Note: I *know* I had (or have) this magazine “somewhere” but I’m not sure if this is my image, – if it’s yours, cool, might be – maybe I’ll find the magazine, if so will share the rest of the article, maybe I won’t… Who’s to say? Regardless, this is the best and i share this image all the time when folks ramble on about “not having free time” and “that one show on TV” in the same convo. #hint #shootyourtv
I have a few other Ed Abbey artifacts in my stash including a program from his “Arch-Druid” lecture in Salt Lake City, possible ticket stub from same, and obituary clipped from the newspaper and so on, in the meantime, this cover is such goodness of such a hero (plus handy as i share this all the time when folks complain about “nothing on TV”.
Tom Sawyer famously talked his gang into paying him for the privilege of whitewashing a fence while he sat by and supervised. In this talk by Dave Olson at SxSW Interactive on March 10th 2012, he shares how companies might inspire their community to crowd source projects by engaging passionate users with a mutually beneficial relationship.
This video – made from appropriately crowd-sourced photos, social posts, and other snippets + music – includes Mark Twain-period costuming, pipes, smoking jackets, board games, old-timey suitcase, mysterious envelopes, audience participation and plenty of laughs while focusing on practical tactics to rally communities with clear expectations, boundaries, rewards, and objectives and importantly – without manipulating.
3 very different project examples provide tangible advice for various campaign timelines, outcomes and audiences, and include:
* True North Media House: a long-planned (and fantastically successful), renegade self-accreditation citizen documentation project at Vancouver 2010 Olympics / Paralympics
* Phones for Fearless: a rapidly planned and deployed initiative to gather dis-used mobile phone/cameras for use by marginalized communities to tell their stories
* Hootsuite Translation: activating global cultures to speedily and accurately translate and localize a social media dashboard using a web tool… with unexpected outcomes
Includes cameos of dozens of bright faces in Austin at the noteworthy event, plus more recent voice over to bring the projects up to date and share more resources to explore further including screenshots from various media appearances, reviews, tweets, and whatnot of the talk and aftermath for extra colour. Continue reading Crowd Sourcing Community Projects like Tom Sawyer at SxSWi 2012: video
This cassette is SOLD OUT, but i want it and to learn more about Angus MacLise, ergo::
American poet, percussionist, calligrapher, actor, occultist and publisher Angus MacLise (1938-1979) counts as one of the central figures of the ‘counterculture’ of the 1960s and 1970s. MacLise was a member of La Monte Young’s The Theatre of Eternal Music, contributed to the early Fluxus newspaper VTre, founded the Dead Language Press together with his friend Piero Heliczer (in some of whose films he appeared), was the Velvet Underground’s first drummer, and co-founded the legendary Spirit Catcher bookstore in Kathmandu. MacLise produced scores for the underground classics Chumlum by Ron Rice and Invasion of Thunderbolt Pagoda by Ira Cohen and, together with his wife Hetty McGee, edited Aspen Magazine #9 in 1971. Maclise married Hetty soon after he had left (or some say had been kicked out of) an early incarnation of the Velvet Underground in 1965 and had moved to California, where Timothy Leary led their wedding ceremony in Golden Gate Park, San Francisco. No sooner had the couple finished their work for Aspen Magazine in 1971 than they travelled to British Columbia, where they wanted to settle down but were refused visas. They eventually found a new home after having followed the hippie trail to Kathmandu, Nepal, where their son Ossian was recognised as a reincarnated Lama by the Karmapa, the head of the Karma Kagyu. Angus MacLise was a heavy drug user and his addiction to opium and heroin in combination with a relentlessly creative and fiercely uncompromising lifestyle proved fatal. MacLise, only 41 years old, died in Kathmandu in 1979 and was cremated there according to the traditions of Tibetan Buddhists.
During his stay in Kathmandu in the 1970s, MacLise occasionally made trips to the west. Together with his wife and son and in the company of Ira Cohen and Petra Vogt, he travelled to Paris in 1975. And one year later he read poems during the Millennium Poetry and Multimedia Performance in New York City. The recording of this reading, dubbed directly from the master tape, has now been released on cassette by Counter Culture Chronicles. Against a background of Nepalese music recorded by MacLise himself, the poet is heard reading seminal works in a sensitive, at times even vulnerable voice. This cassette is in all respects a genuine and rare countercultural gem from René van der Voort’s amazing label.
Rollin on with albums from the archive, I present these treats for your amusement:
The Jam, Snap!- 2 LP This seminal trio at their finest – well it’s a collection of their finest. Sounds so fresh and explosive even now. Great gatefold deco and liner note copy-writing. Explodes out of speakers and especially love the ambient tube sounds of “Down in Tube Station at Midnight”.
