Tag Archives: literature

Pub: “Letters from Russia” (excerpt and art) – RainZine (Vancouver), 2010

Pub: RainZine (Vancouver) / Spring 2010, cover / art by Jer Crowle

“Letters from Russia” (excerpt and art) in Rain Zine (Radical Art in Nature) Spring, 2010

Cover art by Jer Crowle, also includes Kris Krug, Dan Mangan, Bex Apostoli , Dorian Taylor, Carla Bergman and Indigo

Pub: RainZine (Vancouver) / Spring 2010, flyleaf (art by Indigo)
Pub: RainZine (Vancouver) / Spring 2010, CD including Dan Mangan
Pub: RainZine (Vancouver) / Spring 2010, “Letters from Russia” excerpt and art by Dave Olson

Publication: “MUD 201-H” literature fanzine, UVCC, 1989 (w/ excerpts)

“MUD 201-H” literature fanzine, UVCC, 1989, cover

A “literary fanzine” produced as a project at Utah Valley Community College (formerly Utah Technical College, later Utah Valley State College > Utah Valley University) for Larry Harper’s inaugural “creative writing hono(u)rs” program (course number 201H – hence the title).

At this time, I was working the night shift at the college library and had access to copy machines so, the final product was produced in one weird night. Design and layout by frequent collaborator Brandon G Kiggins and me, while Larry’s miraculous Army-trained typing speed banged out tuned-up text as needed. Assembled in classic “scissors and glue” style with magazine clippings, ephemera and oddities as design elements. 

My contributed story, “What I thought in Sweetgrass” is included below in full, along with Brandon’s sudden story, and a short poem by Larry – the rest is (probably) available upon request/permission by the creators.

A few other “meta pages” ergo: preface; table of contents; a section of “obituaries” as author bios; and a signature page – are included for historical record.

“MUD 201-H” literature fanzine, UVCC, 1989, flyleaf & table of contents
“MUD 201-H” literature fanzine, UVCC, 1989, preface by Brent H. Bateman
“MUD 201-H” literature fanzine, UVCC, 1989, “The Rail Yard” by Brandon K. Kiggins, p. 1
“MUD 201-H” literature fanzine, UVCC, 1989, “What i Thought in Sweetgrass” by Dave Olson, p. 1
“MUD 201-H” literature fanzine, UVCC, 1989, “What i Thought in Sweetgrass” by Dave Olson, p. 2-3
“MUD 201-H” literature fanzine, UVCC, 1989, “What i Thought in Sweetgrass” by Dave Olson, p. 4-5 + “The Soft Wing” by L. S. H-B
“MUD 201-H” literature fanzine, UVCC, 1989, “Obituaries” author bios)
“MUD 201-H” literature fanzine, UVCC, 1989, signatures
“MUD 201-H” literature fanzine, UVCC, 1989, back cover

See also: “What I Thought In Sweetgrass” story

Support: The Beat Museum

+ Beat Support +

Many of you likely noticed the campaign to help the venerable San Francisco institution City Lights bookstore “keep the lights on” and hooray, they rocketed past the $300,000 goal thanks to many small donations from around the world. Now, there’s a few other neighbours in the North Beach area to shine a light on, specifically “the Beat Museum” – an eclectic grassroots archive of artifacts from Jack Kerouac, Allen Ginsberg, Gary Snyder and well… dozens of other luminaries who have influenced counter-culture, literature and music.

THE NORTH BEACH OF THE BEAT GENERATION IS IN GRAVE DANGER

To pitch in, you can buy a membership – especially handy if you live in the San Francisco area as it offers unlimited admission – those of us *anywhere else* can dig discounts on purchases (including mail order), exclusive content/interviews/events, and a membership card – I’m a sucker for membership cards!

Did you see a big North Beach neighbourhood round-up diary post I shared recently? Included a photo essay of many items on display including Allen Ginsberg’s typewriter (along with many other typewriters), Jack Kerouac’s jacket, Gary Snyder’s bits and pieces from Japan and so much more.

+ Their bookstore has a variety of rare additions, one-offs, special treats (I picked up a first edition of Allen Ginsberg’s Indian Journal on my visit).

So to recap, do one or several of the following:

* Go check out their website to see their mission and the big hearted folks running the show

* Purchase a membership (various levels/prices)

* Maybe buy yourself a little something nice, or a gift for someone else

* Kick them down some extra cash

* Sign up for their newsletter for campaigns & updates

* Spread the word to keep the goodness rolling

You got any questions or thoughts? Let me know.

And of course if you’re seeking unique Beat literature related content, I have dozens of podcasts, various essays, scrapbooks, maps, and so on for you to peruse.

Fondly, dave

PS shared respectfully knowing lots of folks are in tough financial situations and there’s lots of requests rolling around for various dire situations – in spirit of solidarity, safety, and abundance.

Books: Canoe Bookshelf in Nusa Ceningan (Summer 2019)

Books are my pals, even since a kid  – and sometimes books (by circumstance or convenience) are stashed at mysterious locales around the world.

