Project: Upon turning 50 years old on August 16, 2020, Dave Olson (me, hello) is posting a photo (or maybe photos) a day / per year – starting with 1970 with intent of chronicling existence through various primary evidence sourced from studio portraits, class photos, ID / passport photo occasionally other “casual/group/random” shots when the above don’t exist in my archive (note: not “artificial intelligence,” really me, pulled from shoeboxes, journals, wallets and whatnot – diligently scanned and dated via glasses and haircuts, lightly annotated).
Project: Upon turning 50 years old on August 16, 2020, Dave Olson (me, hello) is posting a photo (or maybe photos) a day / per year – starting with 1970 with intent of chronicling existence through various primary evidence sourced from studio portraits, class photos, ID / passport photos, or occasionally other “casual/group/random” shots when the above don’t exist in my archive (note: not “artificial intelligence,” really me, pulled from shoeboxes, journals, wallets and whatnot – diligently scanned and dated via glasses and haircuts, lightly annotated).
Tom Sawyer famously talked his gang into paying him for the privilege of whitewashing a fence while he sat by and supervised. In this talk by Dave Olson at SxSW Interactive on March 10th 2012, he shares how companies might inspire their community to crowd source projects by engaging passionate users with a mutually beneficial relationship.
This video – made from appropriately crowd-sourced photos, social posts, and other snippets + music – includes Mark Twain-period costuming, pipes, smoking jackets, board games, old-timey suitcase, mysterious envelopes, audience participation and plenty of laughs while focusing on practical tactics to rally communities with clear expectations, boundaries, rewards, and objectives and importantly – without manipulating.
3 very different project examples provide tangible advice for various campaign timelines, outcomes and audiences, and include:
* True North Media House: a long-planned (and fantastically successful), renegade self-accreditation citizen documentation project at Vancouver 2010 Olympics / Paralympics
* Phones for Fearless: a rapidly planned and deployed initiative to gather dis-used mobile phone/cameras for use by marginalized communities to tell their stories
* Hootsuite Translation: activating global cultures to speedily and accurately translate and localize a social media dashboard using a web tool… with unexpected outcomes
Includes cameos of dozens of bright faces in Austin at the noteworthy event, plus more recent voice over to bring the projects up to date and share more resources to explore further including screenshots from various media appearances, reviews, tweets, and whatnot of the talk and aftermath for extra colour. Continue reading Crowd Sourcing Community Projects like Tom Sawyer at SxSWi 2012: video
Well today is 3 years gone and wow, so much has happened since the worst phone call ever in Auroville.
I won’t get into all the details but do want to catch you up on all the geo-locations (and other memorials) your ashes are distributed… for the time being at least.
Overall, you’ll be happy to know we’ve added a few more stamps to your figurative passport and there are many places scattered around the world where you are especially remembered.
We’ll start the world tour with the most obvious and familiar locations in Utah:
First, the Celebration of Life Monument in SLC right by the (fabulous) library. This wall took some doing to make it all happen but worth the work and looks great.
Your entire full name with all the middle names is engraved on the wall and allll spelled perfectly!
From the wedding bonus ceremony and party at Rural Caprine Farm on April 21 2019 (Heisei 31) comes a variety of snaps created with a Pentax point and shoot with 35mm film about 25 years old. Note “panorama” layout on some photos and LED date snap (obv not accurate) showing some erstwhile vintage-ness.
Along with these 35mm snaps, the wedding party guests were encouraged to pick up one of several Fuji (not Poloroid) insta-photo camera to document their experience – Lee and Emily and others also kept these devices clicking.
Thanks to photographer Kris Krüg and artist Emily Olson for curation of gear and keeping the snaps snapping.
Film was processed, prints were scanned with results presented without distinct order curation but with some minor colour correction/enhancing.
At weddings in Japan – unlike in “western” countries, guests usually bring cash in special envelopes as a gift rather than a household appliance or other oddment from a registry. The cash is often in 2 envelopes – one as a “gift” and other the cover their portion of party expenses. Regardless, the notes as fresh and crisp and in a special envelope with appropriate decorations and minimal written sentiments.
The guests are almost always sent on their way with a gift bag of treats with items which reflect the spouses personality (not always the case), or the region or season of the wedding. Anyhow, we took the gift bag part on with great enthusiasm and vigour as we wanted all the guests to take a piece of our heart reflected in hobbies, interests and whatnot.
