A few sundry/spontaneous remarks about London Calling, The Clash’s remarkable album, turning 40 as well as a few miscellaneous annotations about The Clash’s canon:
London Calling had the element of surprise as the world (or the record company) had no idea that this eclectic mix of americana, ska, rockabilly, mushy songs, political songs, fun songs, songs recorded in 1 take, a rock drummer playing like Ginger Baker without the prog and the almost alien guitar playing of Mick Jones. No one knew what to expect and it exploded as a secret, delivered mere hours before the EOY deadline.
The double LP was packed in one sleeve (to save label and fans money) and Train in Vain was Mick’s last minute addition (that’s why the mix sounds so different too) with Topper, no Joe or Paul on that track.
In 2009, i made an very off-the-cuff audition show for Vancouver’s then-new, now-defunct “The Shore 104” radio station with the idea create a rather eclectic music and story-telling show.
The “show” was recorded live in one take, no takebacks (though i shoulda/coulda) with John Bollwitt engineering at his West End apartment. Later added an intro bit which kinda got messed up but anyhow,… the project went nowhere as the station struggled out the gates and soon fired most on-air folks and changed format blah blah blah. As such, getting it off the harddrive and into your ears so you can laugh at my cheesiness and rock out to the setlist.