Oingo Boingo, Only A Lad 10 inch, 4 song EP
No other band sounds anything like Oingo Boingo — started as something like a 15 piece, whittled down to more like six, with marimbas and percussive elements along with electronics to make a completely new and extremely danceable heady brew (for you youngsters, this was Danny Elfman of every Tim Burton soundtrack fame)’s band. Also the 10inch 4 song EP is the best music format ever created.
The Specials, The Specials From the opening track “message to you Rudy”, the drum sound is massive and hollow and upfront, the guitars are crisp and restrained, and the stories are all songs (or vice versa) — while they lost their drummer this year, this band is touring, played the Warfield in San Francisco just recently. As an aside, I was fortunate to share a speaking gig with the guitarist Lynval Goulding at SxSw.
Life in the European Theater, Compilation Opens with The Clash’s London Calling and just rocks on from there with aforementioned the Jam & the Specials, plus XTC, Au Pairs, Echo and the Bunnymen, Madness, The Beat, The Undertones (all of the above of UK bands of course), with The Doors’ almost forgotten Peace Frog as (somewhat inexplicably) the only American entry. This was released in 1981 so the first sample of a lot new sounds for this West Coast kid.
Along his namesake trail on banks of Lynn Creek comes story of Group of 7 bohemian painter Frederick Varley’s 10 wild years in Vancouver teaching and founding art schools, developing new aesthetics and shacking up in an $8 mountain home with mistress.
Bring your own brushes: Upon the Varley Trail – Postcard #83
(30MB, 20:50, mp3, stereo)
Sometime around 2004, i went to a pal’s wedding in Connecticut – knowing i would see some old pals from Utah, unseen for many years, i assembled a run of (whopping) 4 copies of (an obviously handcrafted/bound) chapbook.
This little tome called “Shoebox” contained stories written while living in Utah alongside some of these lads in hopes of sparking memories and giving a little something of myself in thanks for their inspiration and friendship.
Cover photo is a thistle growing inexplicably from the red rocks of the Grand Canyon’s north rim on a wander i did with the groom of the aforementioned wedding.
As it goes, i never heard anything about the booklet, and forgot about the project until again Utah (autumn 2018) and buddy Dane’s copy surfaced during a move. I dutifully snapped a few lousy pictures for documentary evidence of creation.
From SXSW 2008 – amidst sirens and Austin, Texas 6th St. street noise – comes an interview with filmmaker Erich Weiss premièring “Hori Smoku, Sailor Jerry” about the originator of contemporary tattoo-ing – and iconoclastic libertarian American – Norman Collins who combined Japanese technique, Polynesian traditions, and American motifs in Hawaii during WW2.
The interview delves into the the “screwed, boozed (blued), and tattooed” wild culture as a million sailors and soldiers descended upon the idyllic islands (especially Hotel Street), plus Mr. Collins’ complex life, the artistic lineage of Sailor Jerry, rivalries and legacies of various tattoo artists/legends, mentorships of Don Ed Hardy and others, and the remarks about “fad” tattooing and (lack of) regret.
Might hurt a bit: Sailor Jerry Tattoo Culture – Choogle On with Uncle Weed #124 (.mp3, stereo, 30MB, 14:44) Continue reading Tattoo Culture of Sailor Jerry – Choogle On! #124
High in Jamaica, Uncle Weed visits Black Ras’ abundant mountain growfield to discuss “swamp weed” grown in morass versus “hard land weed” grown in volcanic soil with bat guano, plus varieties of ganja strains – both domestic and imported. Plus background about his family teaching him the ways of growing most anything and living an Ital lifestyle.
Head to the hills for: Humble Boys Hard Land Weed – Choogle On with Uncle Weed #123 (.mp3, stereo, 30MB, 14:44) Continue reading Humble Boys Hard Land Weed – Choogle On! #123
++ CREEPERS AND CHUMS ++
An Uncle Weed Variety Shindig
Music, Poetry, Dance , Art
Details: Sat. May 27th 2017
Bring: Potluck, chair and good vibes
Dedication: Lauralee Elliott and Rod H. Ash
* Mikael Lewis and International Correspondents
* Larry “Auto” Harper
++ various Global Free Radicals (via video)
Coupla renegades on a mission in the rain. Solid session with this hard-charging co-conspirator from so many clandestine endeavours. Strong squad indeed we are @invoker!
So many stories from breaking down walls (literally and figuratively), rolling out busses, sparking revolutions, acquiring frenemies and exploring new lands.
A dear friend’s teenage daughter was heading out on her first foreign adventure–as such, i passed along a few thoughts. Sharing as perhaps others will find helpful.
