Tag Archives: records

Forgotten Vancouver Stories (aka Poets, Punks and Revolutions) / collage art boards

Forgotten Vancouver Stories: 1 - Everything is ephemera
Forgotten Vancouver Stories: 1 – Everything is ephemera (maps, tickets, pins, pennants) #daveostory

Artifact dossier: Collage art boards from “Forgotten Vancouver Stories (aka Poets, Punks and Revolutions)” spiel presented in various formats at Pecha Kucha Night Vancouver, All-start edition, and Northern Voice 2013 closing keynote. Video and roundup of both prezos exists elsewhere in this archive.

Each collage “slide” was handmade (obviously) with ephemera from my personal collection (exceptions credited on final “slide”) then, arranged on hemp cloth “storyboards”, photographed by Rachel Ashe, then disassembled. An analog to digital remix of sorts. Presented here in rather large size for your printing/screensaver/ amusement and posterity.

Forgotten Vancouver Stories: 2 - Young time stories
Forgotten Vancouver Stories: 2 – Young time stories

Continue reading Forgotten Vancouver Stories (aka Poets, Punks and Revolutions) / collage art boards

Happy Jack, The Who

#Vinyl #TheWho #HappyJack #Decca #original #artifact #mod #treasure

Double Elvis for Julian

This double #Elvis goes out to one of the few dudes who can *easily* kick my ass at the “… Yeah I saw that band back in…” Julian Hannabuss
Photos by Robert Scales
via Instagram:

Forgotten Vancouver Stories: video release / artifact round-up

Revolutions, Punks & Poets: Vancouver’s Forgotten Stories

Storymaker Dave uncleweed Olson shares an eclectic variety of stories from Vancouver’s counter-culture history on a stage adorned with a record player, campfire & cub scout blanket, art easel, flowers and an Expo 86 mug – plus pulls artifacts from an old-timey suitcase to illustrate forgotten past of a city which is/was much cooler than most realize.

Presented at Northern Voice, June 2013 in Vancouver, Canada, his 11th presentation to this noted personal expression conference (and his last talk before a medical “retirement”).

Filmed by Bruce Sharpe and Andrew Lavigne
Edited, Directed, Produced by Andrew Lavigne (also: With Glowing Hearts and Generation Social).

Music: Derek K Miller (RIP) “(You’re the) Big Sky”

Dave uncleweed Olson shares Forgotten Vancouver Stories
Dave uncleweed Olson shares Forgotten Vancouver Stories

 Topics:

  • Frederick Varley – Group of 7 painter who lived in Vancouver for 10 years
  • Grateful Dead – (tried to) play free shows at Second Beach and Kits Beach in 1966
  • Bob Masse psychedelic poster artist
  • Gastown Riots, March on Blaine, Rock Against Racism
  • bev. davies – rock n roll photographer, community chronicler, punk rock mom
  • Blues in Vancouver – Sonny Terry and Brownie McGhee at the Bunkhouse
  • Vancouver punk rock glory days DIY spirit and fanzines (+ final days of The Clash and importance of ephemera)
  • Clayoquot Sound logging blockades
  • Jake Milford and the Canucks recruiting Swedish players in the 1970s
  • United Empire Loyalists + Burner Boys bringing jam band culture
  • Venues of note: Afterthought, Retinal Circus, York Theatre, the Cave, the Bunkhouse
  • Cubscout campfire blankets
  • Howard Hughes, Errol Flynn
  • ++ bits of Kris Krug, Bob Kronbauer, Rebecca Bollwitt, Dan Mangan, Jason Vanderhill and campfire helpers: Mark Blevis, Kemp Edmonds, John Biehler, James Lester, Ariane Colenbrander, Nicholas Demers

Continue reading Revolutions, Punks & Poets: Vancouver’s Forgotten Stories

Forgotten Vancouver Stories at NV13 – Annotations, Remarks, etc / artifact roundup

Levon Helm’s New Album, with downloads

Reposted here to encourage the world to get their mitts on the talented Mr. Helm’s new offering

Inspiration from the Delta: Levon Goes Home for Dirt Farmer

Levon Helm’s first record in more than a decade, Dirt Farmer, will be released to the public on October 30, through Dirt Farmer Music LLC in conjunction with Vanguard Records. Levon sings and plays drums, guitar and mandolin on the CD, accompanied by Larry Campbell on guitars and fiddle, and the voices of Amy Helm and Teresa Williams. The record explores songs Levon learned as a boy in Arkansas and others in that style.

“Growing up on a cotton farm in the Arkansas Delta, Dirt Farmer rings true to home,” Levon said. “Amy encouraged me to go all the way back and try to record some of the family songs from home that we always loved best.”

The record reveals the essential beauty of traditional songs like “Little Birds” and the Stanley Brothers’ “False Hearted Lover Blues,” and takes a new look at Paul Kennerley’s “A Train Robbery,” Buddy and Julie Miller’s “Wide River To Cross” and another sentimental favorite, Lauralyn Dossett’s “Anna Lee.”

