Tag Archives: Aerogrammes

Sort-ganizing Ephemera by Post (with Royal Dudes & the Muffs)

Yup, i ramble on about items arrived by post and think you should hang out (i’ll make tea)

Opening a big santa sack of recent items by post including aerogrammes/ aerograms, passports, international driver’s licenses, documents, hotel letterhead, records (namechecking recent interview on Rice Field Records), postcards, etc from Nepal, Monaco, East German DDR, probably i dunno… Yugoslavia, Bulgaria, United Nations, others i don’t quite understand.

Also mail from Ukraine which allows mention of intrepid postal workers delivering despite war and displacement, + blabbity blah about guest coming to visit, feeling discombobulated after #MECFS “crash  mode” – that’s it except the parts i forgot. Argh prob a ramble about the “passport forgery project” {recalling i riffed about taking “intimate documents” and adding life to them}

Bonus: Rice Field Records Interview

{this should and will be a separate bonus post but in the meanwhile…}

Continue reading Sort-ganizing Ephemera by Post (with Royal Dudes & the Muffs)

Typing Aerogrammes (ambient, in the kura barn studio)

yes, that is my address, send me a card (but don’t come visit unannounced)
its just me, typing aerogrammes with a funny look on my face, pull up a chair

Typing Aerogrammes in the kura barn studio – Really, that’s it, typing aerogrammes on an Olivetti Lettera 34 at a desk in kura barn studio in a corner of provincial Japan – sometimes with a weird look on my face as I scrunch my nose to hold up my glasses, listening to REM’s “Reckoning” vinyl. No chitchat, just ambient hanging out.

Continue reading Typing Aerogrammes (ambient, in the kura barn studio)

Post’d: Aerogrammes (and postcards of payphones and postboxes)

Mailed aerogrammes (& postcards with payphones & postboxes) / nothing surprising.

Also a few envelopes with various cards and treats for a postcard exhibitors in NC, a Brautigan postcard artist in AZ, a young generational poet in UT, a renegade pal in ATX, and a quality slinger in KY… also Gifu and OR.

bang bang clank clunk spin spin

Typed em up on Olivetti Lettera 34 (Japan specific model with ¥ key) between my dodgy technique and a bit of a hiccup in the typer, come out a bit rough but few funner activities than rocking the keys while rocking records and knowing in a few days/weeks/months, will arrive into someones’ door.

Amongst a few quirks / things I can’t quite figure out are: I run through a whole ribbon going down one page and have to re-spin the spool. Must be something I’m missing to “slow that down”. (You’ll notice the inky fingerprints on the case from doing this over and over again)

Previously: Scored a 10 pack of Japanese aerogrammes / The post office was quite surprised at my request, took some digging around, they opened up the packet of 10 and counted out to me, just to prove were really 10 inside. Felt almost clandestine.

Not my photo, credit unclear

PS Japanese is: 航空書簡 Kōkūshokan evoke a nostalgic feeling as these aerogrammes were my “go-to” communique for years, the design hasn’t changed in 20+ years! Unsurprisingly i suppose, i have a collection of aerogrammes from various countries i often remix into poetic substrates (see “Items: Forgotten” series).

Envelopes of Ephemera (while looking for a home)

Do you keep boarding passes, maps, itineraries, ticket stubs, brochures, cards, coasters and whatnot? do you make *something* from it all? if so, can i see?

Envelopes of ephemera: Rome, Greece, Arabia, Turkey, Malaysia – i was looking for a home (and trying be lost).

Will eventually be collaged scrapbooks (but need to make some scrapbooks to be the scrapbooks these items go into…)

Also: Nepal, items, various (maps – many, aerogramme, hotel coasters and manifests)

“Scrapbooks, Storyboards & Postal Goods” workshop and story

let’s enjoy Scrapbooks, Storyboards and Postal Goods in a sorta workshop / storytime

Blurb: An arts and crafts hang-out workshop riff in a not-so-secret barn studio in provincial Japan sharing favorite tools and supplies and techniques for making “static montage” collage, scrap-journals of ephemera and musings, and elevated postal projects including tactile postcards, panoramas and aerogrammes.

Plus – importantly – discussion about, “why bother?“ (Hint: meditation, inspiration, memories – dopamine for you and others).

There will be ephemera!

So happy to be getting studio barn set-up with all the wires, dongles, adapters, extenders, lights and mics. Catch all the topics in the riff below and come on along! Look forward to chatting with you about any creative projects you’re curious about or working on.

original premiere event announcement, no longer relevant but here anyhow

PS Round-up of UW’s scrapbooks and postal goodness:

Fondly from  Tsuchida Cottage, Japan

#AlwaysBeKind

Produced Nov. 2020 ©

Post’d: usual dossiers of art, poetry and ephemera (and tea)

The usual, ergo:

dossiers of art, poetry and ephemera

scrapbooks of same(ish)

piles to Post offices.

