Catching up on some scrap books: A few fresh ones, ￼a few bonus items some old ones,￼ breaking the seal on a few others, organizing odds and ends￼ for future use (and the biographers).
Annotations on individual books if curious. ￼ Note: need more bookshelves, the overhead shots don’t really show the girth.
* Tsuchida Life 2020, part 1 *
Ephemera from “regular life” / normal out and abouts to museums, events, cafés etc., mostly from this year (earlier).
Btw the kanji characters on the left are pronounced “Tsuchida” which mean dirt/soil field/paddy – this is the name of our neighbourhood.
* Baby Book *
Just starting on this one for the new human with various ultrasounds, lists, notes, name ideas, announcements and eventually, maybe some of your cards and letters.
* Nagasaki Usual Days *
This one is well, it’s pretty awesome… from our trip in February (which seems like 1 million years ago) to a remarkable city to visit cousins, ride trains, see some sites, and eat all the food. As such: Tidbits from museums, cafés etc. included, plus various snapshots and notes. Just about done…, But I always say that ;)
What follows is a compendium of various school reports about various topics – while required by school assignment in most cases, i made to be archival. These dossier utilize the same techniques of “scissors and glue to combine narrative and images in a non-linear collages” as i use for all most all my projects from newsletters, fanzines, chapbooks and other small-scale publication (including digital projects like podcasts for that matter).
Just wait, within a year, this expensive monstrosity will be used to effectuate excessive force and cause more harm than good. Just look at Tasers for example of the roadmap of poor execution by police. Get the cops on shoes walking the beat and talking to the community. Not hiding behind more barriers. Perhaps capital crimes would be prevented and solved by genuine outreach rather than big machines and power.
Quote by Dave Olson Re: Vancouver Police Dept. giant new aggression machine
Over the past few months, I’ve traveled to a handful of cities and read multi-disciplinary artist David Byrne’s charming discourse about urban planning and culture from the seat of a bike called “Bicycle Diaries.”
Byrne’s international input sparked me to share and compare observations about the environs of Toronto, Seattle, Pe Ell WA, and AustinTX.
However, instead of expository writing comparing these cities, I ended up under the care and scalpel of UBC hospital emerging with scars on my belly and ideas spinning while convalescing on the couch. While floating in and out of lucidity, I came across a fresh notion to share some thoughts about my personal creative journey.
So, checking my faux-humility at the door, I sought to lay out my thoughts for the attendees of the grass-roots organized personal expression conference Northern Voice in video form.
While i was a little medicated during the filming, this hazy feeling seemed encourage the spirit of a couple of my heroes Hunter S. Thompson and Jack Kerouac to come along for the ride.
In short, since I was a wee gaffer, I’ve made stuff – While many others do the same, mine were all made to be shared. As such, they were publications rather than ephemeral arts and crafts.
My creations span technologies from ditto machines (you remember that smell of the fluid) to real estate office Xerox copiers to doing 3 months hardtime at a Kinko’s night shift just to use the new colour copiers after hours to make poetry chapbooks. Here’s proof:
I also owe some of my compulsive documentation-ness to my ole dead Gramps who hit 67 countries, plus an extended roadtrip with a 17 yr old version of me, before packing it in for good.
My notebooks chronicling the trip (at his insistence) list cafe menus, gas stops, Anasazi ruins and Mexican motels is tucked in my files waiting to take form.
By writing any/everything with the express intent to share — including usually more private discourse like college papers and travel journals — I oblige myself to step up and express with vigor.
As I spiel forth in the video, my key words of advice to all creators are to: a) take risks; and b) constantly practice your craft.
Turn off the TV, find your happy place (my reminders live on the walls around me), and — to paraphrase a Hemingway quote i saw on a coffee shop chalkboard in Manazanita, Oregon — “Write for yourself, Write for others”
By doing so, you and your audience (no matter the number) will build a symbiotic relationship to spur your artistic pursuits and spread joy which will impact for years even decades, not just fifteen minutes of fleeting disposability. Channel your anxieties and prepare to share — indeed your painting is done once you put it under glass.
So, pop some corn and come on up to my place and be sure to take of your shoes – I haven’t the time for sweeping.
Note: Both these videos are viewable in full screen HD with stereo sound
Shot and edited by Andrew Lavinge who, along with colleague Jon Onroy, chronicled the impact of the Olympics against a backdrop of social media and social justice in a film project called “With Glowing Hearts.”
