Like everything, not shockingly, the Jack Kerouac “on the road” sc/roll exhibition in Kobe (what would’ve been the sc/roll’s first time in Asia), and my related storymaking workshop “We are the stories we create“ are cancelled.
Good news is: I have a handy inky “cancelled” stamp to make the poster an accurate souvenir.
Best regards to Professor Matt Theado and his colleagues at the University and museum for all the work that went into this project and also hat tip to the keeper of the artifact, the wonderfully named, Mr. Jim Canary, who would’ve been subject to a two week quarantine amongst other challenges of going forward with this event.
Not a lot of fun but we could’ve delivered him rice balls a few times a day and left them at the door :).
Hopefully, there will be an availability in the future for Mr. Canary and the scroll to make the trip. I had big ideas for my workshop, but not really things that are shareable by video as meant to be hands-on.
The time will come, the time will come.￼
Patience and time are our allies.￼ I’ll keep sharing the goods from Jack Kerouac and contemporaries in the meanwhile.
The legendary sc/roll of “On the Road“ which sparked so many people hitchhiking, train hopping, disappearing on ships — opening their mind, exploring new cultures and traditions and sparking so much counter-culture… from beats, pranksters, hippies, punks, to diy independent everything and freethinking anyone, yes that one / ‘Tis lionized in many songs, remixes, movies, chapbooks, fanzines – the thumbprints are everywhere.
And now you can add to the legend￼ by showing up as this (valuable in every sense) artifact is coming to Asia for the first time ever. Specifically, Kobe Japan￼ from April 25 – May 31 at BB Plaza Museum of Art.
Workshop: “We Are the Stories We Create” April 29 (Wed.) 14:00 to 16:00 Venue: BB Plaza Museum of Art, Kobe, Japan Capacity: 20 people / Free participation (* Exhibition ticket required) / Advance reservation system / First come first served / Presented in English and Japanese
Blurb: Handmade workshop! Participants create their stories using typewriters, paper, scissors and glue, and explore various ways to share them. Create one booklet together. We work with original materials such as mimeographs and hand-made books shown by instructor Dave.
+++ 会場：BBプラザ美術館 神戸市灘区岩屋中町4-2-7 BBプラザ2F TEL 078-802-9286 シンポジウム「ジャック・ケルアックの『オン・ザ・ロード』の旅：神戸から世界へ」 5月24 日（日）13:00-17:00 （開場 12:30） 会 場：シマブンホール（BBプラザ4F） 定 員：200名 聴講無料（＊展覧会観覧券の提示要）・事前予約制 ・先着順 ・通訳付 講演者： 青山南（作家、翻訳家） 柴田元幸（神戸市外国語大学客員教授、東京大学名誉教授、『MONKEY』責任編集者、翻訳家） ヒラリー・ハラデイ（ビート研究者、前マサチューセッツ大学ローウェル校アメリカン・スタディーズ・ケルアック・センター所長、What’s Your Road, Man?: Critical Essays on Jack Kerouac’s On the Road 編集者） マシュー・セアドー（神戸市外国語大学教授、著作 Understanding Jack Kerouac, The Beats: A Literary Reference） 司 会：難波江仁美（神戸市外国語大学教授）
Kerouac “On the Road” storymaking workshop / in Japanese and English
Workshop: “We Are the Stories We Create”
April 29 (Wed.) 14:00 to 16:00
Venue: BB Plaza Museum of Art, Kobe, Japan
Capacity: 20 people / Free participation (* Exhibition ticket required) / Advance reservation system / First come first served /
Presented in English and Japanese
Handmade workshop! Participants create their stories using typewriters, paper, scissors and glue, and explore various ways to share them. Create one booklet together. We work with original materials such as mimeographs and hand-made books shown by instructor Dave.
Jack Kerouac is well-noted for typing/writing his epic novels of personal discovery against a backdrop of a rapidly changing America on long sc/rolls of paper – to maintain momentum rather than pausing to change sheets among other reasons.
There are around 8 of these sc/rolls in existence and all were sold off by the estate managers (rather than archived in museums/libraries) the location of most is unknown… however the most *famous* of the rolls “On the Road” sold for some millions and is now coming for exhibition display to Kobe, Japan at BB Plaza Museum.
Of course, Kerouac is a massive influence on my life of hitchhiking, train/ship riding, poetry writing, and finding beauty in the downtrodden and digging into life with vigour and authenticity.
Along with the majestic original tome of a genre-defining and culture-changing book comes a series of events curated by Prof Matt Theado and colleagues at Kobe University [see Kerouac Comes to Japan FB to follow along] including documentary film screening, symposium and more.
Among the line-up is your pal (me) doing a 2 hour hands-on analog workshop about making stories in various formats. I’ll be bringing the old-timey suitcases filled with surprises from the archive and supplies for making new artifacts in real-time.
If you are in Japan, consider coming along – seriously, we’ll have a good time. Not in Japan? Maybe i’ll capture some goodness for ya but if you can spread the word and/or send some vibes, ’tis well-appreciated.
Read on for details of my gig and then more about the event in general… Also, spending time with the roll i suspect will feel like see King Tutankhamun’s death mask (Seattle 1978).
Transcription of a talk called “Art and Tech are Old Pal” at Wordcamp Vancouver in 2010. Video no longer exists (thanks to blip.tv) but audio exists, as does a “round-up” of photos, tweets, artifacts, and so on. See “Consider Perusing” below.
