Shinto wedding vow, read by Dave and Ryoko in unison at Munetade Jinjya (shrine), April 20, 2019 (Heisei 31)
Phoneticized from Japanese (for Dave’s convenience) by Ryoko (Fujita) Olson.
Note: additional hand-written copy provided for shrine for convenience of any future non-Japanese literate marriage candidates.
Importantly transported, rolled and protected by cat. Socks and sandals optional
Following our wedding festivities, we dutifully and cheerfully made up several batches of thank you cards to sent to folks who made the trip or sent gifts or letters/cards.
While each batch of cards was different – and some cards required boxes and packets – the general design aesthetic captured in exquisite little photo essay created by nature photographer Cheryl A. (you should check out her cards for sale) which captures the details of the envelope treatment:
Continue reading Thank-you Cards (“making of” and delivery evidence) / Kekkon-shiki
Guests were also encouraged to take a snap with 1 of 3 instant camera to stick into a guestbook along with a signature with a paint penFrom the wedding bonus ceremony and party at Rural Caprine Farm on April 21, 2019 (Heisei 31) comes a variety of snaps created with a Pentax point and shoot with 35mm film about 25 years old. Note “panorama” layout on some photos and LED date snap (obv not accurate) showing some erstwhile vintage-ness.
Along with these 35mm snaps, the wedding party guests were encouraged to pick up one of several Fuji (not Poloroid) insta-photo camera to document their experience – Lee and Emily and others also kept these devices clicking.
Thanks to photographer Kris Krüg and artist Emily Olson for curation of gear and keeping the snaps snapping. Prints were scanned with results presented without distinct order curation but with some minor colour correction/enhancing.
Dashing Yuasa-san, part 1
Dashing Yuasa-san, part 2
Niece Emily and my brother James mugging, part 1
Niece Emily and my brother James mugging, part 2
Sharp Shimizu-san being sharp, part 1
Sharp Shimizu-san being sharp, part 2
Sharp Shimizu-san being sharp, part 3
Lovely Reira Kobayashi and baby representing the 3rd and 4th generations of Kobayashi family on site 
Happy Chris Maxwell down from Tokyo (and elsewhere)
Brother Andrew Olson (wearing our ‘team” shirt) via Las Vegas
Son of Vancouver distiller James Lester came with spirits of several types
“Uncle” Duane and my bodyguard Sousuke-kun
Happy Groom (me!) Dave, resplendent with beard and smiles
Bride Ryoko and Groom Dave enjoying the moment and going with the flow
Brother Andrew getting a bit goofy
Jen “the Jenneral” Harvey, master ringleader
Two remarkables: Leah Gregg and Lindsay Bailey having all the fun
Lindsay and Leah keeping the party rolling (hard to imagine they weren’t already lifelong pals)
Tip: Enjoy more collections of photos from shrine, party etc via various photographic mediums in this archive.
Variety of photographic documentation tools used at the Goat Farm wedding party, April 21, 2019 (Heisei 31)From the wedding bonus ceremony and party at Rural Caprine Farm on April 21 2019 (Heisei 31) comes a variety of snaps created with a Pentax point and shoot with 35mm film about 25 years old. Note “panorama” layout on some photos and LED date snap (obv not accurate) showing some erstwhile vintage-ness.
Along with these 35mm snaps, the wedding party guests were encouraged to pick up one of several Fuji (not Poloroid) insta-photo camera to document their experience – Lee and Emily and others also kept these devices clicking.
Thanks to photographer Kris Krüg and artist Emily Olson for curation of gear and keeping the snaps snapping. Prints were scanned with results presented without distinct order curation but with some minor colour correction/enhancing.
Ring-bearer and goat friend, Lee Olson
Mr. Kobayashi displays piglets ready for slow spit roasting
Groom Dave’s bearded jaw, suitcase for envelopes, bamboo drinking vessel etc.
Continue reading Goat Farm Party 35mm Film photos, vol. 1 / Dave + Ryoko 4-21 Kekkon-shiki
What follows is a gallery (vol. 2) of received invites “in situ” wherever they end up in the world / generally unannotated to protect erstwhile privacy unless publicly shared by recipient.
Overall, 300+ packets mailed. Some will get lost in the mail (speaking from experience) but anyone who doesn’t receive a dossier in the post can create their own as desired, plus checkout the pieces not in your packet.
