Here and there i see “sticker walls” in various bars, toilet rooms of bars, taverns, dives of all sorts, or sometimes coffee shops – maybe – but mostly bars and toiletrooms of bars. So i take photos sometimes, especially since a pal in Squamish mentioned his affinity towards same and another pal from Whalley sometimes shares photos of crappy bar toilets and ask “where’s the sh!tter?”
So anyhow, here are some photos with minor annotations if recalled – no accuracy intended or implied. There are others, we’ll start with these and call the assortment which appears, Vol. 1 of a possible series. Also, these make the best and worst computer screen “wallpapers” too. Tip: Give a try.
A few sundry/spontaneous remarks about London Calling, The Clash’s remarkable album, turning 40 as well as a few miscellaneous annotations about The Clash’s canon:
London Calling had the element of surprise as the world (or the record company) had no idea that this eclectic mix of americana, ska, rockabilly, mushy songs, political songs, fun songs, songs recorded in 1 take, a rock drummer playing like Ginger Baker without the prog and the almost alien guitar playing of Mick Jones. No one knew what to expect and it exploded as a secret, delivered mere hours before the EOY deadline.
The double LP was packed in one sleeve (to save label and fans money) and Train in Vain was Mick’s last minute addition (that’s why the mix sounds so different too) with Topper, no Joe or Paul on that track.
Artifact dossier: Collage art boards from “Forgotten Vancouver Stories (aka Poets, Punks and Revolutions)” spiel presented in various formats at Pecha Kucha Night Vancouver, All-start edition, and Northern Voice 2013 closing keynote. Video and roundup of both prezos exists elsewhere in this archive.
Each collage “slide” was handmade (obviously) with ephemera from my personal collection (exceptions credited on final “slide”) then, arranged on hemp cloth “storyboards”, photographed by Rachel Ashe, then disassembled. An analog to digital remix of sorts. Presented here in rather large size for your printing/screensaver/ amusement and posterity.
In-depth discussion with rock art photographer bev. davies including: hippie days with Neil Young and Joan Anderson (Joni Mitchell), shooting punk pioneers DOA and Subhumans, Motörhead in a park, David Bowie in a stadium, Brian Jonestown Massacre flipping off crowd and so many more.
Also stories from backstage with Iron Maiden and Twisted Sister, Nardwuar collaborations, Duran Duran posing at soundcheck, and remarks about various Vancouver venues.
Plus insights about role of photographer as artist, conundrums of accreditation and access, reasons for a long hiatus, crafting the perfect shot, shoes versus sneakers, origins of calendars and exhibits, and plans for a book.
Recorded August 2010 in Strathcona, Vancouver, BC, Canada.
Sometimes, a plan comes together just right, and then sometimes there’s the opposite…. This night of X (Dec. 9, 2016) was definitely the opposite.
The “Plan” was to come back from a healing journey at an Ayurvedic clinic in India to meet up with old friends and celebrate this legendary punk band’s 40th anniversary. As it goes, my trip was cut short under frankly the worst circumstances (which I won’t bother you with here). Then, my friends decided to go to the LA shows instead of the San Francisco 3-night run, another friend simply didn’t show up, and phone calls to other pals couldn’t rally up any excitement.
As a fan of Wes Anderson movies, indie rock and vinyl, this rare unique gem from American Laundromat Records was a must have. Its like they conceived the project with me as target market. Ergo: songs featured in Wes Anderson’s eclectic-as-fck oeuvre, but performed/covered by indie rock bands.
The album is filled with surprises no doubt but, I managed to provide a surprise for the goodly Mike Watt and his Secondmen at a show at my favourite dive bar Winters (@nocrapontap) in Pacifica, California on Dec. 6, 2016… (by the way, after a rough stretch – death of Mom – my buddy “Maddog” Mike McCarthy went with me for which i was grateful – i have a snap of the ticket somewhere too).
Storymaker Dave uncleweed Olson shares an eclectic variety of stories from Vancouver’s counter-culture history on a stage adorned with a record player, campfire & cub scout blanket, art easel, flowers and an Expo 86 mug – plus pulls artifacts from an old-timey suitcase to illustrate forgotten past of a city which is/was much cooler than most realize.
Presented at Northern Voice, June 2013 in Vancouver, Canada, his 11th presentation to this noted personal expression conference (and his last talk before a medical “retirement”).
At the iconic Smilin Buddha Cabaret and Restaurant in Vancouver’s downtown Eastside, legendary punk rock photographer bev. davies (sic) shows the photos in her recent “(Return to the) Scene of the Crime” exhibit featuring photos taken at his landmark venue between 1979 and 1983.
Dave uncleweed Olson — with attorney Lindsay Lazlo Bailey — asks about her process, the stories behind photos, anecdotes about the subjects and flashbacks about the shows.
Plus, they discuss:
* various parenting tips and stories with heavy metal warlords (Bruce Dickinson, Lemmy Killmister, Dee Snider)
* ideas for a book of bev’s photos (form, cost, etc)
* the history of her remarkable calendars with Nardwuar
* some friends who’ve died (RIP Dave Gregg, Brain Goble)
* hollandaise sauce and skateboards ramps
Note: As a fan and supporter of bev’s work, i’ve also interviewed her (along with new-school photographer and activist Kris Krug) at Northern Voice in a talk called “Building a Scene — Rock n Rock Photos” and another interview to appear soon.