Tag Archives: fsma

Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 6

Greetz from Elsewhere: you can see Laughs
Greetz from Elsewhere: you can see Laughs

A rather large batch of handmade cards made from excerpts from my Fck Stats, Make Art dossiers (heroes and metaphors), scraps for poetry, and  pre-franked stamps from Democratic People’s Republic of Korea (North), collaged on white stock, with personal (albeit cryptic) notes scribbled, and sent somewhat anonymously (with assistance from a friend) to unsuspecting folks who seemed in need of a little pick-me-up parable to remind they are remarkable and executing noteworthy import-ness.

Displayed in batches, with limited annotations.

Greetz from Elsewhere: Re: Amsterdam canals – be sure to jot down the name (pencil and marker on paper)
Greetz from Elsewhere: Re: Amsterdam canals – be sure to jot down the name (pencil and marker on paper)

Continue reading Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 6

Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 5

Greetz from Elsewhere: Go further to explore interestingness
Greetz from Elsewhere: Go further to explore interestingness

A rather large batch of handmade cards made from excerpts from my Fck Stats, Make Art dossiers (heroes and metaphors), scraps for poetry, and  pre-franked stamps from Democratic People’s Republic of Korea (North), collaged on white stock, with personal (albeit cryptic) notes scribbled, and sent somewhat anonymously (with assistance from a friend) to unsuspecting folks who seemed in need of a little pick-me-up parable to remind they are remarkable and executing noteworthy import-ness.

Displayed in batches, with limited annotations.

Greetz from Elsewhere: My coordinates are my own but my sentiments are yours, with admirations and affection
Greetz from Elsewhere: My coordinates are my own but my sentiments are yours, with admirations and affection

Continue reading Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 5

Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 4

Greetz from Elsewhere: dossier of maps, legends and sentiments
Greetz from Elsewhere: dossier of maps, legends and sentiments

A rather large batch of handmade cards made from excerpts from my Fck Stats, Make Art dossiers (heroes and metaphors), scraps for poetry, and  pre-franked stamps from Democratic People’s Republic of Korea (North), collaged on white stock, with personal (albeit cryptic) notes scribbled, and sent somewhat anonymously (with assistance from a friend) to unsuspecting folks who seemed in need of a little pick-me-up parable to remind they are remarkable and executing noteworthy import-ness.

Displayed in batches, with limited annotations.

Greetz from Elsewhere: the simplicity of proper tools make large tasks so much simpler (Don't Get Precious)
Greetz from Elsewhere: the simplicity of proper tools make large tasks so much simpler (Don’t Get Precious)

Continue reading Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 4

Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 3

Greetz from Elsewhere: stamps from various places (decorative, rather than functional in this case)
Greetz from Elsewhere: stamps from various jurisdictions (decorative, rather than functional in this case)

A rather large batch of handmade cards made from excerpts from my Fck Stats, Make Art dossiers (heroes and metaphors), scraps for poetry, and  pre-franked stamps from Democratic People’s Republic of Korea (North) and other jurisdictions, collaged on white stock, with personal (albeit cryptic) notes scribbled, and sent somewhat anonymously (with assistance from a friend) to unsuspecting folks who seemed in need of a little pick-me-up parable to remind they are remarkable and executing noteworthy import-ness.

Displayed in batches, with limited annotations.

Greetz from Elsewhere: Reap Rewards - sometimes the bus take longer to arrive than planned. As such, ensure a comfy chair is nearby whilst you wait for ships, cars and future
Greetz from Elsewhere: Reap Rewards – sometimes the bus take longer to arrive than planned. As such, ensure a comfy chair is nearby whilst you wait for ships, cars and future

Continue reading Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 3

Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 2

Greetz from Elsewhere: Seas appear rough on tip - what with ripple waves and tides, but past a human depth belong, the sea is oblivious and chars in a different accord
Greetz from Elsewhere: Seas appear rough on tip – what with ripple waves and tides, but past a human depth belong, the sea is oblivious and chars in a different accord

A rather large batch of handmade cards made from excerpts from my Fck Stats, Make Art dossiers (heroes and metaphors), scraps for poetry, and  pre-franked stamps from Democratic People’s Republic of Korea (North), collaged on white stock, with personal (albeit cryptic) notes scribbled, and sent somewhat anonymously (with assistance from a friend) to unsuspecting folks who seemed in need of a little pick-me-up parable to remind they are remarkable and executing noteworthy import-ness.

Displayed in batches, with limited annotations.

Greetz from Elsewhere: Pulling the Strait (poem, inside card)
Greetz from Elsewhere: Pulling the Strait (poem, inside card)

Continue reading Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 2

Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 1

Greetz from Elsewhere: Mock / Ignore the Gatekeepers
Greetz from Elsewhere: Mock / Ignore the Gatekeepers

A rather large batch of handmade cards made from excerpts from my Fck Stats, Make Art dossiers (heroes and metaphors), scraps for poetry, and  pre-franked stamps from Democratic People’s Republic of Korea (North), collaged on white stock, with personal (albeit cryptic) notes scribbled, and sent somewhat anonymously (with assistance from a friend) to unsuspecting folks who seemed in need of a little pick-me-up parable to remind they are remarkable and executing noteworthy import-ness.

Displayed in batches, with limited annotations.

Exchanging foreign candies poem (inside card)
Exchanging foreign candies poem (inside card)

Continue reading Post’d: Greetz from Elsewhere (postal dispatches, Dec. 2015) vol. 1

The Internet is personal

The Internet is personal, not professional, not corporate, not to be controlled by self-professed “gurus”. Fck stats, make art.

Musing and Mediations re: Creativity (and Rebellion)

Musings and Meditations for Creativity (and Rebellion)
Musings and Meditations re: Creativity (and Rebellion)

Fck Stats, Make Art – Colleague Cameron riffs about Art in Marketing in Squamish

My pal and co-conspirator Cameron Uganec spoke at a marketing conference in Squamish BC and used my riff about Fck Stats, Make Art as an example/inspiration/anecdote for the assembled masses who seemed to enjoy the sentiment. Artifacts follow:

Cameron U talks Fck Stats, Make Art re: marketing at #CIMC2018 conference in Squamish BC - photo by Sandy Pell @sandycanvas
Cameron U talks Fck Stats, Make Art re: marketing at a conference in Squamish BC – photo by Sandy Pell @sandycanvas

“On the Road to Creativity” talk notes (Pecha Kucha NIght, Vancouver, 2010)

Dave Olson - Story Maker/Writer/ Producer (uncleweed.net) speaks at Pecha Kucha - photo by Melissa Gedney

What follows are my notes for a talk called “On the Road to Creativity” for Pecha Kucha Night Vancouver. The format includes 20 slides for 20 seconds each, auto-changed. As such, the pace is brisk and a bit of a high-wire act. No audio/video exists but there is a “roundup” of photos, tweets, and other artifacts including the hand-crafted “paper-point” collage slides. See “Consider Perusing” below.

1 – On the road

I’ve spent much of my life wandering around the globe working odd jobs including mushroom farmer in Japan, grape picking in Germany, beach club host in Guam and even following the Grateful Dead – all these experiences provided lots of time for thinking mostly about the meaning of art and importance of documentation – here’s what i cam up with

2 Art makes the future

while the history we learn is laden with the stories of kings, conquerers, popes and rulers, the only reason we know anything about how people lived, loved and thought is because artists took the time to chronicle the the stories through paint, words, carvings, and song. From the earliest cave painters to bloggers, there is vast evidence for the importance of storytelling.

3 Art Craft Schwag

No doubt today like olden times, there is a tremendous amount of disposable pop culture created to satiate common interest but the best stuff created by diligent artisans rises above the layer of schlock into the territory of craft and then transcends into a rarified area of art which will last centuries rather than 15 minutes. But who decides what is art? And don’t give me that “i know what i like” answer.

4 Craft + Intent

Instead I’ve made a formula to sort out these largely subjective criteria – first off, take Craft – skill honed from thousands of hours of consideration, then add Intent – which, while subjective, can be gauged by heart of the creator, and then multiplied by the artist’s Integrity as seen by an audience. The audience who truly breathes life into a story, no matter the medium. This formula doesn’t work for you? Cool, make another, but be sure to share. Art does not live in a vacuum, art yearns to be shared.

5 Audience / Awesome

But this can be tricky for artists who must balance their internal desire and, dareisay mission, to create authentic art with the often debilitating practical need to make a living. I’ve found that my projects which garner the biggest audience, are not necessarily the ones which i maximize my artistic potential – find where you audience and awesomeness intersect and try to find a way to hang out there.

