Museum: Toyama Prefectural Museum of Art and Design, 2019 (a sampler) – Dave Olson's Creative Life Archive

Museum: Toyama Prefectural Museum of Art and Design, 2019 (a sampler)

welcome to Toyama, i really enjoy showing up to a place i know *nothing* about, like a white sheet of paper, filled with possibilities

Blurb: On our extended skinkonryoko/honeymoon ramble, we had a stop in the city of Toyama (capital of eponymous prefecture) which i really didn’t know anything about but turned out to be very pleasant. Besides being a conveniently-located “midsize city” with good transportation of the sort I really like, there was a castle and lots of public art and pleasant accommodations and of course kissaten coffee shops for making scrapbooks.

its all empty and full

While there was a choice of many museums to see, we headed out to the Toyama Prefectural Museum of Art and Design by bus and wow, what a mighty experience. Almost too much for this guy, anyhow… let’s take a lil ramble:

Ryoko hangs with Pablo and Henri, we had the pace mostly to ourselves (wow!)

Toyama Prefectural Museum of Art and Design (map): https://goo.gl/maps/5sMsynNJzaD2GpTB8

TAD (web): https://tad-toyama.jp/en/

Ride along: Rolling Elsewhere: Kanazawa to Toyama, Japan (ambient, excerpts)

Ryoko hangs with Pablo

Truthfully, I am partial to small/quirky/cozy museums and this was quite different… an expansive modern building with many many halls of exhibits (but only some were photo friendly) including (as i recall):

  • Impressional/post impressionist/modern art (Picasso, Chagall, Toulouse-Latrec, Klee, Munch et al)
  • Installation of an urban lonely-ish bar street corner complete with sound
  • An exhibit/installation involving various nets and recycled materials
  • Various giant friendly bears
  • A capsule hotel segment
  • Art made from packing/duct tape by (as I understand it a fellow who works as a custodian on site)
  • Another hall of modernist art (Pollock, Dali, Miro…)
  • A few other installation rooms (a rather disorienting as was the purpose)
  • An incredible collection by an art benefactor of her magazines, prints, brochures, books and what not
  • A collection of 20th century chairs and posters (not about chairs), like high design chairs you *must not* sit upon these chairs (they are not comfortable and on display) – showing the great print / industrial design sense of modern Japan
  • And (my favourite) a collection of items given to a Japanese poet, art critic, artist Shuzo Takiguchi by his other artist friends (like a load of big timers and worldwide interesting cats), all “bric a brać” and seemingly simple one-off creations and sorta – at-first-glance – rather “nonsensical except for the source” items (seemed like was going into my head/archive, exhibit was called “Shop of Objects” or “Notes about things”
  • Another permanent collection from a benefactor couple called Goldberg
  • Also a ‘hands-on” Atelier area, a library, and long halls of upcoming and legacy items (including interactive panels)

Exit through the gift shop and the Swallow Café:

As usual, purchased a museum/exhibit guide at the gift shop as well as other postcards and artefacts but really it was quite overwhelming and required some fresh air and a café visit at the end.

buy the book, and the postcards, and the coffee / TAD. not *just* a band

I mean besides mentioned already, in the collection were Henry Moore, Jasper Johns, Henri Matisse, Andy Warhol’s Marilyn x4, Man Ray, Marcel Duchamp… goes on and on… plus loads of contemporary-ish Japanese artists i wasn’t familiar with so was great to see *not the usual classic Japanese art* styles.

Especially interesting a Japanese-French painter called Tsuguhara Foujita (aka Léonard Foujita) with “Two Nudes” from 1929 made me curious about how he came to be there and who he collaborated with.

Though I have the exhibit guidebook, I am not going to annotate all these photos, just let them flow, gently assembled. [Update: went out to the archive and pulled out the “Selected Works from the Collection”book, so heaven help me, gonna add notes where i can… oh geez, even looked up the exhibits from 2019], on we go:

(probably Bushiro Mori but not sure, can ya give me a hand?)

Aside note: the guide book shows the staff uniforms for Spring 2019 were designed by Issey Miyake (who at this writing in Summer 2022, has recently passed away with a legacy of importancy and acclaim).

