From SXSW 2008 – amidst sirens and Austin, Texas 6th St. street noise – comes an interview with filmmaker Erich Weiss premièring “Hori Smoku, Sailor Jerry” about the originator of contemporary tattoo-ing – and iconoclastic libertarian American – Norman Collins who combined Japanese technique, Polynesian traditions, and American motifs in Hawaii during WW2.
The interview delves into the the “screwed, boozed (blued), and tattooed” wild culture as a million sailors and soldiers descended upon the idyllic islands (especially Hotel Street), plus Mr. Collins’ complex life, the artistic lineage of Sailor Jerry, rivalries and legacies of various tattoo artists/legends, mentorships of Don Ed Hardy and others, and the remarks about “fad” tattooing and (lack of) regret.
Puffing along a trail recounting leaving cold, miserable London en route to post-hurricane Florida with flashbacks to working in Rheinplatz grade fields, gathering chestnuts to sell for beer and bread money, strange encampments at Oktoberfest, and hitchhiking to Amsterdam with gaggle of pals. To London by ferry and rapid exit via cheap flight Florida, quickly interjecting in chaotic domestic situations, meals with surly Hare Krishnas, sleeping on unglamorous beaches, and avoiding looting commotion, while plotting forward momentum, which eventually came in form of a dubious drive-away car situation to Dallas… and beyond (in 1992).
Features music by: “Brave Captain” fIREHOSE (recorded live in Ancienne, Belgique, March 12, 1991 – via Archive.org), “Florida” by Blue Rodeo (recorded live in Saskatoon, Saskatchewan), and “Crazy Fingers” by Grateful Dead (recorded live in Phoenix, AZ, 1993 – via archive.org).
Amidst a thunderstorm at 4AM in Chiang Mai, Dave discusses – with excessive frankness and emotion – various medical conundrums (Fibromyalgia and CFS-ME) and details the physical feelings of “crash mode” as well as the mental strain in dealing with self de-identification and inter-personal relationships, confusion in seeking help, and various alternative treatments. No sympathy or advice requested.
Ship-to-shore transmissions with shortwave broadcasts from elusive listening posts, soundscapes from slow ships, and freeverse poetry about unanswered communiques, transitory conditions, arbitrary citizenships, invented geography, de-identification, and intentional disappearance.
Features music: “Dream World” by Matt Harding from NYOSSS (New York, Orem, San Sebastian, & Shanghai), plus various shortwave broadcasts of dubious origin, and sound samples from oceans (recorded by Dave and others via BBC sound archive).
On a forgotten forest walk, Dave riffs a story about first trip to Europe – starting with trying not to puke over an Amsterdam bridge after a meeting new temporary coffee shop pals – with flashback to Mexican desert trips with Grandpa, LSD trips with VW bus-fixing pals, and family Grateful Dead road trip to in Arizona.
Foreshadows future stories of an rapid exit from London to Florida then a (rather dangerous) driveway car to Dallas, bus to SLC, flight to Vancouver, then to Japan…
Paying poetic respects to recently deceased Grandpa in a rainforest with Walt Whitman, Charles Baudelaire, Chief Dan George and original works inspired by the globe rambling, oddly charming, big fish – while official funeral happening elsewhere. Originally recorded: May 13, 2006
High in Jamaica, Uncle Weed visits Black Ras’ abundant mountain growfield to discuss “swamp weed” grown in morass versus “hard land weed” grown in volcanic soil with bat guano, plus varieties of ganja strains – both domestic and imported. Plus background about his family teaching him the ways of growing most anything and living an Ital lifestyle.
In-depth discussion with rock art photographer bev. davies including: hippie days with Neil Young and Joan Anderson (Joni Mitchell), shooting punk pioneers DOA and Subhumans, Motörhead in a park, David Bowie in a stadium, Brian Jonestown Massacre flipping off crowd and so many more.
Also stories from backstage with Iron Maiden and Twisted Sister, Nardwuar collaborations, Duran Duran posing at soundcheck, and remarks about various Vancouver venues.
Plus insights about role of photographer as artist, conundrums of accreditation and access, reasons for a long hiatus, crafting the perfect shot, shoes versus sneakers, origins of calendars and exhibits, and plans for a book.
Recorded August 2010 in Strathcona, Vancouver, BC, Canada.