of my friends my age understand what I am talking about when I say I have got to do this with my engine, or I am going to tune up my weed-whacker, or I have got to do some more plumbing, or I have got to get a proper snake for the drain. They never learned anything about fixing thing, or about tools.” Everybody lives in a house, okay? So everybody should be able to do something with their house.

## Continue reading Gary Snyder: Interview with Junior Burke / Naropa Institute

John Cairney as Robert Burns spieling Tam o’ Shanter

(via john cairney | johncairney.com – Robert Burns)

 

Let it Rain ~ “Flying High” boardgame-inspired art & interview in DIY Zine

Flying High by Dave Olson – as appeared in RainZine #4

Amongst my recent trips, interviews and publications came a very special treat – a pull-out insert and stream of consciousness interview in RainZine. As a lover of deliberate, tactile arts and crafts and compelling content, RainZine – produced by Carla Bergman and Anita Olson – is an ideal manifestation with photos artfully placed in with black corners, paper matched with content like wine and cheese, even hand-pasted-in CDs for bonus bits which the atoms can’t carry.

In The Resistance Issue! Number 4, I worked with Carla and Anita to create a pullout insert called Flying High – a boardgame-inspired personal art history i glued up from stacks of source materials – each square has a story. They photographed and distributed as a pull out piece along with the interview by Ms. Olson pasted below. The finished piece feels like an old-timey broadsheet which poets, folk singers and activists would share throughout the countryside in olden days – i feel part of that lineage.

The tome, alas, has switched to permanent hiatus mode after 4 splendid issues but no worries, these passionate creators are up to all sorts of other endeavours. In particular, Carla ringleads (is this the correct word?) The Purple Thistle – a program and facility for young artists which needs a spiel of its own to recount the perfect afternoon i enjoyed teaching a group of remarkable youths about podcasting (audio and video to come at some distant point on the horizon).

View from my Seat by Bev Davies (at Northern Voice 2009)

analoggirlheartsyellowpaper

After first meeting Carla and Anita during the “Phone for Fearless” campaign via Raincity Studios, they hopped on board my jalopy train of story and spiels at Northern Voice 09 where they caught my Letters from Russia and Rock N Roll Photography gigs.

We quickly realized all share a love of scissors, glue, tea and laughter as key ingredients to making art. I proudly wear my Rain pin on my coat and am often blamed for heralding precipitation but rather i am an advocate for radical art in nature.

Rain also published a dossier about Letters from Russia in issue 3 where i shared pages with my good pals photographer Kris Krug and painter/designer Jer Crowle. This time the issue is stocked with skill includes poems from C.R. Avery, a mixed media singer/beatboxer/writer who played the release party evoking memories of Tom Waits.

So in tribute and thanks to RainZine, here’s the interview with Anita which i’ll always remember at Arbutus Coffee shop (after forgetting where i’d really booked the meeting), afterwork on a blustery autumn night with warm beverages and a cassette recorder – truly thanks Carla and Anita for bringing the Rain down on me.

three iterations of a dossier
Letters from Russia dossier for RainZine in 3 iterations

Who is this Dave Olson Guy anyway?
by Anita Olson from RainZine Issue #4

Last fall I had the pleasure of chatting with this Dave O guy and was reminded of a sociology paper I wrote about how the Internet fosters multiple selves (not to be confused with multiple personalities, of course). The basic idea is that the self is not a singular but rather made up of a compilation. Sherry Turkle, a big smarty pants at MIT, wrote a book called Life on the Screen: Identity in the Age of the Internet, discussing how “the Internet has become a significant social laboratory for experimenting with the constructions and reconstructions of self that characterize postmodern life. In its virtual reality, we self-fashion and self-create.”[place number 1 here for footnote] In other words, the computer helps us see the multiple selves we posses and can help foster their development. Sitting with Dave O was like sitting with a Turkle case study.

Dave O is an artist, writer, poet, painter, drawer, collager, podcaster, speaker, hockey fan, tree hugger, pot advocate, hiker, documentarian, blogger, storyteller, office worker, daddy, husband, activist, teacher, do-gooder, and sauna sitter but I reckon that there is probably more in him that I missed. Many know him as the infamous Uncle Weed or simply as Dave O…and of course there’s Dave Olson.

Using the Internet, Dave has created different personas each capturing a certain audience. Whether it’s talking bud with Uncle Weed, rattling hockey stats as Dave O, or reading literary essays by Dave Olson, he has a lot of virtual ground covered. But having an audience is only half the tale; Dave would like “a paycheck to go with it.”

In the two or three hours spent with Dave so many stories flowed that I can only fit a tiny fraction of what was shared that evening. I hope to have highlighted Dave as the artist he truly is. Who better but to have Dave’s own words to describe his artistic process, a new project and how he perceives himself as an artist. The following is an excerpt from an autumn chat between RAIN and Dave O.