Dave:I bet you’ve had a lot of knowledge today, so you’re probably pretty exhausted. I’m pretty wiped out but that’s mostly from the speaker’s dinner last night. Thanks to the organizers for bludgeoning us the night before. I really went there. This will be fine. I’m just going to pop in for just an hour or so. It turned out to be longest bus ride of my life on the way home. Overall, we’re good. So, Mr. John Biehler on keyboard. [applause]
So, I do my best thinking in the bath because you can’t do anything else. When you’re in the bath, there’s really nothing else you can do. You certainly can’t use your iPhone unless you put it in a little Ziploc bag. You shouldn’t be using your laptop. That’s just dangerous. I can’t use my vaporizer because I’d be electrocuted. So really, all that’s left to do in the bath is thinking.
Recently, I was in the hospital. Hit me the slide there, John. While I was recovering and having my scrambled eggs and stuff like that, I got to thinking about what a strange conundrum. What a strange piece of place of history that we live in with this tool. I was thinking about coming to talk to you guys. I had to have something because I really couldn’t think about it because I really couldn’t do much of anything.
I started thinking about how weird it is that all of a sudden art and technology were seeing these fruitions of time where all of a sudden a lot of you are making tools, writing codes, I went and sat in some of the things, and John’s talking about Map and all the new innovations of WordPress 3.0., I use the free WordPress.com, so I’m just letting you guys figured out how to build the tools.
But, all of a sudden, we’re replacing time that guys are making tools. You’re also expected or in some way producing content for these things. All of a sudden, you have this new publishing platform in front of you. I started thinking, because I’ve always been caught in space between art and technology as evidenced here with my King Tut exhibit there, that was pretty good and that’s the important part of taking risks, just proof and point about when you make art, you got to take some risks.
What follows is transcription of a talk called “Fck Stats, Make Art” at Northern Voice, 2008 in Vancouver, BC. Original audio (record by Jay Stewart who is identified as Speaker 1 below) exists, as does a “round-up” of photos, tweets, artifacts, and so on. See “Consider Perusing” below.
Speaker 1:We’re at Northern Voice 2008 in Vancouver BC at the University of British Columbia Forestry Science Center and I’m about to record Dave O’s presentation. What is the name of the presentation?
Speaker 2:Fuck Stats Make Art.
Speaker 1:Fuck Stats Make Art. It’s going to be a little bit controversial because he’s going to give a call to up the ante on quality of stuff people are posting. He’s like, “It doesn’t matter if people are looking, it matters if it’s good content, that’s more important.”
Speaker 2:Certainly good content comes first and then you really [inaudible 00:01:06].
Speaker 1:I don’t need to know when people’s cats are going to the bathroom. I see a lot of that on Twitter and other sites and stuff, you know?
Announcer:So, it’s my pleasure to introduce one of my best friends here Dave Olson. He also works with me at Raincity Studios and I’m really excited that you guys get to hear him talk today. I think this talk would be quite a bit different from everything else that you hear at Northern Voice.
I dragged, Dave, kicking and screaming in the world of Google Analytics and I just didn’t get it, just like every moment I spent either looking at my viewers or attracting new ones is one less moment I’m writing or doing something else that I love. So, I always respected that about him.
He’s a poet, a filmmaker, an author, photographer and many other awesome things. Anyway, I’ll leave it up to him to go with the rest. So, welcome to Fuck Stats Make Art.
What follow is a transcription of a talk called “Are You Worthy – Publishing from Greeks to Geeks” at Wordcamp Whistler in 2009. Video and audio exists, as does a “round-up” of photos, tweets, artifacts, and so on. See “Consider Perusing” below.
Speaker:We really hoped you enjoyed today and I think you’re going to enjoy this last session. I’ve been looking forward to it since we started planning this. So with that I’m going to turn over to Dave Olson, he’s going to ask you, “Are you Worthy?”
Dave:So, it’s the end of the day, my brain is a little stretched — a lot of input, a lot of stuff. So, if you feel a little antsy, because frankly taking notes — I don’t know if I’m going to say anything that’s really worth taking notes.
I’m just putting this out there, if you want to come and sit down here or you want to pull your chair over, I’m an old hippie, so I was on dead tour. It’s all right you can come and sit down if you want. No big deal by the way. I’ll give you a moment to do that.
My ulterior motive for asking you to do that is that I didn’t bring anything to put on the projector. But I have lots of little odds and ends here. So, you’ll get a better view if you come and sit up front. That’s the way I like it — special shout-out to the ladies right back there.
I almost said I didn’t make any slides but I did make two slides here because people are always telling me that, “Dave, we really like your presentations, but damn it, would you give us a bulleted list?”
“Don’t miss this “Fireside Chat” with Dave Olson, an experienced public presenter who informs and entertains with a unique style including numerous visual aids, analog artifacts and interactive activities.
Dave’s presentations always inspire fresh thinking by evoking the spirit of historical luminaries remixed with anecdotes from 17+ years in web tech and travel to 30 countries.
This time around, he’ll riff on topics about future-proofing, disappearing content, the importance of archiving, media research, and documenting and publishing artifacts with an eye towards forever. Along the way will be anecdotes about Radiouserland, Samuel Peyps, Clayoquot blockades, and exploration of other forms of what we now call “social media.”
Collage “paper point” slides, including back sides containing my notes, and a few comments/annotations/quotes captured by the audience, [note: additional roundup of Internet Has a Short Memory available] ergo: