At the exhibit “Hergé et Moi” i attended (on opening day iirc) in Québec City, QC, i documented various accoutrements and artifacts and then, whilst exiting through the gift shop, acquired a few notebooks and a wonderful book called “Tintin et le Québec” with photographs of ephemeral pieces including advertisements, puppet shows, test proofs, letters, sketches and so on. Many of the items included were somehow related to the Montréal world expo (not really the ones shared here) and related events.
I am especially fond of the letterheads, telegrams, commuiques and other stationery type items.
Respectfully sharing a few lousy snapshots of a variety of pages here for personal memory and amusement as well as scholarly research since the book is hard to find (and my copy is in a distant place from my physical location) and to give a sense of the variety within this lovely tome.
Often times, I make scrap journals for no particular reason, just for enjoyment of gathering interesting paper tidbits and ephemera which I enjoy… or in some cases, specific slices of inspiration which intrigue me for specific projects, remixes, or just recount times of life – what i was receiving or thinking about or even watching/reading/listening.
Sometimes a “theme” or story of some kind emerges – more like a thread of interconnectedness, whether content, medium, colour, aesthetic or tactility.
Presented here-in are two books which contain items which inspire or amuse me, connected by size, form, colour, theme or otherwise.
The first (named “Kindling & Matches, Tinder & Sparks”) is an accordion style book (a preferred format for these types) filled with beloved postcard &/or postcard-sized items. A few decorations on the cover (1970s era lettraset rub-off lettering, dried flower and my name clipped from a hospital envelope), inky stamps for easy identification.
The second (named “Dark Arts for Lighter Hearts”) has more variety of size and shape and contains a set for photos sent to me by a young artist named Simon among other objects d’art. Decorations include hotel luggage tag, insta-photo of a painting (self re-mix), snippet of poetry from a Lebanese wizard, and my name from a forgotten red-ink typewriter.
Really enjoyed seeing the inspiration photos, letterhead from his business communications, reference sketch items, various notebooks, satchels and pre-press proofs – evidence of a few of which are included for your amusement.
Well, i guess Bob was technically rocking the King Tut before my (i’m just gonna say it) legendary King Tut science fair exhibit complete with costume (keep in mind, that was fifth grade science fair and I rolled in bare chested in a loincloth).
Bob however, went for a literal interpretation taking cues from from the conventional death mask portraits of the young Pharaoh (the touring exhibit had been in Seattle this year). I point this out as mine was more historically nuanced accurate for his day-to-day wear.
Dan has graduated to ghost while James plays the role of the clown which he’s never really stopped playing now that I think about it…
I was hesitant at first, wondering if it was even in English, but once I opened it up, I became hooked… for life. The action started within the first few frames, and never let up until the final frame. Here was an unassuming, polite, seemingly asexual, scrawny, geeky little guy with weird hair, kind of like… ME. He wasn’t a superhero… in fact, despite always game to fight way above his weight, he was constantly getting knocked out, beaten, shot at, poisoned, tied up,and captured, often having to be saved by Snowy, his precocious little white dog.
Tintin was a knicker-wearing crime reporter that worked out of his very modest apartment, yet travelled the world, fearlessly going head-to-head with the world’s toughest criminalsin all ranges of geographic locales and conditions. And his best friend (after Snowy) was analcoholic Scottish sea captain with a vicious temper and a mouth that would make Richard Pryor blush…. (which makes me wonder if I’ve become some sort of obsessed cross between Tintin and Captain Haddock).
My fear was that Steven Spielberg would turn the untouchable Tintin into a movie by using the same motion-capture animation used in the hugely creepy Polar Express. And would Spielberg be able to capture the subtle nuances of humour, satire, and intelligencethroughout the books? Nonetheless, I found myself getting pretty excited once the previews were released, and so my 10 year old nephew Tanner (also a Tintin fan) and I were there for the North American 3-D premiere.