Levon said: “‘The Girl I Left Behind’ was one of the first songs my parents taught me as a child, along with ‘Little Birds’and ‘Blind Child.’ ‘The Poor Old Dirt Farmer’ is a song that my wood-carver musician friend Michael Copus and I learned together when we worked with Jane Fonda on The Dollmaker down in Tennessee. ‘Single Girl, Married Girl’ is one of my favorite songs of the whole session. It gave us the chance to address a traditional standard with the entire rhythm section using non-electric instruments and a full set of drums. It also gave us the chance to monkey up the rhythm of a traditional country beat.”

1. False Hearted Lover Blues 3:29
2. Poor Old Dirt Farmer 3:52
3. The Mountain 3:35
4. Little Birds 4:41
5. The Girl Left Behind 3:35
6. Calvary 4:53
7. Anna Lee 3:42
8. Got Me a Woman 3:11
9. A Train Robbery 5:28
10. Single Girl, Married Girl 3:18
11. Blind Child 3:26
12. Feelin’ Good 3:31
13. Wide River To Cross 4:52

Help us earn…
…buy, don’t burn
levonhelm.com

DOA’s Classic collection “Bloodied But Unbowed” Re-released Today

DOA frontman Joey Shithead Keithley’s record label Sudden Death is re-releasing the seminal collection of kick-ass punk today. DOA's bloodied but unbowed I’ll be picking one up for sure though i’ve owed the vinyl and CD before but both are MIA – lent to some friends, somewhere – rock on, enjoyed i hope.

DOA at NY Theater

Along with The Clash and The Ramones, DOA showed that you could write good songs, which rocked and had something to say.

I was 13-ish when i first heard them as a frustrated kid in the suburbs and over the next several years saw them many times. Often taking the bus to way out venues and street-hiking long distances after the last bus to the burbs had rolled.

When they played Bumper’s, an all-ages venue in Surrey – i got to chat with them and they treated me like one of them, not some fan kid in specs and a mac jacket.

In those days, i collected their vinyl like holy artifacts – from the toe-tagged 7″ to the General Strike John Peel Sessions 12″ EP (the best ever). Even the uhh… not so good albums as they sorted through a few line changes – but there was always something that mattered on every disc. Gregg, Goble (Sunnyboy Roy), Dimwit, Biscuits, many more … all through the revolving door.

DOA Spores AOT in Surrey fro pUnk History Canada Years later, i hung out with Joe on the set of a music video he was making with Randy Bachman – some goofy thing with scaffolding and searchlights and safety vest and hardhats. I saw him then as a sharp-as-a-tack professional who remembered everything and worked efficiently so he could get on to other things – “there’s shit to get done man.”

He bantered with me about some rock and roll reminicenses – dingy clubs he’d played in Germany where i been tagging along with the Bad Yodellers on a tour and saw Gwar amongst jack-booted, German acid-heads and he wondered what new bands i was listening to.

DOA by Bev Davies
Photo by Bev Davies

Again, years later in Olympia, Joe got me up on stage at the 4th ave Tav to sing Taking Care of Business in my Canucks jersey – yup i rocked it too. The band and crew came to watch the game on the replay tv (Canucks lost to Avs in Game one of playoffs on a controversial offsides non-call by Chris Drury IIRC).hockey lounge

In the Hockey Lounge, we drank kegged beer and then moved to Kokanee or Canadian cans while gravelly voice Randy Rampage drank Scotch from the bottle and told rock n’ roll stories from Japan and Joe broke down the hockey game with focused concern.

They made lovely houseguests (maybe i should keep this a secret) … they even folded their towels and tidied up before leaving (thanks).   BTW, As i talked about on a Clubside Breakfast Time episode, i ended up meeting the roadie’s brother in Granada, Spain and having a good laugh about the coincidence as i crashed at his place.

Sure they can play their instruments decent but the passion and vigor is more important to their stew. Virtuosity is often overrated when the songs are good enough to carry the day – tough as East Hastings concrete but with a (shock) melody and a structure under the noise.

But as much as the rock rocks, the social messages are what gives their music soul … Not overt but strongly worded, no subtley here but not preachy either ~~ global trade, environment, voting, nuclear proliferation, music theory (disco sucks) ~~ all sacred cows are all up for hitting with the bulldozer.

If the message don’t open yer mind, the fuzz will lever it open like a greasy tire iron prying off a hubcap.  What i think he’s saying is … whatever decision you come up with is probably OK as long as you aren’t harming anyone innocent, you got a reason to do it and you actually do something about it.

The lyrical breadth (big words for punk rock but deal with it) is recently more evident as i’ve mined the DOA catalog for snippets to use on podcasts and most any controversial topic is dissected and set to loud guitar.

My old t-shirt spells out the root of the DOA mantra: Talk-Action=Zero.

This past year has been a busy one for Joe and the gang, films, tours, a more tasty reflective seasoning sprinkled from this era of Vancouver hardcore – read Suddendeath for current chronicles and don’t forget that the legendary Bev Davies has a photo calendar too. Punk History Canada is a trove of documentation – if you got any olden punk stuff, scan it, send it, no excuses ya hear.