You’ve likely noticed I’m clearing out the archives of partially finished & fermenting audio and video projects from over the years/decades.
Just a few more left, including:
* Crowdsourcing Community Projects like Tom Sawyer preso at SXSW (crowd-sourced – natch – slideshow video atop edited audio)
* Social Marketing Kung fu workshop (four or five part lightly-edited audio with freeform tactical riffs on all my erstwhile start-up sparking wisdom)
* Healing Journal (as I’ve reached a certain level of acceptance with this debilitating consortium of syndromes, putting a few more video and audio journal pieces, as well as some written narrative, in hopes of educating and inspiring other people, and just for the “permanent record)
* Lost Choogle On episodes (still deciding whether not to release these, as one is maybe a bit too personal and a bit intense, and the other is a super weird montage of all the leftover bits of audio smashed up with songs, snippets and spiels)
I’ll keep cutting and stitching them together, if you keep on watching/listening. Are you on the bus?
What follow is a collection of photos from Science Fairs at Prince Charles elementary school, Surrey (Whalley), BC, Canada, with various annotations. Onwards:
Grade 4, Trolley Transit
I had just transferred from Harold Bishop elementary to Prince Charles shortly before and was determined to “make my mark” and put together this project which foreshadows the ALRT / Skytrain construction in Greater Vancouver (if you look close at the map, you’ll see the proposed line), as well as documents the historical legacy of streetcars (still my fave mode of public transport), and shares some various Buzzer news updates and other transit intell and ephemera. I was awarded 4th place in the grade – while noble i was determined to be on the podium each time thereafter.
Vancouver is always on some “best of” something list extolling luxurious skiing or exotic bistros, but it’s rarely mentioned amongst North American art culture capitals. San Francisco gets credits for its psychedelic pioneers and New York is known for art school punkers, with beat poets traipsing in-between the coasts. Even Montreal is known for jazz, comedy and underage drinking, and Ontario holds claim to the Group of Seven artists.
When it comes to art culture, I’m not talking about big dollar art conversation like “Oh, where shall we move the gallery?” Rather, I’m referring to the creative forces that bubble up from the underground, as evidenced in my wily ’80s adolescence at the York, Commodore and dingy warehouses in what’s now the yuppie enclave of Yaletown. (Of course, the cops were always there to shut the fun down —some things don’t change.)
You have to scratch a little bit to find this Vancouver where explorers found a cheap place to figure themselves out — back before shiny towers and grinning faces of realtors permeated the landscape, back before the teal-hued Expo daze, and even before the immortalized Gastown riots (we didn’t exactly miss out because the ghosts are still out there to inspire your renegade activities).
So put on your boots and get on the bus for a tour of Vancouver’s renegade past:
I traveled several splendid seasons on Grateful Dead tours and never once heard about Jerry and the lads stirring up interest for a show at the Pender Auditorium with free shows at Second and Kits beaches on August 5, 1966 — naturally, each was shut down by the excessively diligent law enforcement. Of course, any decent ‘head will tell you about the legendary free show at Golden Gate Park, which happened a year later with throngs of civic and fan support.
Before breaking in LA, Tommy Chong toiled as a guitar player and promoter at colourfully-named Chinatown clubs: New Delhi Cafe, T-Cabaret, Elegant Parlour and Shanghai Junk — plus brought in future Motown artists to blow the roof off The Blues Palace at the (now sedate) corner of Broadway and Alma. After continual shutdowns (despite re-employing strippers as comediennes), he split town with the only Hispanic kid in town who he’d hired away from carpet laying biz to become the vanguards of Californian stoner culture in the ’70s.
Meanwhile, around the corner, a left-handed whiz-kid named Jimi from Seattle killed the hours while visiting his Granny by wailing on his guitar in a chicken restaurant before heading to England so someone would listen and give a shit about what he was up.
Blocks away in West End cabarets, my great Uncle Lorne entertained town dignitaries and miscreants alike as a lounge singer in a seedy but sophisticated circuit —as a kid oblivious to the violent underworld, I always wondered why he couldn’t bend the knuckles on one hand and covered them with rings.
Further out of town, the founding fathers of creative housing recently arrived from Finland in the 1890s stuck poles in the swampy land which no one wanted near the wild cannery town of Steveston and said, “This is where we live.” Generations lived on in net sheds, boats and ramshackle huts, creating their distinct community until authorities and land-grabbers tried to reclaim Finn Slough. The hardy descendants carry on—partially prisoners of charm and confusion over land claims—far from ideal, but somehow faring better than evicted residents north shore’s intertidal Mud Flats and even the recently thwarted land lease holders of Hollyburn.
Yup, my Vancouver isn’t the city of glass and resto-lounges; it’s stumbling upon the site of the Victoria Argyle Club—run by my ol’ dead Gramps who made sandwiches for pool sharks and olden slackers who never needed a job.
My Vancouver is the motorcycle shop on site of Bumper’s—a short lived all-ages club in Whalley where metal heads sneaking mickeys hung on one side and the grab-bag of punk/goth/new wave kids smoking cloves stayed on the other. No one much ventured to the floor except the seminal night when DOA, The Spores and my friends Abortions on Toast opened the whole world to the 13-year-old version of me.
Up King George a bit by the infamous bus loop was Stardust roller rink (apparently re-opened?) where 6th graders somehow were allowed to stay out all night copping feels and rollerskating circles to REO Speedwagon.
Just across the river where the ALRT used to end, I’d use paper route money to pickup a requisite punk camo jacket from the dingy surplus stores on the waterfront behind the Army and Navy store, the same one where my Mom bought clunky Chinese boots each year for the first day of school.
Now my boots haul me along the trail named for G7 artist (and WW1 battlefield painter) Fredrick Varley, who frolicked in the ‘20s and ’30s between Lynn Valley and Jericho Beach. The fiery Scot finally split town — 18 months behind on rent — after sparking the Vancouver art scene with the first schools and exhibitions in this industrial outpost.
I showed up at school most every day, hung out at libraries and even won the school science fair, before traveling to 20-plus countries learning the secrets of pilgrims and Templars. But never once did I hear about these Vancouver legends and connections. Discounted perhaps? Ignored? Who cares. I know it now.
My Vancouver isn’t the one where it’s often harder to get a beer than Utah, where clubs of hooligans thrive in reckless packs while a low-end live music house can’t get a license. Mine is the same one eagerly celebrated by foreign draft dodgers zipping across the border with Kerouac in their back pocket and even the chain smoking ESL students who pick here for some sense of intrigue and history beyond the glossy brochures.
And now this is your Vancouver too, whether you know it or want it. Get your boots on and find it.
Story by Dave Thorvald Olson
Photo by Kris Krug
Dave Thorvald Olson is a Vancouver-based writer, producer and podcaster. Online, he’s better known as Uncle Weed and can be found at UncleWeed.net.
On Strawberry Hill – The hippie exodus to Canada from the United States was not a mass migration, but it was close. Is it time to rethink this period, then and now? BY CHRIS TURNER — SEPTEMBER 2007 ISSUE OF THE WALRUS