Curiosity seekers can view a variety of interviews, prezos, anecdotes and incidents featuring me from conferences, bur rides and boardrooms talking about creativity, literature, revolution and good times on the Spiels and Stories playlist at YouTube.
In a field trip to his home studio in Upper Lynn Valley, North Vancouver, storymaker Dave Olson (AKA UncleWeed) extols keys to creativity and shares creative project examples from childhood to present and explains how each creative endeavour contributed to his stream of mixed media personal expression and shares key influences via shelves full of heroes.
“You know it’s gonna get stranger, so let’s get on with the show” Shakedown Street, Grateful Dead
Ours to Document
How are you spending your Olympics? No matter how you roll, whether you plan to celebrate, protest, or observe, my admonition is to document the people’s history about how the Olympics interacts with our communities like historian Howard Zinn would advise. Perhaps you’re skipping out of school to see some events or explore Vancouver’s hidden gems? Good. Recluse J.D. Salinger woulda wanted you to, but wouldn’t let you know it.
Indeed, the frustrations many feel about the Games is because the VANOC doesn’t represent “us” the way we see ourselves and we want the world to see our communities the way the really are. Not the fabricated, sanitized version TV will spew to the world. Alas, most any sense of excitement is overshadowed by the broken promises, funding overruns, security boondoggles and twisted public priorities. However, the Games are coming soon.
And if we don’t tell the stories from the street, who will?
My personal objectives are:a) story making; b) internationalizing; c) good times.
In other words, I’ll be seeking stories about lesser known athletes, civic conundrums, and festive adventures and inviting other social story tellers along for my forays and finding the best hospitality along the way.
Wanna do the same?
Declare your intentions with a self-accreditation badge and share something you enjoy. Lead a walking tour of Chinatown, the old Expo grounds or your own neighbourhood. Maybe host a pub meet-up for Latvian hockey fans, or show up for a blogger tour of the Police Museum. Rally a field trip to Surrey or Richmond for celebrations and cultural exchange with the rest of the outsiders. I’m envisioning a moveable feast of ad hoc events led by anyone, attended by anyone, no signup. Go with the flow, share your skills and content using web tools.
I plan to meet international arts and media-minded visitors and show them Vancouver beyond Stanley Park and Granville Island (though those are great too).
“The first thing you’ll probably want to hear is about my trip to Nagano, Japan where I rented a crumby flophouse to turn into a coffee and craft shop and all that kinda David Copperfield kinda crap, but all I remember from Nagano is that snowboarder whassis name getting all hassled – why can’t anyone just leave people alone – makes ya wanto head to the mountains and live in a bunker.”
– (not a) lost chapter from Catcher in the Rye
After seeing the torch in Olympia, WA, I loaded up a car with my brother, a stack of tickets, two ounces of herbal supplements and a trunk full of NW micro-brews and smoked meats and cheeses. After 13 days and 28 events, I’d documented with 700+ photos, dozens of video clips, a couple TV appearances, partied with gold medalists and lent Don Cherry my hat.
I also learned the power of grassroots reporting by sharing a video clip of the first-ever Nepali Winter Olympian (vid) and observed the passion of Latvian hockey fans. I also learned what you see on TV is very different from on the ground – ain’t it all bad. Heck, the Olympics brought public transit and liberalized beer laws to Utah!
I remained in Vancouver, living on Torino time with 4:00 AM cappuccinos and frustrating hockey games while my colleagues Mssrs. Krug and Scales were the new media pioneers encamped in Turin at the Piedmonte Non-accredited Media Centre, testing streaming video cams, visiting hospitality houses, and rallying photo walks in between events and business outreach.
Everyone wondered how the bureaucracy and policies of social control would affect every aspect of the Games and the torch relay was famously interrupted several times and the Olympics became a politically-charged event akin to days of Moscow and LA boycotts compared to relatively non-political Games in Athens and Sydney.
This time around, I again contextualized content from colleagues Kris and Rob who stormed Beijing like savvy pirates covering street food, conferences and fencing. From the Occident, I assembled massive storypacks from their artifacts through Raincity Studios and crafted educational toolkits and closely observed the nuances of IOC’s priority of protecting rights-holders.
Now the fruits of this conversation are evident with publications and organizations building coverage communities and logistical resources for all sorts of journos – more on these below.