Post-Impressionalist Hall (not official name)

Pablo Picasso, Femme dans un fauteuil, 1923
Henri Toulouse-Lautrec, Portrait of Manzi Panneau, 1901
Marc Chagall, L’homme la chévre, 1924-25
Joan Miro, Testa di fumatóre, 1925
oh my, another i can’t reference… i’ll try harder

Another hall of modern-ists (not official title)

Salvador Dali, Allegory of an American Christmas, 1943
Jackson Pollock, Untitled, 1946
unidentified, thoughts? maybe Pollock
Frank Stella, Talladega, 1981
also unknown, do you know?
maybe same as above but not sure

Other Installations and whatnot

George Segal, Girl Leaning Against a Doorway, 1971 (detail of installation)
oh dang, this was part of the nets suspended with items at which photos weren’t allowed but can find listed in the exhibit guide, sorry
update: found a snap of the overview, sorry not more context but those photo policies…
Atsuhiko Misawa, (the other bear is called “Animal 2017-01-B” so this might be “A” or other, likely 2017
sorry don’t know this one either
capsule hotel presented as an architectural and historical item (artist not found in book)
long, tall, spacious – almost daunting – corridors

Packing tape art exhibit (not official title)

this exhibit was real neat and photography allowed(!) and done (as i recall) but a fella who works at the museum
hooray for “photo logo” – as i recall now, there was a whole dialogue throughout the museum about the iconography language

Mags, Books, Ephemera, etc

I wanted to hug this big ole bear…

Atsuhiko Misawa, Animal 2017-01-B, 2017

Aside: When we travel around, sometimes these rather minor provincial cities will have a massive museums – with Picasso and Monet and Chagall – usually built in those heady 70s-1980s. Seems to me, during the glorious prosperous bubble years, extra *cough* care and attention was put into public buildings, especially the libraries and museums built in this era are goddamn ambitious. Now since the mid 90s and stagflation, things are much more utilitarian. Remember art and golf course are two great ways to launder money as well :-)

Looking it up, the original TAD was conceived in 1973, opened in 1981, then a new one conceived in 2013 as part of revitalization in a depopulation situation and opened in 2017.

Blurb: On our meandering adventure of a honeymoon in May-June 2019, we travelled by many means of convenience including a wide variety of trains, rental cars, occasional coach buses and what not. See the whole Shinkonryoko Scrapbook for a mixed-media ephemera overview and a list of places visited for the curious.

Field Notes regarding exhibit/museum/gallery/garden dossiers:

These posts, such as they are, are for recollection, inspiration, reference and possible remixing. I say this to remind myself these round-ups are not meant to be textbooks, comprehensive guides, analysis – critical or otherwise, or a “master’s thesis”. So much goodness in these exhibits – whether grand and well-funded museums or (my favourite) grassroots operations, or even spontaneous art around the edges in unexpected circumstances – that i enjoy archiving.

Also noting often, museums have a “no photo” policy and of course, art and artifacts are best experienced in-person, or with fine reproductions at least, so consider my humble dossirs as a stand-in, in the meanwhile, with a special eye to shut-ins and other who have a hard time getting out and about.

Photography encouraged
from Douglas Coupland’s “Everything is Everywhere is Anywhere” exhibit

As such, these round-ups will be lightly annotated with usually (just) the name of the museum, possible circumstance and/or approximate date of the visit, possible link to museum website and or map for your reference and then a flow of photos.

I almost always buy museum exhibit books, as well as many other items from the gift shop, so if you have any specific questions about any of the pieces displayed, please leave a comment and I’ll do my best to add some additional colour commentary – no guarantees.

Meta Note: actual trip May-June 2019, draft assembled Oct. 2019, tidied and published Aug-Sept 2022

2 thoughts on “Museum: Toyama Prefectural Museum of Art and Design, 2019 (a sampler)”

  1. Sativador Dali

    That’s quite a collection for an obscure or under-busy museum. My favorite was the Canadian American beardy uncle on display. So much expressionism

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