In 2009, i made an very off-the-cuff audition show for Vancouver’s then-new, now-defunct “The Shore 104” radio station with the idea create a rather eclectic music and story-telling show.
The “show” was recorded live in one take, no takebacks (though i shoulda/coulda) with John Bollwitt engineering at his West End apartment. Later added an intro bit which kinda got messed up but anyhow,… the project went nowhere as the station struggled out the gates and soon fired most on-air folks and changed format blah blah blah. As such, getting it off the harddrive and into your ears so you can laugh at my cheesiness and rock out to the setlist.
Multi-disciplinary artist David Byrne is a huge hero of mine – my fave work is his 1985 film True Stories which is a central inspiration in many of my projects. I recently read his excellent collection of essays about exploring urban environments from the seat of a bicycle “Bicycle Diaries” with discourse of architecture, planning, inter-personal relations, diplomacy, remixed history and art plus practical tips for cycling and locking up your ride. His manner is diligent, self-assured and constantly curious.
The description from TED says: As his career grew, David Byrne went from playing CBGB to Carnegie Hall. He asks: Does the venue make the music? From outdoor drumming to Wagnerian operas to arena rock, he explores how context has pushed musical innovation.
Shortly after New Year’s Day, Uncle Weed recounts highlights from the passing year including a surprising visit with bong-toting ice fishermen on a frozen neighborhood lake, plus recaps on concerts, spreading messages to media and youth, voting often, speaking out, supporting soldiers and peaceniks, resisting cynicism, researching the painter Varley, publishing literature, sparking coverage of Olympics, making a board game, gallery visits, riding the new SeaBus, remembering ole dead gramps, drinking stout and earl grey tea, and the joys of treading on thin ice.