Handing the Laptop
A few months ago at the IOC Congress in Copenhagen, ad man Martin Sorrell spoke about the “Digital Revolution” (video) Slide Deck (.pdf) to the assembled dignitaries and extolled the virtues of easing IP restrictions, embracing fan media makers and using social media channels.
While VANOC was late to the revolution (they have made efforts @2010Tweets – Youtube), London has a head of New Media evangelizing Change, Social Media and London 2012 plus concerned citizens are using social media in a non-confrontational manner to express concerns directly to Jacques Rogge. Dr. Andy Miah of Univ. of Western Scotland will be documenting what he sees here and sharing in the UK after participating in the Social Media and the Olympics Panel at Northern Voice here in Vancouver.
“… the latest online tools to both discuss and influence the impact of the games. A web site and database will allow the community to track and debate how the plans are changing life there over a five-year period. The idea is to help residents better prepare for the Olympics, to inform the media about the city’s issues and to use discussions about the games as a way to improve life in Sochi.” A notable achievement to celebrate by – props to young Fulbright scholar, Alexander Zolotarev – and I hope i can help out!
Strong, Free, Social
While some are quick to polarize attitudes about the Games into pro or con, I am convinced that embracing a variety of opinions about the Olympix events is of significant value. While IOC and VANOC policies may be sources of personal frustration, by documenting the people’s history of the arts, sports and civic issues around Vancouver, we can effectuate positive change in our community and pass on knowledge for future events.
With this spirit in mind, the True North Media House campaign encourages social media education, aggregation and collaboration. My cohorts and I assembled a toolkit of practical resources to help find, tell, and share stories:
There is a huge difference between sticking your content on Facebook and sharing it for the public enjoyment and archiving. Without giving your the full “Web2.0” manifesto, here are three critical steps to maximizing the reach and longevity of your creations.
Publish your work Creative Commons – this alternative copyright framework allows you to give permission for non-commercial use with conditions of attribution and share-alike-ness (CC on Flickr)
Tag it specific, tag it general – tags are meant to increase findability – i’ll use #van2010 for all Olympics related content and tags for community-specific awareness e.g.: #vo2010 #tnmh + track in HootSuite so I see everything</plug>
Share it to last – don’t hide your content and expect your work to live on, instead, publish content across multiple sites including Wikimedia commons & Archive.org
It will get Weird
No matter what you think now, expect mind to expand and evolve as you find some inspiration or motivation which you never previously considered.
Perhaps, you’ll discover the notion to express yourself or find new co-conspirators to create a new reality or play a role in helping others explore the places you pass each day.
If not, methinks you’ve missed out on the biggest chance for international fellowship since Expo 86 – and whether you plan to celebrate, protest or observe, you now have the ability and opportunity to contribute to the public record.
Here’s where I’ll mostly write about transportation, vancouver secrets and history, public policy conundrums, cascadian diplomacy and creative activism. Here are the first two dossier about trains and seabus:
I’ve started a new column at Vancouver Observer, a web-based, hyper-local news site called “Uncle Weed’s Dossier” where I’ll mostly write about transportation, Vancouver secrets and history, public policy conundrums, Cascadian diplomacy, and creative activism.
1977 was a stellar year for culture. The Ramones, The Clash and Bob Marley with classic albums, Elvis for a half-year, plus Star Wars, Saturday Night Fever and the launch of the SeaBus. Since that banner year, the intrepid lil catamarans have toiled across Burrard Inlet, unheralded and undaunted. Now the two vessels – the Beaver and Otter – are three as the Pacific Breeze set off from Waterfront station Wednesday Dec. 23rd with politicians on-board and me on the roof.
Transit’s Crown Jewel
I’m the guy who did a 4th grade science fair project about transit, rode the long way on buses downtown to punk rock shows and celebrated when the ALRT began (even when it ended in New West). But living in Whalley, the SeaBus was an exotic morsel in the transit offering – i have scant memories outings to the Quay or the free suspension bridge but mostly i remember skipping out of school and riding it just to ride it.
These days, the Seab is my daily ride and my nightly schedule revolves around the run down the gangway into the surreal confines of a hazy crossing in a humming shuttle. Unlike the sway of the bus, the Seab is pod of relaxation and creativity and (the best part) you always get a seat. Indeed, I extol the virtues of the perfect day out in Vancouver on my podcast which includes “the 3 dollar harbour cruise” complete with a falafel and a rainforest stroll – all on one transfer.