Hi E., It’s Dave here – and while I don’t have knowledge of all things, I do have a lot of knowledge about traveling… Not about fancy hotels and airline miles and gourmet restaurants but instead, grassroots travel where you immerse yourself in the culture and never really quite return home because much of your heart remains behind.
Now I don’t know all the details but I understand you’re going to a rather “developing” (hate this term but…) with a school group to do a humanitarian project – all that is awesome and, since I’m here, I’ll share a few random tips for you to consider while you ramble.
First off, all that stuff about packing light is very, very important. Consider your clothes a “uniform” and trust me, no one cares what outfits you wearing plus, one of the funnest things to do is buying clothes local and then you come home with a neat outfit. I take clothes which are quick drying, dark colors, and well-worn in so I don’t mind giving them away when I leave.
Since you have this extra room in your pack now you will fill it with something much more valuable: treats for the people. I don’t mean important expensive things but some of the things I take include: sets of pencil crayons, notebooks, pens and buttons with fun designs, postcards from my home town (remember agricultural people around the world love seeing photos of animals and farms and plants and so on), sometimes deflated soccer balls but those are a bit clumsy.
My last big trip I printed out hundred postcards of my art so I had something to give to people that really created that connection much more than a “Facebook friend.”
Document extensively but use cameras judiciously. What I mean by this is that photos are often the worst way to connect with the people (there are exceptions like instamatics), as it put something between you and them, and that something is also an expensive piece of technology.
Now photos are so important and I’m so grateful for the few foggy images I have from my first travel spots, my rule was to buy one or two disposable cameras, peel off the outer wrappers so is just a plastic black box and then I am limited by those 24 or 48 exposures so each shot had to be very important.
Sure lots of them turned out really lousy but the intention was a lot of fun. Now I travel with a sardine can film camera which produces hazy water-colored memories which sort of seemed like how memories fade.
Instead, I love to make notebooks, fill up journals, scrapbooks with all my travel artifacts (ticket stubs, postcards, brochures, signatures, sketches, maps,…) These give you an interactive talking point with folks as you meet them and, of course travel with a pencil bag so folks can sign and add their thoughts to the big jumbo book, plus flip through and see other artifacts of me and my journey. I even throw in a few family photos and stuff like that before I leave to show new friends (as well as stave off the possible homesickness).
This one may sound weird but stay with me: I (usually) have a rule in which once I decide where to go, I learn nothing about the country.
This seems super counter-intuitive but, because traveling is so easy now (my first trip to Europe at 21 was before cell phones, Internet, ATMs, common currency etc.) so to keep that “degree of difficulty” up to snuff, I go in naïve so I can feel like an early explorer, there before the masses.
Now I realize that doesn’t fit exactly with the logistics of your trip but the thought of going with a clear mind and minimal expectations opens up so many opportunities. Think of the place as white paper or canvas waiting for your contributions rather than pre-coloured with the drivel of guide books and instagram stories.
Great examples is: “the most famous tourist site in every country” in which you can line up for hours to see something which you could go to another town and see something less crowded, perhaps not quite as magnificent, but almost wholly to yourself.
In other words, find your version of what’s awesome and discover the story(s) for yourself. Trust going to places you’ve never heard of or never expected, and you’ll find bits of magic which you can feel like you were the first person to document.
OK, health stuff… Like you, I’ve struggled with terrible migraines on and off throughout my life and now I’m dealing with a bunch of other crappy illnessess (fibromyalgia, CFS/ME etc). So, when I travel, I always have my little “safety kit” of killer soft eye mask, best earplugs, lavender oil, sticky heating patches from Japan for my shoulders and back, various ointments and magic to deal with onset of crazy pain.
Like your situation I suspect, once it hits, you are done and need to shut down until you sort it out. So make sure you have your emergency escape kit and don’t be afraid to take an extra day in a quiet room when you need it.
You are young, South America is just getting going (keep in mind it was a collection of “banana republic” – another lousy term, sorry – dictatorships for most of my life) so you can return again (and maybe again). The important point is to come home inspired and not battered.
Besides my beloved scrapbooks (if you want links to view photos of them just let me know) I also often take an audio recorder and love to record ambient noises of markets and streets and crowds or music or buskers and when I’m home and feeling blue, I put on my headphones and the audio drift you back better than any photo ever could (usually).
Also, with my travel artifacts besides scrapbooks I also make big “static montages” meaning a kind of wall-hanging collages with all my bits and pieces floating and stuck on, sometimes with some paint, and a bit of narrative on top.
Anyhow I could go on and on but mostly I’m just super excited to see you heading out on an adventure. Your Mom tells me so much about you and while I met you was a baby, I look forward to seeing you as an adult one day soon. I am constantly available to offer any bits of scattered wisdom or encouragement… At your leisure…