The 6 (at least) tranches of mailouts had varied contents and packaging as the batches were sent from different countries, using different printers (pro and home) and different iterations of items, specifically a variety/sub-set of:
* Announcement storybook (4 panel, 2 iterations)
* Invite to ceremony (2 panel)
* Invite to party (2 panel)
* RSVP card (pre-stamped for folks in Japan)
* Transportation info card (for folks in Japan)
* Letter to friends (on Grand Oriental Hotel letterhead)
* Gig Poster by Joanna Pag (mini-size via various printers and substrates)
These items are easily found within this archive should you desire further inspection.
Continue reading Invitations arrived, vol. 2 / Dave + Ryoko 4-20 Kekkon-shiki
At weddings in Japan – unlike in “western” countries, guests usually bring cash in special envelopes as a gift rather than a household appliance or other oddment from a registry. The cash is often in 2 envelopes – one as a “gift” and other the cover their portion of party expenses. Regardless, the notes as fresh and crisp and in a special envelope with appropriate decorations and minimal written sentiments.
The guests are almost always sent on their way with a gift bag of treats with items which reflect the spouses personality (not always the case), or the region or season of the wedding. Anyhow, we took the gift bag part on with great enthusiasm and vigour as we wanted all the guests to take a piece of our heart reflected in hobbies, interests and whatnot.
As it goes, with all the work assembling the gift bags of disparate objects, we neglected to document the items dutifully. Fortunately our pal Robert Scales did a pretty decent job of capturing the assortment which included the following
All the materials were ordered, delivered etc and then moved to the goat farm’s kitchen table where dear helpful pals (under supervision of lawyer Lindsay and the Jen-eral) assembled and moved down to the goat farm so the area looked like a splendid festive morning. Then, each guest (mostly) received their bag with (hopefully) delight.
Note to self: there is a snap somewhere of the guide to assembling gift bags to add here.
On our Shinkonryoko (honeymoon) travel, we rambled around Japan via various trains, occasional rental car, trams, busses and a coach visited pals, museums, hot springs and natural locales while staying at an assortment of accommodation types (ryokan, “western” hotels, guest houses/minshuku, friend’s homes, resort hotel etc). Note: extensive documentation of all these elements elsewhere.
Anyhow, as is my routine, i gathered ephemeral papery items (tickets, brochures, maps, coasters) and glue/2x taped into a scrapjournal along with insta-photos, scraps of poetry/prose, words which stuck in my head (possible band names) and topped off with a few stickers, stamps and seals.
Then photographed the whole tome for archival and sharing purposes. (Some pages include “pop up/fold out” elements which may or may not be pictured. Provided as-is here without additional annotations as the purpose is emotional, not purely documentary.
Continue reading Japan Travel Ephemera Scrapbook / Shinkonryoko Ramble
In planning for the wedding party at Mr. Mac Kobayashi’s Rural Caprine Farm, we set out to transform his goat barns into a 1920s-ish Taisho-era-esque jazz lounge meets eclectic nature retreat. We needed places for band to set-up to play comfortably, for ceremony with seating and small stage, for a grand table for bride and groom, an area to have guest book and photo booth, stash gift bags, make name tags and choose and decorate custom bamboo cup, plus dancing, chilling, serving food, cooking food (bar–b-que spits), and also 10+ beverage stations including a tea ceremony experience and oh yeah, an area for mothers and babies to chill out.
In all this planning came the following sketches (executed by Ryoko), shared here for posterity and amusement. (Note: possibly more sketches to follow).
Oh and these were used by Oka-sensei who constructed stages and backdrops and other staging in a truly remarkable manner and by friends who set up stations and decorations on the morning of the event.
Note: more evidence of the results are found elsewhere in this archive.
Watching my every each step
Is the task at hand
So i’ll watch yours instead
While me and Ryoko’s wedding will be a litttlllle bit unique, there are some very traditional aspects to our 3-day event, notably the Shinto ceremony at Munetada Jinjya (shrine).
This shrine is in the neighbourhood where Ryoko grew up and it is a day-to-day working shrine meaning its not a tourist attraction, rather they are active participants in the community and the usual place where folks go to ask for blessings on the birth of babies, safe travel, scholastic success and secret dreams.
I’ve studied the ceremony overview from the shrine with great interest (albeit with machine translation):
4. Aoi-no-gi (Cannabis) (Hai no Toi)
Ui no Uta (Cannabis) I will ask you before the ceremony. We will treat the bride and groom and all the guests with cannabis. During this time, keep your head down.
Here are a few more articles which provide a bit of background about the routine and background of Shinto weddings:
Furthermore, to prepare for the ceremony, i present a photo gallery of the shrine and grounds… beginning with the traditional Torii gate which separates the home of deity from the regular city life.
Continue reading Munetada Shinto Shrine Primer / Dave + Ryoko 4-20 Kekkon-shiki
