Upon turning 70 years old, Dave’s dear sensei (since a teenage Utah community college stint), Larry Harper (among various monikers) curated 70 items of advice (at request of Annie Dandelion).
As such, between licks by Grateful Dead and master potter Marty Kendall, he riffs the list – ranging from practical to mystical to almost comical, many including nudity and space. Oh, also includes his ethereal autoharp songs (rescued from a ca. 1991 Zzyxz Rd cassette).
Float to Istanbul, Muscat and elsewhere, and check in with Cleopatra, Shakespeare, Francis Drake, Shah of Persia, Adam, Cain, Abel, Lawrence, Ataturk, Czars Nicholas and Alexander, Matt Harding, Russia oligarchs, well-fed stray cats, unidentified shortwave broadcasts, Abraham, Norman, Matt Harding, rowers, drummers, a blonde dog and you and me… finding the edges of the globe.
Disappearing, invisibility, loneliness, depression, anxiety, being lost, trying to not be found, trying to find white space to invigorate… Sometimes these weave together, other times (perhaps) each remain exclusive.
Gord Downie, Jack Kerouac, Charles Bukowski and me all try to figure out the nuance in different ways atop Turkish street music, trains from Kerala and Moncton, and various ephemeral music snippets.
In hospital with sedated Grandpa, Dave reads complete “Letters from Russia” epistolary literature project with frequent interruptions from visitors, nurses and medical apparatus. The letters address issues of class, revolutions, monarchy, war, trade, and love in the context of Napoleon’s foray into Russia in 1812 through letters from a cobbler to his fiancé in Paris. Then finishes with Walt Whitman heading on the open road (which ole Gramps was so fond of doing himself).
Featured music: Mark Olson (music, guitar, vocals) and Dave Olson (lyrics, drums) “Little Flame” – recorded to 4 track cassette, circa 1996.
A walk around various car-free day festivals in Vancouver, 2008 with unedited soundstream of drum circles, live bands of various sorts (including several numbers by a Grateful Dead inspired band, a free jazz combo, a protesting singer-songwriter, and a Latin-esque outfit…), plus skateboards, slam poets, and a bassoon quartet playing “hockey night theme” among other tunes.
From SXSW 2008 – amidst sirens and Austin, Texas 6th St. street noise – comes an interview with filmmaker Erich Weiss premièring “Hori Smoku, Sailor Jerry” about the originator of contemporary tattoo-ing – and iconoclastic libertarian American – Norman Collins who combined Japanese technique, Polynesian traditions, and American motifs in Hawaii during WW2.
The interview delves into the the “screwed, boozed (blued), and tattooed” wild culture as a million sailors and soldiers descended upon the idyllic islands (especially Hotel Street), plus Mr. Collins’ complex life, the artistic lineage of Sailor Jerry, rivalries and legacies of various tattoo artists/legends, mentorships of Don Ed Hardy and others, and the remarks about “fad” tattooing and (lack of) regret.
Puffing along a trail recounting leaving cold, miserable London en route to post-hurricane Florida with flashbacks to working in Rheinplatz grade fields, gathering chestnuts to sell for beer and bread money, strange encampments at Oktoberfest, and hitchhiking to Amsterdam with gaggle of pals. To London by ferry and rapid exit via cheap flight Florida, quickly interjecting in chaotic domestic situations, meals with surly Hare Krishnas, sleeping on unglamorous beaches, and avoiding looting commotion, while plotting forward momentum, which eventually came in form of a dubious drive-away car situation to Dallas… and beyond (in 1992).
Features music by: “Brave Captain” fIREHOSE (recorded live in Ancienne, Belgique, March 12, 1991 – via Archive.org), “Florida” by Blue Rodeo (recorded live in Saskatoon, Saskatchewan), and “Crazy Fingers” by Grateful Dead (recorded live in Phoenix, AZ, 1993 – via archive.org).
Amidst a thunderstorm at 4AM in Chiang Mai, Dave discusses – with excessive frankness and emotion – various medical conundrums (Fibromyalgia and CFS-ME) and details the physical feelings of “crash mode” as well as the mental strain in dealing with self de-identification and inter-personal relationships, confusion in seeking help, and various alternative treatments. No sympathy or advice requested.
Ship-to-shore transmissions with shortwave broadcasts from elusive listening posts, soundscapes from slow ships, and freeverse poetry about unanswered communiques, transitory conditions, arbitrary citizenships, invented geography, de-identification, and intentional disappearance.
Features music: “Dream World” by Matt Harding from NYOSSS (New York, Orem, San Sebastian, & Shanghai), plus various shortwave broadcasts of dubious origin, and sound samples from oceans (recorded by Dave and others via BBC sound archive).
On a forgotten forest walk, Dave riffs a story about first trip to Europe – starting with trying not to puke over an Amsterdam bridge after a meeting new temporary coffee shop pals – with flashback to Mexican desert trips with Grandpa, LSD trips with VW bus-fixing pals, and family Grateful Dead road trip to in Arizona.
Foreshadows future stories of an rapid exit from London to Florida then a (rather dangerous) driveway car to Dallas, bus to SLC, flight to Vancouver, then to Japan…
Features music by Grateful Dead in Phoenix, Arizona, March 6, 1994, (Desert Sky Pavilion) playing “Eyes of the World” and “When I Paint my Masterpiece” via Archive.org, (taped by Mike Darby, transferred by Keo).