Also tea.

PS I enjoy this sort of activity on many levels for sure, i.e.: find playing with scissors and glue and pens very pleasant and, like the thought of spreading a little bit of goodness to various places around the world and, going to the post office gives me a little manageable errand.

I have a hard time getting “out and about” and really have to minimize screen time so this allows me to communicate and create and keep my brain active.

In these dossiers, i included prints of my paintings, bits of poetry, various insta snapshots, and letters on expired aerograms etc.

Enjoy the goodness / (of course) my address is available and you can sign up for Postal Club. I hope you hang on your fridge or put in a shoebox. 

Scrapjournal: T. Aronson, esq / Interlaken, with wax seal, aerogramme + ephemera

Notes from Interlaken (T. Aronson), front
Notes from Interlaken (T. Aronson), back

There were more in this batch of scrapjournals, lovingly hand-crafted during summer of 2019 whilst on Nusa Ceningan, Indonesia.

Most go as gifts to travelers and adventurers to fill up with ephemera and musing but this one stayed with me.

Feature a cover made from vintage aerogramme, lettraset (rub-on left over 1970s) monogramming, a wax seal, cancelled postage stamps,  inky stamps, printed Lomo sardine can camera 35 mm snaps and various printed oddities – in this case, a bi-plane of significance which slips my mind.

Made with vaguely-Japanese-style-craft-binding, sewn with hearty thread via 3 holes drilled through a mighty block of various paper stock acquired at random intervals around Bali.

This is filling with quasi-fictional dispatches from the semi-fictional character claiming ownership. 

 
 

Scrapjournals: “Kindling & Matches” and “Dark Arts” / inspo & amuse (2019)

Scrapjournal: "Kindling & Matches," inspo and amuse (front), 2019
Scrapjournal: “Kindling & Matches” inspo and amuse (front)

Often times, I make scrap journals for no particular reason, just for enjoyment of gathering interesting paper tidbits and ephemera which I enjoy… or in some cases, specific slices of inspiration which intrigue me for specific projects, remixes, or just recount times of life – what i was receiving or thinking about or even watching/reading/listening.

Sometimes a “theme” or story of some kind emerges – more like a thread of interconnectedness, whether content, medium, colour, aesthetic or tactility.
 
Presented here-in are two books which contain items which inspire or amuse me, connected by size, form, colour, theme or otherwise. 

Scrapjournal: Kindling & Matches, inspo and amuse (front & library card insert)
Scrapjournal: Kindling & Matches, inspo and amuse (front & library card insert), 2019

The first (named “Kindling & Matches, Tinder & Sparks”) is an accordion style book (a preferred format for these types) filled with beloved postcard &/or postcard-sized items. A few decorations on the cover (1970s era lettraset rub-off lettering, dried flower and my name clipped from a hospital envelope), inky stamps for easy identification. 

Scrapjournal: “Dark Art for Lighter Hearts” inspo and amuse (front), 2019

The second (named “Dark Arts for Lighter Hearts”) has more variety of size and shape and contains a set for photos sent to me by a young artist named Simon among other objects d’art. Decorations include hotel luggage tag, insta-photo of a painting (self re-mix), snippet of poetry from a Lebanese wizard, and my name from a forgotten red-ink typewriter. 

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Scrapjournals: Aerogrammes and Ephemera, assorted, blank / Nusa Ceningan (2019), vol. 1

Aerogrammes and Ephemera, assorted / Nusa Ceningan (2019)
Lost and Found, front

Batch of scrapjournals hand-crafted during summer of 2019 whilst on Nusa Ceningan, Indonesia.

Lost and Found, back

Featuring: covers made from vintage aerogrammes and hotel letterhead; binding covers of elephant dung paper and used envelopes; accessorizes of cookie fortunes, wax seals, cancelled postage stamps, eraser crafted ink stamps (and other inky stamps for that matter); hotel luggage tags; forged passports; printed Lomo sardine can camera 35 mm snaps; and various printed oddities – often leftover from other scrapbooks and places of comfort and inspiration (see: Wonder Hotel).

Time Heals All Wounds, front

Made with Japanese-style side binding, sewn with hearty thread via 3 holes drilled through a mighty block of various paper stock acquired at random intervals around Bali.

Time Heals All Wounds, back

To be filled with anything desired by recipient. Scissors and glue provided separately.

Continue reading Scrapjournals: Aerogrammes and Ephemera, assorted, blank / Nusa Ceningan (2019), vol. 1