Here’s how:

6 Upgrade your Heroes

First upgrade your heroes – history is scattered with underknown world-changers, and the present is too. Dig beyond pop culture, politicians and sports personalities to find remarkable predecessors to your work – for me, my heroes range from writer of “Confessions” and “The Social Contract”, Jean Jacques Rousseau, to current day punk rock photographer bev davies. Who are your historical dopplegangers?

7 Personal Archaeology

Next, embark on personal archaeology – dig into your closet to find forgotten dreams from those black white photos you took in yellowstone to graduate thesis to 4th grade book reports to your journals from hitchhiking down the coast. Take the risk to share these artifacts with your small slice of the world and let them breathe life into your work.

8 Embrace Translucency

Transparency isn’t interesting – instead share the parts of you which are compelling and you are capable of backing up – accept risks but protect the parts of you which are too delicate to expose. Create interest through scarcity and self-editing and be prepared to deal with any reaction which comes along.

9 Express with vigour

You are an expert on something, don’t rely on others to create the historical record – everyone has access to remarkable publishing and promotion tools so step it up and dig deep to tell your unfiltered opinions and don’t let cynics bring you down – if you can’t surprise and impress yourself, no way you can evoke emotion from an audience.

10 HST

I think of “Express with Vigour” as the “Hunter S Thompson rule” – while his reputation has been somewhat maligned through hollywood movies, the fake Doctor was the finest social commentator since Samuel Clemens and offered significant discourse about Jimmy Carter, Hell Angels, 9/11 – and did it with a significant buzz – but always had a job because he expressed himself wisely and vigorously.

11 Cross Training

Now sometimes the pressure to create awesomeness can be debilitating – staring at a white sheet of paper and all that – rather than stressing, experiment with other mediums and get interdisciplinary with cross training skillz and your stories will manifest through the other tools – i contend V. Van Gogh c/would’ve made it as a writer if the painting hadn’t worked out.

12 Don’t Get Precious

With all this goodness you are creating, it’s easy to get protective of your thoughts and work. Rather than waiting for someone to make you an offer you can’t refuse, share your work openly and willingly – learn about creative commons, find collaborators, encourage remixing and your work will create a culture of its own. It’s not always fair but it is usually fun.

13 Ignore Gatekeepers

The established business models for artists are relatively modern and designed to create value for the shareholders of corporations. The goal of landing a major label record deal or a big publishing advance are no longer needed or valued – be your own imprint, chart your own course, the gatekeepers may look intimidating but they are made of stone so walk on by.

14 Cross Pollinate

When your work is released to the world to an audience – no matter the size – you’ll see a culture begin to grow around it – In the hills of Japan, I learned that once inoculated, Shiitake mushrooms propagate their culture from one log to the next – as the older logs rot away and stop producing, new logs down the line are fruiting fungus. Ditto with your audience.

15 Get more drummers

One dude drumming alone can make some noise but is not a party – recruit more drummers to amplify your story in their own way and spread your message across continents and oceans while building relationships and playing well with others. More fun, more effective plus you need others to have your back from time to time. Your momma told you are 1 in a million – that means there are at least 30 people just like you in Canada alone – go find em.

16 Formula for creativity

The old Edison maxim suggest success is 10% inspiration and 90% perspiration – this isn’t my formula – my formula for creative expression is 80% meditation, 10% execution and 10% inebriation – what i mean by that is the real work comes in the white space of life where you contemplate your story – the inebriation part is about pushing yourself to where you get a little scared.

17 Collect notes along the way

Travelling light means not accumulating much – for me gathering ephemeral objects along the way can be a short cut to remembering where you were mentally, emotionally, artistically decades later – a train ticket or dried flower can leap you back to a place in time which can benchmark how much you’ve remained the same while constantly evolving and spark new creative pursuits.

18 make it for yourself

Everyone else is just eavesdropping – this ain’t your job – its for love not money so make it exactly how you want it. Push out the nagging naysayers in your noggin and create something with integrity and for the love of all things decent, don’t cheese out for the quick win. Be sell out proof and make things you’ll want to read when you are old and grey.

19 Reap Rewards

Making stories for the future isn’t a way to gain the material trapping of perceived success. You may never see your reward beyond the admiration of a small tribe of others – but that’s enough. Success will be a surprise you likely don’t expect. Don’t wait for your ship to come in, instead realize it might get lonely out waiting for your bus to roll in so get comfy and settle in.

20 Hang loose

I’m dave, i’m all over the internet – i have a killer job so you can’t hire me but you can buy me a beer – thank you and hang loose vancouver