Bad Wougar is/was a hard rocking band in Vancouver BC with four fine gentleman who practised diligently in a room called the “the Den” which I’ve visited several times – occasionally playing some drums, especially extended jams to “Cortez the killer”. The name “Bad Wougar” came from a campfire myth about a dangerous animal which was a mix of a wolf and a cougar.
On a trail walk one day, I recorded a myth about the creature for the bands use and amusement. They then invited me into the glorious brand-new Monarch Studio (which has an origin story to share another time) to record a few snippets from the riff for the songs. In all, my voice/words appear in two tracks on this final release which was distributed on CD with a paper gatefold cover (i have 2, Mac Kobayashi has 1).
For the record, released: February 28, 2014 (noting this was a high point in an otherwise tough tough year). As mentioned, the four members of the band (including a non-related Olson) were each fantastically kind, interesting fellas as well as quality musicians and it’s a privilege to know them.
So it goes, folks have other commitments and adventures in life so they don’t play anymore but I hope this CD/album is more widely distributed in future / Kind of band that would be big in Europe.
… every time I sling this album on the stereo I can’t but feel like I’ve been transported to a wood-panelled backwoods bar where the band are plying their gnarled rock ‘n’ roll trade in such a fashion that the venue’s customers are worried that the whole place will go up in flames, the sounds so incendiary….
There’s a grubby charm to this band and its self-described brand of hard charging rock ‘n’ roll. It’s garage rock by way of the forest and you can’t really ask for anything dirtier, earthier than that.
As the stoner-like riff of final track, ‘Spoke Too Soon’, rattles the fillings out of my teeth I’m left wondering if maybe what I just listened to was part of a crazed fever dream. Then I look up and see the album cover, the eyes of the Bad Wougar appearing to follow my every move…..
Another review in Permanent Rain references my spoken-word bit, ergo:
This spoken kick off made me realize I was in for a fun ride, just as if I was watching a movie–and I was not disappointed. …
The album itself has a delightfully punk element to it, often mixing with elements of classic and progressive rock. It could have been released in 1984, 1994, 2004, or 2014 and reflected the music of its time period.