Often times, I make scrap journals for no particular reason, just for enjoyment of gathering interesting paper tidbits and ephemera which I enjoy… or in some cases, specific slices of inspiration which intrigue me for specific projects, remixes, or just recount times of life – what i was receiving or thinking about or even watching/reading/listening.
Sometimes a “theme” or story of some kind emerges – more like a thread of interconnectedness, whether content, medium, colour, aesthetic or tactility.
Presented here-in are two books which contain items which inspire or amuse me, connected by size, form, colour, theme or otherwise.
The first (named “Kindling & Matches, Tinder & Sparks”) is an accordion style book (a preferred format for these types) filled with beloved postcard &/or postcard-sized items. A few decorations on the cover (1970s era lettraset rub-off lettering, dried flower and my name clipped from a hospital envelope), inky stamps for easy identification.
The second (named “Dark Arts for Lighter Hearts”) has more variety of size and shape and contains a set for photos sent to me by a young artist named Simon among other objects d’art. Decorations include hotel luggage tag, insta-photo of a painting (self re-mix), snippet of poetry from a Lebanese wizard, and my name from a forgotten red-ink typewriter.
Batch of scrapjournals hand-crafted during summer of 2019 whilst on Nusa Ceningan, Indonesia.
Featuring: covers made from vintage aerogrammes and hotel letterhead; binding covers of elephant dung paper and used envelopes; accessorizes of cookie fortunes, wax seals, cancelled postage stamps, eraser crafted ink stamps (and other inky stamps for that matter); hotel luggage tags; forged passports; printed Lomo sardine can camera 35 mm snaps; and various printed oddities – often leftover from other scrapbooks and places of comfort and inspiration (see: Wonder Hotel).
Made with Japanese-style side binding, sewn with hearty thread via 3 holes drilled through a mighty block of various paper stock acquired at random intervals around Bali.
To be filled with anything desired by recipient. Scissors and glue provided separately.
Museums and galleries in Japan, as well as various temples/shrines and assorted other places of note, often offer inky stamps to collect and stamp in one’s own notebook – or if forgotten, on slips of provided paper. These are usually rather large and sometimes the ink pads are a bit worn out. Nevertheless, i seek these out and stamp in my ever-present scrapjournals.
This collection is collected on a ramble around Matsue, Shimane-ken at the Lafcadio Hearn (Koizumi Yakomo) museum and later, at various galleries around Kurashiki, Okayama-ken.
I gather inky stamps (of many sorts but mostly olden postal-related ones, usually found on the dusty bottom shelves of forgotten stationery/office supply shops, forlorn and bereft) and have assorted collections scattered in various pouches located in storage lockers, desk drawers, forgotten suitcases and rucksacks for handy deployment as needed.
Pictured above are some of the aforementioned stamps, stamped (obviously) onto one page for my reference. Noting some are woodcut and other metal designed for letterpress print use. One is (again obviously) custom designed.