Whilst in Utah in autumn of 2016, I took a trip with my pals Marty the potter and Rod Ash (RIP), and his son and nephew, to beloved Diamond Fork hot springs (6ixth water, Spanish Fork canyon area).
Indeed a special place to me. I hadn’t visited in many years and since then, the umm… cultural traditions had changed somewhat (nekkiedness not as prevalent or accepted, nevertheless…).
Anyhow, along the journey (beginning at Marty’s place in Provo) I snapped these pics with a Lomo La Sardina (Sardine can) camera loaded with expired film.
A few snaps ensued as evidenced in this assortment (unedited)…
A few days later, I made my way to Las Vegas to visit brother Anders and stay at the classic El Cortez hotel in Fremont area of town (off-strip).
It was a slice of going back to the 1960s or something like that, my favourite part was walking down in the middle of the night in pyjamas and robe to the bar and no one batted an eye as they were all focussed on sticking another coin in another machine.
In creating the 200+ posts for this personal archeology project, I’ve used all sorts of different tools (analog and digital) to capture the artifacts and ephemera sourced from creations made from other analog and digital tools… Like a recursive mirror looking at yourself – ha! #meta In doing so, to add an extra layer of meta, i’ve documented (some of) the tools used to create original projects.
In this case, a Lomo “La Sardina” sardine can camera – modelled after cameras used for espionage and intrigue by erstwhile spies for clandestine operations – this one, a special cork covered limited edition and uses 35 mm film.
For more fun, i use whatever old crusty expired film i can get my hands on (tip: look at the bottom shelf of dusty old drug stores), and has a battery powered flash with some snap-on filters for weird effects.
Sometimes the film loads rather *incorrectly* so the images get split across two frames, further, a night in a psychedelic Volkswagen bus sauna seems to have melted a lens somewhere to make things even fuzzier – there are a few other tricky features built-in, (by tricky, they’re very simple but create tricks like long or double exposures).
When traveling, tend to stay away from snapping at a lot of pictures and instead feel like a third grade Ansel Adams in that I carefully consider each frame, that said, the results are very different then a master photographer using a large format camera, so really, the point doesn’t stand whatsoever… but what I mean is: I make scrapbooks, paintings, sketches, poems, occasionally some ambient audio recordings and a few digital reference photos when needed but enjoy the fuzzy hazy unpredictable snaps from the 35mm camera… I especially enjoy when the exposed roll of film is lost/ stashed/ possibly forgotten for a period of time and then I need to track down somewhere to develop meaning the results are known months or years after the shutter snap.
The results from this Lomo camera are scattered throughout this archive, specifically from Kerala, India (on Remembrance Day), a train ride through the length of Thailand (co-mingled with poems), collections from Grateful Dead concerts and driving across the US Midwest (time-lapse-ish), oh yeah, Big Cottonwood Canyon and the aforementioned VW bus to Diamond Fork hot springs to Las Vegas.
Dig in for your own amusement, that’s the point. Snap click wind wait.
In Summer 2015, the “core four” of legendary rock ‘n’ roll band “The Grateful Dead” did a series of five concerts (two in Santa Clara, California, three in Chicago, Illinois) to close the book on their storied career. With brother Dan, we fantastically scored tickets and made the journey to all five shows, travelling by road in various vehicles and staying a various hotels, campgrounds, crash pads.
And, I had a notion to roll like it was still 1990 and that I kept a massive scrapbook of ephemera and eschewed technology (aside from a few logistical purposes) and took a little cork “sardine can” Lomo camera with expired film to capture a few hazy images.
The results are very pleasing because well, they are not crisp and clear in any sense, rather fuzzy and weird like me at the time… I was coming out of the long hard stretch, well I didn’t realize how far I still had to go but that’s neither here they are there. #rough
This assortment contains selected snaps of people in-and-around the shows and on the road trip. Worth noting that with our gaggle of pals, we also stopped at Red Rocks Amphitheatre in Colorado on the way back from Neil Young and “The Promise of the Real” at this legendary venue in some cold bewildering rain. Again, neither here nor there.
Note: there’s another collection of an “prairie time lapse” meaning a photo snapped every 15 minutes for driving across the US prairies capturing the redundancy and consistency of the landscape.
Another collection may follow with shots almost psychedelic in glorious hazy sloppiness from inside the concert venues – eventually, maybe.
Driving across the United States mid-west region (Iowa and Nebraska, July 2015) I snapped photos with Lomo La Sardina (Sardine Can) camera loaded with expired 35mm film, directly out the moving vehicle window each :15 minutes for a full roll.
The results are here, unedited, glitches and all – order is unintentionally scrambled but that’s not really the point.
There is beauty in the redundancy and fade.
Advice: print em, stitch em, remix em, etc, carry on
As documented here and there, i once owned a 1974 VW bus and travelled all over the place and enjoyed many adventures and undertook extensive repairs and renovations. as it goes, it sat in my Granny’s backyard as my travels took me further afield to foreign lands, as such, i passed it along to cousins who sold it to a fella called Zac, who also let it sit for sometime in garage before some adventurous and creative folks called Honi and (Dayglo) Dave bought it for a daughter and quickly realized that it would be an unfit vehicle due to reliability concerns.
You see, Honi and Dave have some great rental lodges and extensive compound in Big Cottonwood canyon (outside of SLC Utah) which they rent primarily to skiiers/boarders and other recreate-ers. They already have a hottub, tipis and so on and converted the noble “Earthship” into a sauna. We connected over some serendipitous internet-happpenstance and i rallied up a gang of pals to go visit. H&D were wonderful hosts and the visit soon turned into an all-night party including hot boxing the sauna (in a couple different ways, soaking in hot tub, and firing up the jukebox in the Mangy Moose cabin. Incidentally, a momma moose and her kids paid a visit.
The bus has been privy to weddings, parties and all sorts of merriment. As is obviously, its extensively painted and decorated, the insides gutted (who knows what lost items were found) its parked in a flower bed of sorts. They presented me a key which travels with me all ’round the globe.
Here are a few pieces of documentary evidence snapped wth Lomo La Sardina (sardine can) camera. Also made a series of friendly postal pictograms with these images. Many of these snaps were captured by Jamielee Eldridge.
Arriving in India via Cochin (Kochi), Kerala, bound for an extended stay in an Ayurvedic clinic in Tripunitura, i snapped impressions along the way, capturing the washes of colours and shapes of everyday life. Also a trek into Fort Kochi on Remembrance Day to pay respects at a cenotaph (documented in a B&W photo essay and a Remembrance day podcast and a peace ramble video)
Snapped with a Lomo La Sardina (sardine can) camera with expired 35mm film, presented “as-is” with no edits and limited context, for your amusement and my memory.