Tag Archives: symposium

Kerou-whacked / On The Road exhibit in Kobe, cancelled (not shocking)

Like everything, not shockingly, the Jack Kerouac “on the road” sc/roll exhibition in Kobe (what would’ve been the sc/roll’s first time in Asia), and my related storymaking workshop “We are the stories we create“ are cancelled.

Good news is: I have a handy inky “cancelled” stamp to make the poster an accurate souvenir.

Best regards to Professor Matt Theado and his colleagues at the University and museum for all the work that went into this project and also hat tip to the keeper of the artifact, the wonderfully named, Mr. Jim Canary, who would’ve been subject to a two week quarantine amongst other challenges of going forward with this event.

Not a lot of fun but we could’ve delivered him rice balls a few times a day and left them at the door :).

Hopefully, there will be an availability in the future for Mr. Canary and the scroll to make the trip. I had big ideas for my workshop, but not really things that are shareable by video as meant to be hands-on.

The time will come, the time will come.

Patience and time are our allies. I’ll keep sharing the goods from Jack Kerouac and contemporaries in the meanwhile.

Hit the road with Kerouac – from New York to Kobe (or something like that)

Hit the road with Kerouac from New York to Kobe (or something like that)

The legendary sc/roll of “On the Road“ which sparked so many people hitchhiking, train hopping, disappearing on ships — opening their mind, exploring new cultures and traditions and sparking so much counter-culture… from beats, pranksters, hippies, punks, to diy independent everything and freethinking anyone, yes that one / ‘Tis lionized in many songs, remixes, movies, chapbooks, fanzines – the thumbprints are everywhere.

And now you can add to the legend by showing up as this (valuable in every sense) artifact is coming to Asia for the first time ever. Specifically, Kobe Japan from April 25 – May 31 at BB Plaza Museum of Art.

Plus, your old pal (me!) is helping kick things off with a special hands-on, hand-made, do-it-ourselves, story-making workshop on April 29. All ages welcome, just bring a curious mind and be ready to use some scissors and glue and instant camera and typewriters and have some laughs and learning. Continue reading Hit the road with Kerouac – from New York to Kobe (or something like that)

Kerouac Comes to Japan / overview of storymaking workshop

Kerouac “On the Road” storymaking workshop

Workshop: “We Are the Stories We Create”
April 29 (Wed.) 14:00 to 16:00 
Venue: BB Plaza Museum of Art, Kobe, Japan
Capacity: 20 people / Free participation (* Exhibition ticket required) / Advance reservation system / First come first served /
Presented in English and Japanese

Blurb:
Handmade workshop! Participants create their stories using typewriters, paper, scissors and glue, and explore various ways to share them. Create one booklet together. We work with original materials such as mimeographs and hand-made books shown by instructor Dave.

4月29日(水) 14:00-16:00 会場:BBプラザ美術館
定員:20名 / 参加無料(*展覧会観覧券の提示要)/ 事前予約制 / 先着順 / 日英対応
講師:デイブ・オルソン(デザイナー)
手作りワークショップ!参加者はタイプライターと紙、ハサミやのりを使ってそれぞれ物語を作り、それをシェアする様々な方法を探ります。一緒に1つの冊子を作成します。講師デイブがお見せするガリ版刷り、手綴り本などの実物を参考に工作します。

+++
会場:BBプラザ美術館
神戸市灘区岩屋中町4-2-7 BBプラザ2F TEL 078-802-9286
シンポジウム「ジャック・ケルアックの『オン・ザ・ロード』の旅:神戸から世界へ」
5月24 日(日)13:00-17:00 (開場 12:30) 
会 場:シマブンホール(BBプラザ4F)
定 員:200名 聴講無料(*展覧会観覧券の提示要)・事前予約制 ・先着順 ・通訳付 
講演者:
青山南(作家、翻訳家)
柴田元幸(神戸市外国語大学客員教授、東京大学名誉教授、『MONKEY』責任編集者、翻訳家)
ヒラリー・ハラデイ(ビート研究者、前マサチューセッツ大学ローウェル校アメリカン・スタディーズ・ケルアック・センター所長、What’s Your Road, Man?: Critical Essays on Jack Kerouac’s On the Road 編集者)
マシュー・セアドー(神戸市外国語大学教授、著作 Understanding Jack Kerouac, The Beats: A Literary Reference)
司 会:難波江仁美(神戸市外国語大学教授)