As it goes, with all the work assembling the gift bags of disparate objects, we neglected to document the items dutifully. Fortunately our pal Robert Scales did a pretty decent job of capturing the assortment which included the following
- Bizen Yakima saké cup – nearby Bizen one of 6 great centres of pottery of Japan, the cups were handmade by master potter Hosokawa-san and fired with no glaze for 2 weeks at 1000 degrees Celsius in a massive kiln
- Note: cups were wrapped in newspaper and packed into hemp cloth drawstring bags
- Matcha tea – from Kyoto, in a metal tin with bamboo accessories: whisk chasen and scoop chashaku
- Gig Poster – the Taisho-era jazz/travel inspired art for the wedding made by Joanna Ambrosio of Ganamo Design (Vancouver/Mexico) and professionally printed (A4) by Fujii Printing
- Sakura oil painting print – from Dave’s Gravelly Beach series, printed A4 by Fujii Printing, signed and number (150)
- Commemorative postcards (2) – featuring paintings by Dave of Rural Caprine Farm’s noted gingko tree in full yellow splendour and haiku postbox (there is the actual postbox on site) of a poem about letters and peaches. Postcard backs designed with Olympia typewriter. Printed by moo.com
- Thank you card – hand-lettered (Japanese and English) by Ryoko, accessorize with stamps from US and Vatican, printed by Fujii Printing
- Incense – ceremonial from Bali
- Ceningan Divers invitation – a special offer from our friends with a dive resort in Bali
- Vendor thank you – round-up of all the vendors who assisted, contributed etc to the wedding, including URLs for thanks and reviews etc.
- Gift bag – blue heavy corrugated paper bags with string handles from Usigaya decorated by hand with a special ink stamp (thanks parents) and gold/silver paint marker flag flourish (by Dave)
- Finally, a special “typewriter card” paper clipped to each one to make unique and washi tape to close each bag.
All the materials were ordered, delivered etc and then moved to the goat farm’s kitchen table where dear helpful pals (under supervision of lawyer Lindsay and the Jen-eral) assembled and moved down to the goat farm so the area looked like a splendid festive morning. Then, each guest (mostly) received their bag with (hopefully) delight.
Note to self: there is a snap somewhere of the guide to assembling gift bags to add here.
First reflecting on Funiculars, Dave then reads works by poet friends from far-flung points including: Sohaib Ahmed recounting escaped love and lights, Adam Burningham examining towns atop streams, Amber Case on a languid roadtrip, and Robert Scales appreciating a sunrise and oblivion – plus music by guitarist Matt Harding and a rainstorm, crickets and cicadas from a porch.
Choose your transport for: Friendly Dehli Wanders – Postcard #71 (23:51, .mp3, 48MB)
Leading up to Vancouver 2010 Olympics, filmmaker Andrew Lavigne followed, filmed and documented various stories around social justice and social media. One storyline was the “True North Media House” a renegade media project cooked up by me, Kris Krüg & Robert Scales based on our experiences documenting previous Olympics. In brief, we wanted to create a context in which grassroots bloggers, photographers, podcasters, vidmakers etc. could capture and share stories, reach a wider audience, and (if they chose to) stay out of trouble with IOC.
We aimed to take a non-political, non-denominational, non-everything kind of approach in that folks were welcome to write about whatever they want and participate anyway they wanted as long as they: took responsibility for their own work, published content under creative Commons license, submitted their RSS feeds to our “firehose”. This was unique amidst the adversarial relationship the Olympics built up with various constituent groups in the community. In other words, the Olympics were going to happen in our city, and we had an opportunity to share stories of what life is really like in Vancouver, the neighbourhoods we live in and the changes we saw to our civic society during that time, plus lots of parties
Wisely, we eschewed a physical space in favour of providing a litany of meet-ups, campaigns, workshops, and offering access to our mailing list and other channels to all the PR agencies, hospitality houses, various educational an activist groups and so on providing a wide variety of topics and events for TNMH accredited documenters to document. By the way, to be accredited, one must agree to the three principles above, and print out their own badge, lamination optional but recommended. Overall, so many wonderful people took on this challenge from youth to elders, people who thought they would have no interest in the Olympics to people who were diehard enthusiasts, to activists to people seeking free beer.
Uncounted thousands of stories were created, amplified through some very strategic social media kung fu, and the story of True North Media House became a story for the mainstream media with coverage in dozens of publications. Indeed, some “mainstream” journalists wrote with a glint of envy about our lack of word counts, deadlines and assignments… Yet we were motivated and focused enough to actually create compelling narratives and artifacts.