Sometimes, i snap pics of the cache for future reference, sometimes they go to little /free libraries, sometimes into my “Liberated Literature” program. 

Regardless, sometimes, the bookcases and/or contents are captured for memory of spending time with friends in a still-life of sorts. As such, this dossier of evidence.

In this case, a case from Nusa Ceningan (made from an old canoe) from Summer 2019 reading, including usual assortment of Tolstoy Kerouac, plus an assortment of Vancouver-centric treats by Eve Lazarus, George Garrett and Grant Lawrence, a few Bali-specifics, Rumi’s romantic poetry, Ginsberg’s India Journal (1st edition, 1970) etc.

Note the canoe bookshelf is decorated with various insta-photos and travel / hotel luggage tags and a few paintings.

Kerou-whacked / On The Road exhibit in Kobe, cancelled (not shocking)

Like everything, not shockingly, the Jack Kerouac “on the road” sc/roll exhibition in Kobe (what would’ve been the sc/roll’s first time in Asia), and my related storymaking workshop “We are the stories we create“ are cancelled.

Good news is: I have a handy inky “cancelled” stamp to make the poster an accurate souvenir.

Best regards to Professor Matt Theado and his colleagues at the University and museum for all the work that went into this project and also hat tip to the keeper of the artifact, the wonderfully named, Mr. Jim Canary, who would’ve been subject to a two week quarantine amongst other challenges of going forward with this event.

Not a lot of fun but we could’ve delivered him rice balls a few times a day and left them at the door :).

Hopefully, there will be an availability in the future for Mr. Canary and the scroll to make the trip. I had big ideas for my workshop, but not really things that are shareable by video as meant to be hands-on.

The time will come, the time will come.

Patience and time are our allies. I’ll keep sharing the goods from Jack Kerouac and contemporaries in the meanwhile.

Diary: Sort-ganizing the Kura with Kerouac

(some of) my Jack Kerouac collection – recently liberated from a secret storage locker, trans-Pacific voyage in a container, and a truck to a barn in Okayama, Japan

Recently my entire life archive of projects, scrap books, journals, paintings, various art, artifacts, scarves and hats and of course records and books books books arrived to my barn in Japan after a transpacific journey from Canada.

Spending a few hours a day opening up boxes to sort out all the treasures and, came across a nice stash of old friends today.

Some treasures in there, and a few other odds and ends for ambience. There are several more but this is what escaped the quickest.

Besides all the Jack, and there are more than this, plenty of Gary Snyder, Allen Ginsberg, Richard Brautigan, JD Salinger, Leo Tolstoy, the complete collection of Tintin and well… So much so much so much.

Anyway, the Jack collection will make for a good show and tell at my “On the Road” sc/roll workshop in Kobe on April 29 #FingersCrossed [update: cancelled]

Note: the little Japanese bound one on top right is the treasure of American Haikus… preview:

So much more to share but noting tis a challenge keeping up sort-ganizing momentum whilst also documenting and savouring. 

Hit the road with Kerouac – from New York to Kobe (or something like that)

Hit the road with Kerouac from New York to Kobe (or something like that)

The legendary sc/roll of “On the Road“ which sparked so many people hitchhiking, train hopping, disappearing on ships — opening their mind, exploring new cultures and traditions and sparking so much counter-culture… from beats, pranksters, hippies, punks, to diy independent everything and freethinking anyone, yes that one / ‘Tis lionized in many songs, remixes, movies, chapbooks, fanzines – the thumbprints are everywhere.

And now you can add to the legend by showing up as this (valuable in every sense) artifact is coming to Asia for the first time ever. Specifically, Kobe Japan from April 25 – May 31 at BB Plaza Museum of Art.

Plus, your old pal (me!) is helping kick things off with a special hands-on, hand-made, do-it-ourselves, story-making workshop on April 29. All ages welcome, just bring a curious mind and be ready to use some scissors and glue and instant camera and typewriters and have some laughs and learning. Continue reading Hit the road with Kerouac – from New York to Kobe (or something like that)

Exhibit: Beat Museum & environs / SF, 2018 / feat. Allen’s Organ, Jack’s Jacket, Gary’s Japa-cap and Beat Typewriters

Along a ramble…

Along the wanders, I found myself in San Francisco, really mostly in Pacifica, one of my favourite hideaways and just south of the city… but anyway, ventured into SF proper to (finally) get some time at the Beat Museum and wow, what a great job these folks are doing. As such, a few notes and artifacts from the museum and history dripping neighbourhood for your amusement and my memory.

Inadequate backgrounder…

Now I could go on and on about the importance of *the Beats* connecting literary traditions, sparking countercultures leading to the revolutionary “pranksters“ to the *hippies* (for lack of a better term), punks (no I’m not talking mohawks here), indie-making artists of all medium, everything… while also looking back to Whitman, cummings (sic), WCW, Wolfe, Twain, Thoreau, Dostoevsky… you get the general gist.  Or what I’m trying to see is wide-thinking, free-roaming, do it yourself souls sharing empathy for others, breaking conventions to find out who you really are and then manifesting the distilled results t into one’s own life which infuses your own soul, then effectuates inspiration in others – also (critically) this ain’t always pretty, rarely is. That’s not the point.