More: https://www.facebook.com/Kerouac-Comes-to-Japan-1412997018836396/

Hit the Road for Kerouac / Let’s go! Kobe, April 29, 2020

** Let’s go! Kobe, April 29 **
Kerouac “On the Road” storymaking workshop / in Japanese and English
Workshop: “We Are the Stories We Create”
April 29 (Wed.) 14:00 to 16:00
Venue: BB Plaza Museum of Art, Kobe, Japan
Capacity: 20 people / Free participation (* Exhibition ticket required) / Advance reservation system / First come first served /
Presented in English and Japanese
Blurb:
Handmade workshop! Participants create their stories using typewriters, paper, scissors and glue, and explore various ways to share them. Create one booklet together. We work with original materials such as mimeographs and hand-made books shown by instructor Dave.
4月29日(水) 14:00-16:00 会場:BBプラザ美術館
定員:20名 / 参加無料(*展覧会観覧券の提示要)/ 事前予約制 / 先着順 / 日英対応
講師:デイブ・オルソン(デザイナー)
手作りワークショップ!参加者はタイプライターと紙、ハサミやのりを使ってそれぞれ物語を作り、それをシェアする様々な方法を探ります。一緒に1つの冊子を作成します。講師デイブがお見せするガリ版刷り、手綴り本などの実物を参考に工作します。

“On The Road” to Kobe for Kerouac – scroll exhibit and story workshop

Jack Kerouac Alley, San Francisco, 2018 (come here this guy tell beat stories)

Jack Kerouac is well-noted for typing/writing his epic novels of personal discovery against a backdrop of a rapidly changing America on long sc/rolls of paper – to maintain momentum rather than pausing to change sheets among other reasons.

Jack Kerouac examines roll manuscript Note: Obv not my photo, source unknown

There are around 8 of these sc/rolls in existence and all were sold off by the estate managers (rather than archived in museums/libraries)  the location of most is unknown… however the most *famous* of the rolls “On the Road” sold for some millions and is now coming for exhibition display to Kobe, Japan at BB Plaza Museum

 
Typewriter: Kerouac's Underwood (used for On the Road)
Typewriter: Kerouac’s Underwood – Note: Not my photo, source unknown

Of course, Kerouac is a massive influence on my life of hitchhiking, train/ship riding, poetry writing, and finding beauty in the downtrodden and digging into life with vigour and authenticity. 

Along with the majestic original tome of a genre-defining and culture-changing book comes a series of events curated by Prof Matt Theado and colleagues at Kobe University [see Kerouac Comes to Japan FB to follow along]  including documentary film screening, symposium and more.

Among the line-up is your pal (me) doing a 2 hour hands-on analog workshop about making stories in various formats. I’ll be bringing the old-timey suitcases filled with surprises from the archive and supplies for making new artifacts in real-time. 

Reading Kerouac at the appropriate interaction in San Francisco whilst recording
PfGB / Reading Kerouac at the appropriate interaction in San Francisco whilst recording Kerouac Choruses at Third and Harrison – Postcard #36

If you are in Japan, consider coming along – seriously, we’ll have a good time. Not in Japan? Maybe i’ll capture some goodness for ya but if you can spread the word and/or send some vibes, ’tis well-appreciated. 

Read on for details of my gig and then more about the event in general… Also, spending time with the roll i suspect will feel like see King Tutankhamun’s death mask (Seattle 1978). 

Note: See evidence of presentation style from previous gigs

DaveO Workshop / in Japanese and English(ish)

Workshop: “We Are the Stories We Create”

Dave spiels at Northern Voice conference, 2009 (photo by…?)

Lecturer: Dave Olson (designer)

April 29 (Wed.) 14:00 to 16:00 

Venue: BB Plaza Museum of Art (web | FB)

Capacity: 20 people / Free participation (* Exhibition ticket required) / Advance reservation system / First come first served / Presented in English and Japanese 

Handmade workshop! Participants create their stories using typewriters, paper, scissors and glue, and explore various ways to share them. Create one booklet together.  We work with original materials such as mimeographs and hand-made books shown by instructor Dave. Continue reading “On The Road” to Kobe for Kerouac – scroll exhibit and story workshop

The Role of New Web Media at the Beijing 2008 Olympic Games via Vancouver Access 2010

The Role of New Web Media at the Beijing 2008 Olympic Games | Vancouver Access 2010 by Dave Olson, June 5, 2008

I’ve mentioned some pre-Olympic and Olympic Games related activities coming up in passing. Now, as topics are piling up and the Beijing Summer Games are nearing (complete with controversy), henceforth begins a blog mini-series called, “China, The Olympics, Social Media, Symposiums, etc.” – I think I’ll need a better name for the series though. Suggestions are welcome.

we are the media 2010.dailyvancouver.com

Background

As you likely know, Raincity Studios actively conducts business in China with an office in Shanghai and the Raincity Studios site is published in English and Mandarin (French underway) and we collaborate with Chinese colleagues and some of us (not me) study Mandarin language. Just so ya know where we’re coming from.

Social Media at Olympics

As for the Olympic games, RCS crew were at Torino 2006 – documenting the Olympic events as social media journalists using the Torino Piemonte Media Center and creating heaps for grassroots coverage (see Torino Flickr pool, DailyVancouver Torino, coverage) as well as participating in BC House activities on a professional basis.Along with Scales, BMann and KK in Turin, Roland, Will Pate and I linked up for a cross-ocean symposium “Web 2.0 and the Future of Sport” about tech and athletics featuring gold medalist Ross Rebagliati (Flickrcoffeewithross).Live SimulcastAmong other topics, we discussed the restrictions (or lack thereof) put on self-expression by athletes as well as ways the participants can use technology to better communicate with friends and family back home. Really so many athletes will never make it to TV and their families seek the micro-coverage possible only by crowd sourcing e.g. the first ever Nepali winter Olympian (SLC 2002 Olympics collection).