What he’s recently been up to…

DAVE O

[I’ve been working on] some recordings I made in 2006 while visiting the Clayquot Sound area. I was at the blockades in 1993 near Tofino. I was a young 20 something year-old and I stood on the blockade lines and watched everyone get arrested…and out there on the blockade lines I learnt a lot of pivotal lessons, and it’s really what got me into hemp and alternative fibers and peaceful activities and bringing people together rather than squabbling. I realized out on the blockade lines, the environmental advocates and the loggers both wanted the same thing. They both wanted the trees, they just wanted them for different reasons. These guys wanted them for jobs so they could buy TVs and RVs and those guys wanted them so they could feel good about breathing air. But we need to find a solution so we can all just get along.

So, over the intervening years I hear all this news that it had been turned into a UNESCO world heritage site and I was like, “we won and we changed the world”. So I pack up the family (in ’06) and it’s going to be great, it’s going to be like eco heaven. But when we got out there it was industrial tourism. Fucking RVs, provocatively named resorts, swimming pools and Jacuzzis everywhere. While we were there, the city of Tofino ran out of water and they packed up and stopped commercial usage. All the hotels had to pack up all the people and send them home. And I just happened to be there. And because I’m the kind of guy that takes a bag full of books with me on vacation and paints, I just used this as a sort of a catalyst to make a huge amount of paintings and my little recordings. The water outage and my whole tension about the area gave a spark to the whole thing. I brought all these files home and I totally stressed myself out on this vacation because I wanted to document all this injustice of the world and then I misplaced the files. [They were] missing for quite some time….on another computer on another thing…anyway I finally found the files and thought, this is what I gotta do; I gotta find how to make these into something.

So over the last month I’ve made them into a nine-part podcast series called “Rain Forest Dispatches.” It’s a combination of me reading essays, me kind of running on spiels, my own personal frustrations with things, then flashing back to the blockades, and then visiting the friends of Clayquot Sound Organization and having some interviewee conversations. I was wondering what to do with them…it’s hard editing your own audio. For one, you sound like a chipmunk and two, it’s like, “shut up, we get it dude”. I needed something to break it up and stretch it out and the stories were all told out of sequence too. It was totally non-linear but then I started to put together a few bits and pieces of music. A young lady named Becks from Vancouver Island made a song called “Lonesome Traveler” and it was…perfect. I made a little introduction with seaplanes and sounds of waves lapping against the shore. And then I found this guy William Whitmore Elliot. It sounds like he’s an old 75 year old man from the delta but he’s this nice young college boy from Iowa, sings these great blues songs. And our pal Geoff Berner in “Light enough to Travel” where he sings about smashing the windows of logging companies just to get a little release and these pieces just came together. Labour Day weekend I locked myself in my studio and just edited audio and I started releasing them. I’ve got five of them out now.

How he describes himself and what he does…

DAVE O

I make mixed media story packs…I’m a story maker rather than a storyteller. To describe what I do, it’s not really performance art and its not really spoken word and it’s certainly not slam poetry. It’s more like I sit around a campfire with a very focused conversation about things because everything I do is very, very deliberate…and my presentations, in order to make it look like I’m making it all up, take a tremendous amount of work.

I’ve made a deliberate point of knowing how to write in every style. Everything from press releases, expository and free prose, and that is what keeps me employed.

I’m a private man and separate my family and day job from the Internet. I only share bits of myself that other people may find compelling in one way or another.

I like sharing stuff…I just don’t like organizing it to share it.

But Dave’s work is organized in the virtual world. He has a wicked website, www.uncleweed.net where there are links to numerous podcasts, blogs, poetry, essays, pictures, films, paintings, a resume and more…a virtual adventure well worth diving into!

*On the front of this lovely little insert is a bit of a timeline Dave whipped up for RAIN titled “Flying High.” It displays his eclectic style and the thoughtful intention he pours in all of his work. Sharing parts of himself, from a scrawny kid, where he’s lived and traveled, paintings, writings and up to what he’s currently been doing covers this aesthetically pleasing and informative piece.

1 Life on the Screen. Simon & Schuster. New York: 1995

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Gary Snyder: 50th Anniversary of Riprap at UC Berekley

UC Berkeley’s blurb:

Fifty years ago this Fall a small press in Kyoto, Japan published an English language book of poems, Riprap, by an unknown, first-time poet and UC Berkeley graduate student, Gary Snyder. It was, along with Allen Ginsberg’s Howl and Jack Kerouac’s On the Road, one of the books that launched the Beat Generation. It was also the most important book of American nature writing since John Muir’s The Mountains of California in 1890, a pioneering work in the brief history of the American Buddhist sensibility, and a set of poems that combined freedom and elegance in a way that opened up new pathways in modern poetry. Join us in celebrating this landmark in American literature and in the cultural life of California.