Work in progress…

Anyhow, the Beat Museum was (maybe is) undergoing some construction as the building needs an earthquake-resistant upgrade, – I’ve shared some various fundraising campaigns and podcast riffs about their history over the years in this archive maybe you’ve come across and supported their noble efforts… but anyway, the building was surrounded by scaffolding in a bit of commotion and for a guy like me has easily sensory overload it, it could easily be intense but I stepped in and disappeared for an afternoon amongst the curated exhibits.

This is not some fancy-pants museum, this is a grassroots effort with everything done by intention and in an attentive spirit. I took some crappy snapshots along the way just to remember for my own memory as i wander far and wide and sometimes the twist and turns get a little too quick for me to process real time in my noggin.

Artifacts and abstractions…

note: There is a little mini-theatre room looping a film (was it “Pull My Daisy? It’s all a bit hazy now a few countries later), which pleased me for the visual abstraction of Beat life as well as regrouping in a small / dark / cozy room.

Notable artifacts include:

“referee shirt” Neal Cassady famously wore while driving Furthur, the Merry Prankster bus

a plaid wool jacket Kerouac wore (I’ve had one just like it)

Continue reading Exhibit: Beat Museum & environs / SF, 2018 / feat. Allen’s Organ, Jack’s Jacket, Gary’s Japa-cap and Beat Typewriters

Kerouac Comes to Japan / overview of storymaking workshop

Kerouac “On the Road” storymaking workshop

Workshop: “We Are the Stories We Create”
April 29 (Wed.) 14:00 to 16:00 
Venue: BB Plaza Museum of Art, Kobe, Japan
Capacity: 20 people / Free participation (* Exhibition ticket required) / Advance reservation system / First come first served /
Presented in English and Japanese

Blurb:
Handmade workshop! Participants create their stories using typewriters, paper, scissors and glue, and explore various ways to share them. Create one booklet together. We work with original materials such as mimeographs and hand-made books shown by instructor Dave.

4月29日(水) 14:00-16:00 会場:BBプラザ美術館
定員:20名 / 参加無料(*展覧会観覧券の提示要)/ 事前予約制 / 先着順 / 日英対応
講師:デイブ・オルソン(デザイナー)
手作りワークショップ!参加者はタイプライターと紙、ハサミやのりを使ってそれぞれ物語を作り、それをシェアする様々な方法を探ります。一緒に1つの冊子を作成します。講師デイブがお見せするガリ版刷り、手綴り本などの実物を参考に工作します。

+++
会場:BBプラザ美術館
神戸市灘区岩屋中町4-2-7 BBプラザ2F TEL 078-802-9286
シンポジウム「ジャック・ケルアックの『オン・ザ・ロード』の旅:神戸から世界へ」
5月24 日(日)13:00-17:00 (開場 12:30) 
会 場:シマブンホール(BBプラザ4F)
定 員:200名 聴講無料(*展覧会観覧券の提示要)・事前予約制 ・先着順 ・通訳付 
講演者:
青山南(作家、翻訳家)
柴田元幸(神戸市外国語大学客員教授、東京大学名誉教授、『MONKEY』責任編集者、翻訳家)
ヒラリー・ハラデイ(ビート研究者、前マサチューセッツ大学ローウェル校アメリカン・スタディーズ・ケルアック・センター所長、What’s Your Road, Man?: Critical Essays on Jack Kerouac’s On the Road 編集者)
マシュー・セアドー(神戸市外国語大学教授、著作 Understanding Jack Kerouac, The Beats: A Literary Reference)
司 会:難波江仁美(神戸市外国語大学教授)

More: https://www.facebook.com/Kerouac-Comes-to-Japan-1412997018836396/

Hit the Road for Kerouac / Let’s go! Kobe, April 29, 2020

** Let’s go! Kobe, April 29 **
Kerouac “On the Road” storymaking workshop / in Japanese and English
Workshop: “We Are the Stories We Create”
April 29 (Wed.) 14:00 to 16:00
Venue: BB Plaza Museum of Art, Kobe, Japan
Capacity: 20 people / Free participation (* Exhibition ticket required) / Advance reservation system / First come first served /
Presented in English and Japanese
Blurb:
Handmade workshop! Participants create their stories using typewriters, paper, scissors and glue, and explore various ways to share them. Create one booklet together. We work with original materials such as mimeographs and hand-made books shown by instructor Dave.
4月29日(水) 14:00-16:00 会場:BBプラザ美術館
定員:20名 / 参加無料(*展覧会観覧券の提示要)/ 事前予約制 / 先着順 / 日英対応
講師:デイブ・オルソン(デザイナー)
手作りワークショップ!参加者はタイプライターと紙、ハサミやのりを使ってそれぞれ物語を作り、それをシェアする様々な方法を探ります。一緒に1つの冊子を作成します。講師デイブがお見せするガリ版刷り、手綴り本などの実物を参考に工作します。