At the exhibit “Hergé et Moi” i attended (on opening day iirc) in Québec City, QC, i documented various accoutrements and artifacts and then, whilst exiting through the gift shop, acquired a few notebooks and a wonderful book called “Tintin et le Québec” with photographs of ephemeral pieces including advertisements, puppet shows, test proofs, letters, sketches and so on. Many of the items included were somehow related to the Montréal world expo (not really the ones shared here) and related events.
I am especially fond of the letterheads, telegrams, commuiques and other stationery type items.
Respectfully sharing a few lousy snapshots of a variety of pages here for personal memory and amusement as well as scholarly research since the book is hard to find (and my copy is in a distant place from my physical location) and to give a sense of the variety within this lovely tome.
Evidence from mixed-media master Douglas Coupland’s exhibit at Vancouver Art Gallery – the assortment of items i captured from the wide-array of mediums he works with/in, are arranged into 7 volumes for convenience. This is volume 7, Painting, remix’d/G7 (my title, not his). Note: some of these paintings were “technically only sorta” part the Coupland exhibit as i recall. I don’t know really.
Evidence from mixed-media master Douglas Coupland’s exhibit at Vancouver Art Gallery – the assortment of items i captured from the wide-array of mediums he works with/in are arranged into 7 volumes for convenience. This is volume 1, Meta (my title, not his).
A load of static montages, storyboards, and ephemeral collages are hung at Uncle Weed’s brother Dan’s house so he gives a tour of montages from Belize, Palau, Netherlands, Grateful Dead tour, and 2002 Winter Olympics in SLC plus a bunch of other art around the house.