Tag Archives: spoken word

Hey Cam, its your 50th birthday

Cam’s 50th birthday video with ukulele

My pal Cameron Uganec of Lynn Valley hit 50 so i made a spoken-song-arts-and-crafts-thing / its not long because he suggests “brevity is key” so i tried to not ramble on as per usual – making a “Ramones-sized song”.

Sharing here so i remember the fun making this for a great pal including: my Mom’s heavy duty pinking shears; Dymo labeller; scribbling “lyric and chord” writing; and a pink insta-camera + mighty hat a’la Richard Brautigan (made in Utah), and a Royal Stewart tartan jacket.

Thanks for being a top-notch gent Cam (and always driving and getting coffee etc).

“Thunderstorms in the Crash Years” – audio story about #MECFS & #Fibro

Dave working on healing at Peacock Ayurveda near Galle, Sri Lanka (with Dr.)
Dave working on healing at Peacock Ayurveda near Galle, Sri Lanka (with Dr.)

 

Amidst a thunderstorm at 4AM on a balcony in Chiang Mai, Dave discusses – with excessive frankness and emotion – various medical conundrums (Fibromyalgia and CFS-ME) and details the physical feelings of “crash mode” as well as the mental strain in dealing with self de-identification and inter-personal relationships, confusion in seeking help, and various alternative treatments.

audio story about #MECFS & #Fibro, just click play below

Always be kind for: Thunder in the Crash Years – Postcard #75 (75MB, 37:09, mp3, stereo)

No sympathy or advice requested.

(un-licensed but fairish-use) music by:

  • Tegan and Sara “Wake Up Exhausted” (demo)
  • Billy Bragg “Must I Paint you a Picture” (extended)
  • New Pornographers “The Crash Years” and “Adventures in Solitude” (studio)
 

 

Duly Noted: SOCAN registration and songs published

Evidence: SOCAN registration and songs

I made some “spoken word with loops and samples” songs somewhere along the way, released on various channels/media (under Archeology Records), and now making more songs with other people who are recording and releasing.

As such, i duly registered with SOCAN (Society of Composers, Arrangers something something) – the Canadian analogue to BMI or ASCAP in USA (all rather confusing).

Anyhow, i have a few songs published. SOCAN will collect royalties on my behalf for live performance and radio transmission. Mechanical royalties (physical media) are another story, again confusing but duly noted.

Fire em up. Find under “Uncle Weed” on usual streaming channels. 

Artifact: Bad Wougar album, 2014

Artifact: Bad Wougar album, 2014, gatefold

Bad Wougar is/was a hard rocking band in Vancouver BC with four fine gentleman who practised diligently in a room called the “the Den” which I’ve visited several times – occasionally playing some drums, especially extended jams to “Cortez the killer”. The name “Bad Wougar” came from a campfire myth about a dangerous animal which was a mix of a wolf and a cougar.

Artifact: Bad Wougar album, 2014, cover

On a trail walk one day, I recorded a myth about the creature for the bands use and amusement. They then invited me into the glorious brand-new Monarch Studio (which has an origin story to share another time) to record a few snippets from the riff for the songs. In all, my voice/words appear in two tracks on this final release which was distributed on CD with a paper gatefold cover (i have 2, Mac Kobayashi has 1).

For the record, released: February 28, 2014 (noting this was a high point in an otherwise tough tough year).  As mentioned, the four members of the band (including a non-related Olson) were each fantastically kind, interesting fellas as well as quality musicians and it’s a privilege to know them.

So it goes, folks have other commitments and adventures in life so they don’t play anymore but I hope this CD/album is more widely distributed in future / Kind of band that would be big in Europe.

Artifact: Bad Wougar album, 2014, back with track list

 You can check the Bad Wougar Bandcamp or Soundcloud + Youtube Discogs + a review in UberRock, a snippet: 

… every time I sling this album on the stereo I can’t but feel like I’ve been transported to a wood-panelled backwoods bar where the band are plying their gnarled rock ‘n’ roll trade in such a fashion that the venue’s customers are worried that the whole place will go up in flames, the sounds so incendiary….

There’s a grubby charm to this band and its self-described brand of hard charging rock ‘n’ roll. It’s garage rock by way of the forest and you can’t really ask for anything dirtier, earthier than that.

As the stoner-like riff of final track, ‘Spoke Too Soon’, rattles the fillings out of my teeth I’m left wondering if maybe what I just listened to was part of a crazed fever dream. Then I look up and see the album cover, the eyes of the Bad Wougar appearing to follow my every move…..

Another review in Permanent Rain references my spoken-word bit, ergo:

This spoken kick off made me realize I was in for a fun ride, just as if I was watching a movie–and I was not disappointed. …

The album itself has a delightfully punk element to it, often mixing with elements of classic and progressive rock. It could have been released in 1984, 1994, 2004, or 2014 and reflected the music of its time period.

Have You Ever Seen Anyone Like Cody Pomeray? Robert Hunter

Have You Ever Seen Anyone Like Cody Pomeray? · Robert Hunter Kerouac – Kicks Joy Darkness (a Spoken Word Tribute With Music)
℗ 1997 Rykodisc

Preserving the Wildflower – Postcard #69 via video

What becomes of the seemingly ephemeral creations we leave behind? Especially in the analog-days?

