From the wedding bonus ceremony and party at Rural Caprine Farm on April 21 2019 (Heisei 31) comes a variety of snaps created with a Pentax point and shoot with 35mm film about 25 years old. Note “panorama” layout on some photos and LED date snap (obv not accurate) showing some erstwhile vintage-ness.
Along with these 35mm snaps, the wedding party guests were encouraged to pick up one of several Fuji (not Poloroid) insta-photo camera to document their experience – Lee and Emily and others also kept these devices clicking.
Thanks to photographer Kris Krüg and artist Emily Olson for curation of gear and keeping the snaps snapping.
Film was processed, prints were scanned with results presented without distinct order curation but with some minor colour correction/enhancing.
My frequent collaborator and co-conspirator on many adventures Kris Krug has a new website. KK is a Vancouver-area based photographer (he lives on idyllic Galiano Island) with creds ranging from conferences to rare bird docs on remote islands to sojourns in distant countries spreading goodness.
We’ve done many projects together over the years including Frederick Varley Vancouver-address photo essay, trip to Jamaica, several SXSW and Gnomedex geekfests and all sorts of goofing around in unusual circumstances.
Kris Krug’s Flickr archive is majestic and his new website is a replacement for his previous iterations which were hijacked via an SMS hack in 2018. So frustrating and a reminder to solid up your security (including SSL) and ensure you are working with a reliable host and domain registration provider (i use Laughing Squid and Gandi for the record).
There are many posts in this archive under the Kris Krug tag as well including lots of Olympic social documentation stuff around the True North Media House project, TEDx events at which we were the “official” documentation squad, longboard hockey for Heads Magazine and a panel about Rock n Roll photography with legend bev. davies.
Along his namesake trail on banks of Lynn Creek comes story of Group of 7 bohemian painter Frederick Varley’s 10 wild years in Vancouver teaching and founding art schools, developing new aesthetics and shacking up in an $8 mountain home with mistress.
My WordCamp Whistler co-conspiritor, photographerKris Krug , shot video of my entire “Are you Worthy?” spiel with his new Flipcam and posted it in a YouTube playlist in 5 segments for your viewing convenience – in 2009 (when Youtube had a 10 minute limit). Meanwhile in 2018, I’ve stitched the bits together into one video for your viewing amusement.
Artifact dossier: Collage art boards from “Forgotten Vancouver Stories (aka Poets, Punks and Revolutions)” spiel presented in various formats at Pecha Kucha Night Vancouver, All-start edition, and Northern Voice 2013 closing keynote. Video and roundup of both prezos exists elsewhere in this archive.
Each collage “slide” was handmade (obviously) with ephemera from my personal collection (exceptions credited on final “slide”) then, arranged on hemp cloth “storyboards”, photographed by Rachel Ashe, then disassembled. An analog to digital remix of sorts. Presented here in rather large size for your printing/screensaver/ amusement and posterity.
Leading up to Vancouver 2010 Olympics, filmmaker Andrew Lavigne followed, filmed and documented various stories around social justice and social media. One storyline was the “True North Media House” a renegade media project cooked up by me, Kris Krüg & Robert Scales based on our experiences documenting previous Olympics. In brief, we wanted to create a context in which grassroots bloggers, photographers, podcasters, vidmakers etc. could capture and share stories, reach a wider audience, and (if they chose to) stay out of trouble with IOC.
We aimed to take a non-political, non-denominational, non-everything kind of approach in that folks were welcome to write about whatever they want and participate anyway they wanted as long as they: took responsibility for their own work, published content under creative Commons license, submitted their RSS feeds to our “firehose”. This was unique amidst the adversarial relationship the Olympics built up with various constituent groups in the community. In other words, the Olympics were going to happen in our city, and we had an opportunity to share stories of what life is really like in Vancouver, the neighbourhoods we live in and the changes we saw to our civic society during that time, plus lots of parties
Wisely, we eschewed a physical space in favour of providing a litany of meet-ups, campaigns, workshops, and offering access to our mailing list and other channels to all the PR agencies, hospitality houses, various educational an activist groups and so on providing a wide variety of topics and events for TNMH accredited documenters to document. By the way, to be accredited, one must agree to the three principles above, and print out their own badge, lamination optional but recommended. Overall, so many wonderful people took on this challenge from youth to elders, people who thought they would have no interest in the Olympics to people who were diehard enthusiasts, to activists to people seeking free beer.
Uncounted thousands of stories were created, amplified through some very strategic social media kung fu, and the story of True North Media House became a story for the mainstream media with coverage in dozens of publications. Indeed, some “mainstream” journalists wrote with a glint of envy about our lack of word counts, deadlines and assignments… Yet we were motivated and focused enough to actually create compelling narratives and artifacts.
Storymaker Dave uncleweed Olson shares an eclectic variety of stories from Vancouver’s counter-culture history on a stage adorned with a record player, campfire & cub scout blanket, art easel, flowers and an Expo 86 mug – plus pulls artifacts from an old-timey suitcase to illustrate forgotten past of a city which is/was much cooler than most realize.
Presented at Northern Voice, June 2013 in Vancouver, Canada, his 11th presentation to this noted personal expression conference (and his last talk before a medical “retirement”).
At the iconic Smilin Buddha Cabaret and Restaurant in Vancouver’s downtown Eastside, legendary punk rock photographer bev. davies (sic) shows the photos in her recent “(Return to the) Scene of the Crime” exhibit featuring photos taken at his landmark venue between 1979 and 1983.
Dave uncleweed Olson — with attorney Lindsay Lazlo Bailey — asks about her process, the stories behind photos, anecdotes about the subjects and flashbacks about the shows.
Plus, they discuss:
* various parenting tips and stories with heavy metal warlords (Bruce Dickinson, Lemmy Killmister, Dee Snider)
* ideas for a book of bev’s photos (form, cost, etc)
* the history of her remarkable calendars with Nardwuar
* some friends who’ve died (RIP Dave Gregg, Brain Goble)
* hollandaise sauce and skateboards ramps
Note: As a fan and supporter of bev’s work, i’ve also interviewed her (along with new-school photographer and activist Kris Krug) at Northern Voice in a talk called “Building a Scene — Rock n Rock Photos” and another interview to appear soon.