Often times, I make scrap journals for no particular reason, just for enjoyment of gathering interesting paper tidbits and ephemera which I enjoy… or in some cases, specific slices of inspiration which intrigue me for specific projects, remixes, or just recount times of life – what i was receiving or thinking about or even watching/reading/listening.
Sometimes a “theme” or story of some kind emerges – more like a thread of interconnectedness, whether content, medium, colour, aesthetic or tactility.
Presented here-in are two books which contain items which inspire or amuse me, connected by size, form, colour, theme or otherwise.
The first (named “Kindling & Matches, Tinder & Sparks”) is an accordion style book (a preferred format for these types) filled with beloved postcard &/or postcard-sized items. A few decorations on the cover (1970s era lettraset rub-off lettering, dried flower and my name clipped from a hospital envelope), inky stamps for easy identification.
The second (named “Dark Arts for Lighter Hearts”) has more variety of size and shape and contains a set for photos sent to me by a young artist named Simon among other objects d’art. Decorations include hotel luggage tag, insta-photo of a painting (self re-mix), snippet of poetry from a Lebanese wizard, and my name from a forgotten red-ink typewriter.
Due to an affection for stationery, letters, scrapbooks and whatnot, i notice such items when viewing moving pictures. As such, i am often inclined to capture screenshots for my memory. Sometimes, oddly enough, these are printed and put into scrapbooks in a sorta meta-remix. Either way, to keep these tidbits close at hand, assorted specimen are collected within.
Batch of scrapjournals hand-crafted during summer of 2019 whilst on Nusa Ceningan, Indonesia.
Featuring: covers made from vintage aerogrammes and hotel letterhead; binding covers of elephant dung paper and used envelopes; accessorizes of cookie fortunes, wax seals, cancelled postage stamps, eraser crafted ink stamps (and other inky stamps for that matter); hotel luggage tags; forged passports; printed Lomo sardine can camera 35 mm snaps; and various printed oddities – often leftover from other scrapbooks and places of comfort and inspiration (see: Wonder Hotel).
Made with Japanese-style side binding, sewn with hearty thread via 3 holes drilled through a mighty block of various paper stock acquired at random intervals around Bali.
To be filled with anything desired by recipient. Scissors and glue provided separately.
“I see a vision of a great rucksack revolution thousands or even millions of young Americans wandering around with rucksacks, going up to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of ’em Zen Lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures.”
Following our wedding festivities, we dutifully and cheerfully made up several batches of thank you cards to sent to folks who made the trip or sent gifts or letters/cards.
While each batch of cards was different – and some cards required boxes and packets – the general design aesthetic captured in exquisite little photo essay created by nature photographer Cheryl A. (you should check out her cards for sale) which captures the details of the envelope treatment:
What follows is a gallery (vol. 2) of received invites “in situ” wherever they end up in the world / generally unannotated to protect erstwhile privacy unless publicly shared by recipient.
Overall, 300+ packets mailed. Some will get lost in the mail (speaking from experience) but anyone who doesn’t receive a dossier in the post can create their own as desired, plus checkout the pieces not in your packet.
The 6 (at least) tranches of mailouts had varied contents and packaging as the batches were sent from different countries, using different printers (pro and home) and different iterations of items, specifically a variety/sub-set of:
* Announcement storybook (4 panel, 2 iterations)
* Invite to ceremony (2 panel)
* Invite to party (2 panel)
* RSVP card (pre-stamped for folks in Japan)
* Transportation info card (for folks in Japan)
* Letter to friends (on Grand Oriental Hotel letterhead)
* Gig Poster by Joanna Pag (mini-size via various printers and substrates)
These items are easily found within this archive should you desire further inspection.
At weddings in Japan – unlike in “western” countries, guests usually bring cash in special envelopes as a gift rather than a household appliance or other oddment from a registry. The cash is often in 2 envelopes – one as a “gift” and other the cover their portion of party expenses. Regardless, the notes as fresh and crisp and in a special envelope with appropriate decorations and minimal written sentiments.
The guests are almost always sent on their way with a gift bag of treats with items which reflect the spouses personality (not always the case), or the region or season of the wedding. Anyhow, we took the gift bag part on with great enthusiasm and vigour as we wanted all the guests to take a piece of our heart reflected in hobbies, interests and whatnot.
As it goes, with all the work assembling the gift bags of disparate objects, we neglected to document the items dutifully. Fortunately our pal Robert Scales did a pretty decent job of capturing the assortment which included the following
Bizen Yakima saké cup – nearby Bizen one of 6 great centres of pottery of Japan, the cups were handmade by master potter Hosokawa-san and fired with no glaze for 2 weeks at 1000 degrees Celsius in a massive kiln
Note: cups were wrapped in newspaper and packed into hemp cloth drawstring bags
Matcha tea – from Kyoto, in a metal tin with bamboo accessories: whisk chasen and scoop chashaku
Gig Poster – the Taisho-era jazz/travel inspired art for the wedding made by Joanna Ambrosio of Ganamo Design (Vancouver/Mexico) and professionally printed (A4) by Fujii Printing
Sakura oil painting print – from Dave’s Gravelly Beach series, printed A4 by Fujii Printing, signed and number (150)
Commemorative postcards (2) – featuring paintings by Dave of Rural Caprine Farm’s noted gingko tree in full yellow splendour and haiku postbox (there is the actual postbox on site) of a poem about letters and peaches. Postcard backs designed with Olympia typewriter. Printed by moo.com
Thank you card – hand-lettered (Japanese and English) by Ryoko, accessorize with stamps from US and Vatican, printed by Fujii Printing
Incense – ceremonial from Bali
Ceningan Divers invitation – a special offer from our friends with a dive resort in Bali
Vendor thank you – round-up of all the vendors who assisted, contributed etc to the wedding, including URLs for thanks and reviews etc.
Gift bag – blue heavy corrugated paper bags with string handles from Usigaya decorated by hand with a special ink stamp (thanks parents) and gold/silver paint marker flag flourish (by Dave)
Finally, a special “typewriter card” paper clipped to each one to make unique and washi tape to close each bag.
All the materials were ordered, delivered etc and then moved to the goat farm’s kitchen table where dear helpful pals (under supervision of lawyer Lindsay and the Jen-eral) assembled and moved down to the goat farm so the area looked like a splendid festive morning. Then, each guest (mostly) received their bag with (hopefully) delight.
Note to self: there is a snap somewhere of the guide to assembling gift bags to add here.
In planning for the wedding party at Mr. Mac Kobayashi’s Rural Caprine Farm, we set out to transform his goat barns into a 1920s-ish Taisho-era-esque jazz lounge meets eclectic nature retreat. We needed places for band to set-up to play comfortably, for ceremony with seating and small stage, for a grand table for bride and groom, an area to have guest book and photo booth, stash gift bags, make name tags and choose and decorate custom bamboo cup, plus dancing, chilling, serving food, cooking food (bar–b-que spits), and also 10+ beverage stations including a tea ceremony experience and oh yeah, an area for mothers and babies to chill out.
In all this planning came the following sketches (executed by Ryoko), shared here for posterity and amusement. (Note: possibly more sketches to follow).
Oh and these were used by Oka-sensei who constructed stages and backdrops and other staging in a truly remarkable manner and by friends who set up stations and decorations on the morning of the event.
Note: more evidence of the results are found elsewhere in this archive.