Consider these in the context of missing cassette tapes made by a now departed poet/activist/scholar Foster and guitar-ing Mikael, who recorded spontaneous youthful riffs in parent’s basement in Utah. In this postcard, Mikael Lewis sings “Wildflower (for Foster)” written by Dave in a clinic in Nepal, then adds some more verses, spiels and a poem called “Occasionally Free” – with lightning, rainstorm and crickets chiming along.

Note: Also available in audio-only via all normal podcast channels and elsewhere in this library.

Listening to Sea – Postcard #74 via video

Ship-to-shore transmissions with shortwave broadcasts from elusive listening posts, soundscapes from slow ships, and freeverse poetry about unanswered communiques, transitory conditions, arbitrary citizenships, invented geography, de-identification, and intentional disappearance.

Features music: “Dream World” by Matt Harding from NYOSSS (New York, Orem, San Sebastian, & Shanghai), plus various shortwave broadcasts of dubious origin, and sound samples from oceans (recorded by Dave and others via BBC sound archive).

Note: Also available in audio-only via all normal podcast channels and elsewhere in this library.

Assorted Vinyl Treats: The Jam, Oingo Boingo, The Specials and “All Quiet…” compilation

Rollin on with albums from the archive, I present these treats for your amusement:

The Jam, Snap!- 2 LP This seminal trio at their finest – well it’s a collection of their finest. Sounds so fresh and explosive even now. Great gatefold deco and liner note copy-writing. Explodes out of speakers and especially love the ambient tube sounds of “Down in Tube Station at Midnight”.

Oingo Boingo, Only A Lad 10 inch, 4 song EP

No other band sounds anything like Oingo Boingo — started as something like a 15 piece, whittled down to more like six, with marimbas and percussive elements along with electronics to make a completely new and extremely danceable heady brew (for you youngsters, this was Danny Elfman of every Tim Burton soundtrack fame)’s band. Also the 10inch 4 song EP is the best music format ever created.

Danny Elfman and me, SLC UT, circa 1985

The Specials, The Specials From the opening track “message to you Rudy”, the drum sound is massive and hollow and upfront, the guitars are crisp and restrained, and the stories are all songs (or vice versa) — while they lost their drummer this year, this band is touring, played the Warfield in San Francisco just recently. As an aside, I was fortunate to share a speaking gig with the guitarist Lynval Goulding at SxSw.

Lynval Goulding (guitar, The Specials) and me in Austin, TX 2012(?)

Life in the European Theater, Compilation Opens with The Clash’s London Calling and just rocks on from there with aforementioned the Jam & the Specials, plus XTC, Au Pairs, Echo and the Bunnymen, Madness, The Beat, The Undertones (all of the above of UK bands of course), with The Doors’ almost forgotten Peace Frog as (somewhat inexplicably) the only American entry. This was released in 1981 so the first sample of a lot new sounds for this West Coast kid.

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For the record, in Sept 2016, picked up a couple of crates of vinyl which I left in a friends dad’s basement in Salt Lake City when I left Grateful Dead tour in 1991 and ended up in Europe, Japan, Micronesia, Cascadia and many departures between. Collecting them now, feels like 20-year-old self wrote a letter for me to receive just when I needed it most. #MusicHeals

Disappearing for Invigoration – Postcard #78 via video

Disappearing, invisibility, loneliness, depression, anxiety, being lost, trying to not be found, trying to find white space to invigorate… Sometimes these weave together, other times (perhaps) each remain exclusive.

Gord Downie, Jack Kerouac, Charles Bukowski and me all try to figure out the nuance in different ways atop Turkish street music, trains from Kerala and Moncton, and various ephemeral music snippets.

Note: Also available in audio-only via all normal podcast channels and elsewhere in this library.

Jack Kerouac Spoken Word, 4 LP + book collection

I worked at a bicycle shop outside of Vancouver in 1990 and I lived in my VW bus out back of the store some of the time so didn’t have a record player.
 
 
Saved my Canadian dollars and bought this four disc Jack Kerouac set – which includes a thick and beautifully designed booklet – at A&B sound on Seymour Street.
 
 
Was stashed away with the rest of the stuff in 1990 and never has never had a needle drop on it yet.
 
This will change very soon when I spend a bottle of wine with dear ole Jack and other pals.
 
 
He’s a true revolutionary, much more than in the stereotypes,…
 
 
And like many, was a critical erstwhile mentor for a young, mostly Canadian, train rolling, world-travelling writer.
 
 
I have a quite lovely collection of his works and artifacts and very happy to have this in my hands. I need it, truthfully.
 
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For the record, in Sept 2016, picked up a couple of crates of vinyl which I left in a friends dad’s basement in Salt Lake City when I left Grateful Dead tour in 1991 and ended up in Europe, Japan, Micronesia, Cascadia and many departures between. Collecting them now, feels like 20-year-old self wrote a letter for me to receive just when I needed it most. #MusicHeals