Olympian Politics

With the 2010 Winter Games coming to our HQ city of Vancouver, and the resultant controversies (mostly concerning tax money spent on events rather than poverty and homelessness), we, like much of the world, are watching as the 2008 Summer Games in Beijing is becoming increasingly politicized and watching the reaction of the government and the citizens of the world.The most visible conundrum is the torch relay which was used as a rallying point for anti-China protesters and widely reported about on Now Public among other citizen journalism and mainstream media sites.Certainly political gamesmanship is a staple in the modern Olympic games and the heavy handed security surrounding the torch parade is only the beginning of a conversation about the perceived emphasis on tight security and enforcing the stringent policies of the Chinese government rather than using this global event as a springboard to openness.Having met several Olympic athletes who are eager to chronicle their experience freely, I am curious if athletes will be allowed and encouraged to speak openly while at the Games? (Blogging, Athletes and web sites – …). Can they report on their experiences in candid fashion? Can they explore the region and travel the country without hindrance? or will the world see just the parts of China which look good on TV?

Make Your Own Media

Beyond the political conversations, as social media content creators and advocates of journalistic access for indie producers, we are also watching carefully as the policies about social media coverage are created (by who?).So far there are mixed signals about athletes not/allowed to blog, and how amateur created content can be used (is posting your personal Olympic photos Flickr OK?) How about creating podcast coverage of the games with reaction to in-person and/or televised coverage?Dr. Andy Miah at the Piedmont Media Center in Torino 06

International Symposium

Well, we’re not the only ones with these questions. Olympic scholar Dr. Andy Miah is organizing a panel at the9th International Symposium on Olympic Studies, in Beijing, August 5-7, 2008.Before we get too far along, what is the ICOS?

The International Centre for Olympic Studies, established at The University of Western Ontario in 1989, was the first of its kind in the world. It remains the only such Centre in the Americas. It has as its primary mission the generation and dissemination of academic scholarship focused specifically upon the socio-cultural study of the Olympic Games and the Olympic Movement.

And the event blurb:

The Symposium’s theme, “Deconstruction and Discourse: Odysseys in Olympic Socio-Cultural Matters,” focuses on research studies dealing with the history, sociology, anthropology, and philosophy of the modern Olympic Movement.

Emerging Journalism Panel

Dr. Miah (who is a Reader in New Media & Bioethics, School of Media, Language & Music, University of the West of Scotland)’s topic is “Emergent Journalistic Practice at the Olympics” will feature a panel of Ana Adi,Beatriz Garcia, Raincity Studios President Kris Krug, Raincity Studios CEO Robert Scales,Garry Whannel, and Tina Zhihui.Here’s the panel description from the abstract:{Ed note: Paragraph breaks mine to make easier reading}

Research into the role of the media within the Olympic Movement has focused predominantly on representational questions. Far less research has investigated the journalistic culture of an Olympic Games or the Movement more generally, besides analyses of its contribution to sustaining the Olympic Movement.Moreover, nearly no research has examined the work of those journalists who are peripheral to the organizational staging of the Games.This category includes journalists who are associated with accredited media institutions, but whom might not have formal accreditation due to restrictions on numbers of passes. It also includes journalists who are from major media organizations, but whom have no intention of working from Olympic facilities. However, it also includes non-accredited journalists, which encompasses professional journalists from a range of organizations, along with freelance or citizen journalists, whose work is utilized by the mass media and is duplicated in independent domains.This panel engages some of these issues in the form of a round table debate about the future of journalism at the Olympic Games. It reviews some of the implications of emerging new media platforms, arguing that the Beijing 2008 Olympic Games can be characterized as the first Web 2.0 Summer Games. While some principles of Web 2.0 have been visible since the Internet’s inception, critical aspects of its current architecture began to flourish around 2005. Applications from this era, such as YouTube, MySpace and Facebook, more adequately enable users to report the Olympics as citizen journalists.The implications of this within China and for the Olympics more broadly are considerable. As mass media organizations begin to strike partnerships with new media institutions – for instance, the British Broadcasting Corporation (BBC) purchased a YouTube channel in March 2007 – questions remain over how the Olympic Movement will protect its intellectual property, as the base broadens over ownership claims and via distributed publishing syndication.

Next up, More Questions


Now that you are briefed with sufficient background, the next post will pose a variety of questions which the panel will discuss so you can share your opinions about “China, The Olympics, Social Media, Symposiums, etc.”

Source: The Role of New Web Media at the Beijing 2008 Olympic Games | Vancouver Access 2010