10 years ago, I was on a train going from Vancouver to Toronto with 11-ish rock ‘n’ roll bands, CBC Radio 3, mixed media documentary film crew and other free radicals + I was on board as Svengali-like guru ;) / advisor. It was our own 90 person indie rock Festival Express co-mingled with the usual passengers and doing ridiculous / ill-fated whistle stop shows along the way and ended up at NxNE festival for showcase and I presented a keynote talk about social media disasters… And finally, the documentary is coming out in chapter/band parts starting June 8th iirc. Consider yourself warned, amused and excited.Continue reading (Almost) cross Canada Rock n Roll Train / Flashback and Preview
Overview: At NXNE 2012, Dave Olson discussed the democratization of communication and how civic/cultural changes are amplified despite attempts to thwart dissent. Practical examples of people spontaneously using these tools in emergency and disaster relief situations were highlighted, as well as the historical forebears of these methods.
From rallying citizens in Egypt and advocating for civil rights in Saudi Arabia and Libya, to natural disaster management in Japan and the USA, social media tools and tactics are used for critical endeavours beyond business marketing and personal expression. However, tools like Twitter and Facebook are often brushed off as non-essential or entertaining playthings by media and society despite the proven ability to spread critical messages rapidly.
We’ll discuss the democratization of communication and how civic/cultural changes are sparked and amplified despite attempts to thwart dissent. Plus, share practical situations where the tools were used spontaneously by citizens in disaster zones, as well as in emergency management and relief agencies in crisis mitigation strategies. Finally, by delving into historical examples, we’ll seek social media’s true fore-bearers for democratized, civic messaging.
From Canada.com: HootSuite’s house of 100 owls
As a social media platform, Hootsuite has a front row-seat to the news of the world. When a natural disaster or social revolution takes place, users flood the service…other times, political unrest has presented Hootsuite with a sort of business Sophie’s Choice…“We need to be able to play both sides,” Olson says. “We have Occupy Wall Street using us on one side and major banks and organizations using us on the other.
Following my talk at NxNE – following the epic Tracks on Tracks journey – i did an interview with Russ Martin for Canada.com and related media outlets (which include dozens of papers across Canada). We riffed on many of my fave topics including how we build community with culture and goodtimes.
He’s standing on the second floor of the Hyatt hotel in Toronto during NXNEi, the interactive arm of the film and music festival. A small crowd of web workers surrounds him, eager to glean advice from the community director of one of Canada’s most successful social media companies, Hootsuite.
Olson is handing out small brown envelopes. They are stamped in DIY style with an inky picture of an owl and the text, ‘you’re a hoot!’ Inside is a Hootsuite pin and an assortment of branded stickers and temporary tattoos.
It’s telling that Hootsuite’s logo is a cutesy owl character.
Based in Vancouver, Hootsuite has a laid-back, blissful vibe. While Google led the web 1.0 cohort with its ‘Don’t Be Evil’ sensibility, a more appropriate mantra for a social company like Hootsuite might be ‘Stay Awesome.’
The company hosts ‘Hootup’ meet ups where its users can hang out in real life. It also sends Cub Scout style badges and Hootsuite t-shirts to users in the mail. When big events like the Arab Spring occur, it creates infographics to depict how those stories were told on social media.
In its four years of business Hootsuite has landed some mammoth clients. Stephen Harper’s office uses the app, as does Barack Obama’s. Via Rail, the Red Cross, the Smithsonian and The U.S. Navy are also users.
Like many apps, Hootsuite operates on a freemium model. Anyone can use Hootsuite to manage multiple social media accounts free of charge. The company’s revenue comes from Hootsuite Enterprise, a souped-up version of the app that offers a trove of analytics to show clients how effectively they’ve engaged their audience.
This model splits Hootsuite’s customer base in two. First is the mass of consumers managing personal Facebook, Twitter and LinkedIn accounts. Then there are businesses and government agencies that use the service to manage their public image.
Sitting in the Hyatt lobby Olson explains the two factions.
“In order for the freemium business model to work well, you need to have two unequal parts,” he says. “You need a massive free user base that’s building awareness. Then you have to have the other, smaller slice which is Enterprise and the pro users who are bringing the money to the table.”
Olson says free users make up about 96 per cent of the Hootsuite user base. “That other four per cent, a lot of them love that culture about us,” Olson says. “But when they go to their vice president or CEO and say, ‘I need budget to spend x dollars on Hootsuite Enterprise and we need to take social seriously,’ we want to make sure they have appropriate materials.”
When Hootsuite corresponds with Obama’s office or the UN, its documents still features owl cartoons. But the owls are sophisticated, their beaks poking out of business suits.
As a social media platform, Hootsuite has a front row-seat to the news of the world. When a natural disaster or social revolution takes place, users flood the service.
Last spring the Egyptian government cut off access to Facebook and Twitter during political unrest. They did not, however, think to block Hootsuite. Overnight Hootsuite saw a 7,000 per cent growth in Egyptian users.
“For the next 36 hours, Hootsuite was unwittingly the voice of the revolution in Egypt,” Olson says. “Hootsuite was the only way to get a social media message out of Egypt.”
Hootsuite staffers responded directly to tweets coming out of Egypt and the company later compiled data on Eygpt’s hashtags and tweets. It posted the data as an infographic and allowed both National Geographic and the U.S. State Department to re-distribute it.
After careful consideration, Olson says, the company became involved.
“There was sort of a vague line—do we want to get politically involved in this?” Olson asks. “We knew our tool was playing a role but we were slightly unwitting participants.”
Other times, political unrest has presented Hootsuite with a sort of business Sophie’s Choice. When Occupy protesters took to the streets, they also took to social media. Front line protesters used Hootsuite to share live updates on multiple channels from multiple accounts.
But it’s not just protesters and NGOs on the service. It’s also the banks.
If Hootsuite supported the banks, it might have angered its huge user base. If it helped protesters, it risked alienating paying customers.
In the case of Occupy (and many others) Hootsuite reverted to its initial mandate: to keep the tool up and running and to make sure people are receiving help as needed.
It kept politics at arm’s length.
“We need to be able to play both sides,” Olson says. “We have Occupy Wall Street using us on one side and major banks and organizations using us on the other. We don’t want to muddy those waters with a political statement but at the same time we know when people are doing something right.”
It’s not just two sides Hootsuite has to play. It has to play them all. That’s why the company has designed over 100 owls, each with unique traits.
Sometimes Hootsuite sees what’s happening on its service and wants to get involved. When an earthquake hit Japan last year, it was a no brainer. Hootsuite tweeted at its users to donate and made a special Japanese owl to show its support.
Other times it steps back and lets users speak for themselves.
What Hootsuite provides, aside from Hootsuite Enterprise and analytics, is the same thing all social companies do: the opportunity to share and communicate.
And Olson says that’s good.
“We think all communication—well, mostly all—is good communication,” he says. “People from the Department of Justice and Occupy can start a conversation online. I want that conversation to happen on Hootsuite if possible.”
“The more you have people talking and having a cup of tea together,” he says, “the better.”
Available via Wayback Machine: https://web.archive.org/web/20141018100006/http://o.canada.com/technology/hootsuites-house-of-100-owls
Published on Jun 13, 2012
Video by Nathan Skillen
After spieling at NXNE 2012 in Toronto with “Social Media in Revolutions and Disasters, I shared some stories and thoughts about social media – specifically for bands and their fans – in a series created by Intel.
How do we spark intellectual and cultural exchange across industries? Hop aboard the Festival Express Redux – an interdisciplinary, cross-Canada train trip exploring art, culture, media and business.