[compiled Aug 2022 from notes and incident Aug. 17 2022]
Had to redo my photos for “my number” card for various government services here in Japan because a couple strands of hair were outside the frame of the photo (blue version).
Good news is: got to rock the mighty mustache and a yellow shirt from India in the new one.
Also: have inadvertently started on ID photo series for #Daveo60
Project: Upon turning 50 years old on August 16, 2020, Dave Olson (me, hello) is posting a photo (or maybe photos) a day / per year – starting with 1970 with intent of chronicling existence through various primary evidence sourced from studio portraits, class photos, ID / passport photos, or occasionally other “casual/group/random” shots when the above don’t exist in my archive (note: not “artificial intelligence,” really me, pulled from shoeboxes, journals, wallets and whatnot – diligently scanned and dated via glasses and haircuts, lightly annotated).
Yeah i know the pics aren’t great but just to document my trip to Subpop HQ, Seattle (of course)… in March 2010 – I was in the city for a conference, gig, start-up internet-y meeting or some thing, I remember eating some Hawaiian/Japanese hybrid at an izakaya and a few other activities but importantly, visiting Subpop.
Note: This was the third company I had SubPop (OlyWa, Zhonka, Hootsuite) as a customer and received a warm familiar welcome and buncha questions about social marketing for bands/labels strategy. Felt useful.
Carrying on anyway,… i had visited the old HQ years ago (with Banghi and scored a Sebadoh “Zippo” and other treats) but this time got the full tour, especially loved the walls various photo strip booth and instant-photo collages – So many faces from bands I know and appreciate over decades, all presented in a style that’s right out of my erstwhile playbook.
Plus various walls of silk screen posters (silkscreening done on site), walls of stickers (yeah my style!), bunch of other neat stuff like original invoice for the Nirvana 7″, original LOSER ads, the framed “Wood Records” for bands that sold fewer than a gold record or whatever, some of the gold/platinum records are displayed in the toilet, and, at-the-time-just-recently framed and hung properly B&W Charles Peterson (who rocks the instagram like whoa) classic photos.
I left with a box of CDs, bunch of posters and other ephemera, most importantly , a Mudhoney double signed by fcking legend Mark Arm of Mudhoney who works as a shipping warehouse wrangler (and to whom I asked a stupid question about his other band Monkeywrench) PS thanks Dean H.
Digression: Remember back when Subpop was a column in the fine alt/news-weekly “The Rocket” (thanks Marty) and Olympia/ Evergreen was sort of where Poneman/Pavitt started it up, and most of the bands first came through, a lot more to say about this but you probably know already… (see also: Go With the Flow).
PS so I have some more lousy photos cobbled together in a post but well, don’t know if it’s worth it… yeah or nay on the part 2?
Project: Upon turning 50 years old on August 16, 2020, Dave Olson (me, hello) is posting a photo (or maybe photos) a day / per year – starting with 1970 with intent of chronicling existence through various primary evidence sourced from studio portraits, class photos, ID / passport photos, or occasionally other “casual/group/random” shots when the above don’t exist in my archive (note: not “artificial intelligence,” really me, pulled from shoeboxes, journals, wallets and whatnot – diligently scanned and dated via glasses and haircuts, lightly annotated).
Upon arriving at Kansai (KIX) airport, i immediately went to post office, konbini (for onigiri, pocari and royal tea), then a photo booth – also sushi. The following lousy photos will verify these claims.
I’m a sucker for fun photos with costumes. As such, while presenting at Social Media Camp in Victoria in 2016, I availed myself of the promotional photo booth and dug into the provided tickle trunk, plus added a few items I had on hand, to create this series of photos to craft characters and story.
Presented individually, then as they appeared in strips for the record (in case you want to print and trade with your friends).